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  • 00:06

    Hi I'm Graham and this is Man v Film The girl on the
    Hi I'm Graham and this is Man v Film The girl on the

  • 00:08

    train is latest adaptation of a massive
    train is latest adaptation of a massive

  • 00:11

    novel that was out a year or two ago
    novel that was out a year or two ago

  • 00:13

    that was on every book shelve you
    that was on every book shelve you

  • 00:14

    could see as far as the high street went
    could see as far as the high street went

  • 00:16

    and how does it hold up well it's been
    and how does it hold up well it's been

  • 00:18

    referred to as Gone Girly light and that's
    referred to as Gone Girly light and that's

  • 00:20

    fairly understandable one it's got girl
    fairly understandable one it's got girl

  • 00:23

    in the title a right giveaway straight away it
    in the title a right giveaway straight away it

  • 00:25

    was also kinda murder mystery thriller
    was also kinda murder mystery thriller

  • 00:29

    with a female protagonist never quite
    with a female protagonist never quite

  • 00:31

    sure what's going on it's that kinda thing
    sure what's going on it's that kinda thing

  • 00:33

    so it gets the sorta Gone Girl
    so it gets the sorta Gone Girl

  • 00:35

    castoffs it was referred to as
    castoffs it was referred to as

  • 00:38

    the second coming of that kinda movie, is
    the second coming of that kinda movie, is

  • 00:40

    that a fair assessment i'd say it
    that a fair assessment i'd say it

  • 00:42

    probably is cause the movie's definitely trying
    probably is cause the movie's definitely trying

  • 00:44

    to edge it's way onto the Gone Girl kinda
    to edge it's way onto the Gone Girl kinda

  • 00:46

    franchise because It was such a massive
    franchise because It was such a massive

  • 00:48

    as it was it was just a couple of problems
    as it was it was just a couple of problems

  • 00:51

    it doesn't have the cast that it did an it
    it doesn't have the cast that it did an it

  • 00:54

    doesn't have the director that movie had
    doesn't have the director that movie had

  • 00:56

    now the girl on the train is basically
    now the girl on the train is basically

  • 00:58

    about Emily Blunt's character Rachel who
    about Emily Blunt's character Rachel who

  • 01:01

    is a woman who has had a pretty much
    is a woman who has had a pretty much

  • 01:03

    hard time and I didn't expect that
    hard time and I didn't expect that

  • 01:05

    from the trailer she is an alcoholic
    from the trailer she is an alcoholic

  • 01:06

    in this movie and it's about her turmoil about
    in this movie and it's about her turmoil about

  • 01:09

    the abuse that she's had about the
    the abuse that she's had about the

  • 01:11

    abuse that she's doing to herself and is
    abuse that she's doing to herself and is

  • 01:13

    a main focus of the movie is abuse that
    a main focus of the movie is abuse that

  • 01:16

    women undergo it's the underlying theme
    women undergo it's the underlying theme

  • 01:18

    within the movie itself
    within the movie itself

  • 01:19

    she takes a train by her old house and
    she takes a train by her old house and

  • 01:21

    spies on her ex-husband and his new wife
    spies on her ex-husband and his new wife

  • 01:24

    and baby and a couple of doors up from that there is
    and baby and a couple of doors up from that there is

  • 01:26

    a women who she sees having the
    a women who she sees having the

  • 01:28

    ideal life and when she goes missing she's not
    ideal life and when she goes missing she's not

  • 01:31

    to sure she had something to do
    to sure she had something to do

  • 01:33

    with it whether she was involved whether
    with it whether she was involved whether

  • 01:34

    witnessed it because she was drunk
    witnessed it because she was drunk

  • 01:36

    at the time so she can't tell
    at the time so she can't tell

  • 01:37

    that's the basic premise of the movie
    that's the basic premise of the movie

  • 01:39

    and it kinda goes from there when the movie
    and it kinda goes from there when the movie

  • 01:42

    opens up it shows you three female points of
    opens up it shows you three female points of

  • 01:45

    view the three main female characters within the
    view the three main female characters within the

  • 01:47

    movie and I kinda liked that because i
    movie and I kinda liked that because i

  • 01:49

    thought it was going to continue throughout
    thought it was going to continue throughout

  • 01:50

    the movie always rotating through these
    the movie always rotating through these

  • 01:53

    characters all showing small parts and it
    characters all showing small parts and it

  • 01:54

    does and it doesn't do that and when it
    does and it doesn't do that and when it

  • 01:57

    does touch on some of the other characters
    does touch on some of the other characters

  • 01:59

    not Rachel whether it's Megan or
    not Rachel whether it's Megan or

  • 02:00

    Anna the other two female parts it kinda
    Anna the other two female parts it kinda

  • 02:04

    gives them short shrift and makes them out
    gives them short shrift and makes them out

  • 02:05

    to be almost caricatures they're not fully
    to be almost caricatures they're not fully

  • 02:08

    fledged characters that just people where
    fledged characters that just people where

  • 02:11

    strange things have happened to to
    strange things have happened to to

  • 02:13

    they're archetypes almost I feel that's where the
    they're archetypes almost I feel that's where the

  • 02:16

    movie kinda let itself down a little
    movie kinda let itself down a little

  • 02:17

    bit because it's a big movie
    bit because it's a big movie

  • 02:20

    with three female protagonist but it doesn't
    with three female protagonist but it doesn't

  • 02:22

    really give them fully fledged character
    really give them fully fledged character

  • 02:24

    each now Emily Blunts performance is
    each now Emily Blunts performance is

  • 02:26

    absolutely fantastic you'll hear that everywhere
    absolutely fantastic you'll hear that everywhere

  • 02:28

    it's great she is an excellent actress and
    it's great she is an excellent actress and

  • 02:30

    she elevates the material quite a bit
    she elevates the material quite a bit

  • 02:32

    but not enough to fully save it though throughout
    but not enough to fully save it though throughout

  • 02:35

    movie you kinda know that there is a murder mystery
    movie you kinda know that there is a murder mystery

  • 02:36

    going on and somebody's killed Megan you're never
    going on and somebody's killed Megan you're never

  • 02:38

    quite sure who it is but if you've seen
    quite sure who it is but if you've seen

  • 02:42

    these kinda movies before you've got a
    these kinda movies before you've got a

  • 02:44

    rough idea there's clues towards other
    rough idea there's clues towards other

  • 02:48

    people, dead ends, things like that, red
    people, dead ends, things like that, red

  • 02:50

    herrings but you kinda know roughly who its
    herrings but you kinda know roughly who its

  • 02:53

    gonna be or i did anyway and when the reveal
    gonna be or i did anyway and when the reveal

  • 02:56

    came it wasn't so much as a surprise as
    came it wasn't so much as a surprise as

  • 02:58

    it was about time when i left the movie I
    it was about time when i left the movie I

  • 03:01

    felt a bit underwhelmed with how it acted out
    felt a bit underwhelmed with how it acted out

  • 03:04

    how it finished one of the major
    how it finished one of the major

  • 03:07

    problems i had with it was the
    problems i had with it was the

  • 03:09

    unreliable protagonist to woman, the
    unreliable protagonist to woman, the

  • 03:12

    character is drunk so the information
    character is drunk so the information

  • 03:14

    she's given you or the point of view that
    she's given you or the point of view that

  • 03:15

    we've seen from her we can never really
    we've seen from her we can never really

  • 03:18

    rely on as being truth so you feel as
    rely on as being truth so you feel as

  • 03:21

    if the movies kinda duped you out of pertinent
    if the movies kinda duped you out of pertinent

  • 03:23

    information you should have had but
    information you should have had but

  • 03:26

    because of this character you never really
    because of this character you never really

  • 03:28

    get the full story or you never really get
    get the full story or you never really get

  • 03:30

    the whole truth and that felt that was
    the whole truth and that felt that was

  • 03:31

    a really underhanded sly move
    a really underhanded sly move

  • 03:34

    from the film makers it doesn't really
    from the film makers it doesn't really

  • 03:35

    help the movie i'm going to give The Girl on
    help the movie i'm going to give The Girl on

  • 03:38

    the train 3 out of 5 it's good it's not great its
    the train 3 out of 5 it's good it's not great its

  • 03:42

    worth definitely one watch is it worth seeing in the
    worth definitely one watch is it worth seeing in the

  • 03:44

    cinema maybe not, maybe check out
    cinema maybe not, maybe check out

  • 03:46

    netflix so let me know what you thought
    netflix so let me know what you thought

  • 03:49

    the girl on the train in the comments
    the girl on the train in the comments

  • 03:50

    box below and I will see you next time
    box below and I will see you next time

  • 03:52

    on man v film so thanks for watching
    on man v film so thanks for watching

  • 03:53

    that video I hope you enjoyed it if you
    that video I hope you enjoyed it if you

  • 03:55

    notice on screen that there is two more
    notice on screen that there is two more

  • 03:56

    videos that you can click and watch
    videos that you can click and watch

  • 03:58

    there is also a large subscribe button
    there is also a large subscribe button

  • 04:00

    at the bottom of the screen if you would
    at the bottom of the screen if you would

  • 04:01

    like to subscribe to my channel thanks
    like to subscribe to my channel thanks

  • 04:03

    for watching and I will see you next
    for watching and I will see you next

  • 04:04

    time on man v film
    time on man v film

All idiom
this is
//

idiom

Used to quote, paraphrase, or mimic the words of someone else, especially in a mocking or derisive manner.

The Girl on the Train Movie Review

117 views

Video Language:

  • English

Caption Language:

  • English (en)

Accent:

  • English (UK)

Speech Time:

99%
  • 4:04 / 4:06

Speech Rate:

  • 206 wpm - Fast

Category:

  • Entertainment

Intro:

Hi I'm Graham and this is Man v Film The girl on the
train is latest adaptation of a massive. novel that was out a year or two ago. that was on every book shelve you. could see as far as the high street went. and how does it hold up well it's been. referred to as Gone Girly light and that's. fairly understandable one it's got girl. in the title a right giveaway straight away it. was also kinda murder mystery thriller. with a female protagonist never quite. sure what's going on it's that kinda thing. so it gets the sorta Gone Girl. castoffs it was referred to as. the second coming of that kinda movie, is. that a fair assessment i'd say it. probably is cause the movie's definitely trying. to edge it's way onto the Gone Girl kinda. franchise because It was such a massive. as it was it was just a couple of problems.

Video Vocabulary

/ˈkerəktər/

noun verb

Writing symbols, e.g. alphabet or Chinese writing. write.

/ˌəndərˈstandəb(ə)l/

adjective

Able to be understood; intelligible.

/ˈkastäf/

noun other

something that is no longer wanted. .

/strāt/

adjective adverb noun

extending or moving uniformly in one direction only. in straight line. part of something that is not curved.

/ˈɡivəˌwā/

adjective noun

free of charge. free gift.

/ˈpräbəblē/

adverb

certainly.

/bēˈkəz/

conjunction

for reason that.

/prōˈtaɡənəst/

noun

leading character or one of major characters in drama, movie, novel, or other fictional text.

/ˈdef(ə)nətlē/

adverb

Without question; beyond doubt.

/əˈsesmənt/

noun

Conclusion, opinion formed after due consideration.

/ˈmist(ə)rē/

noun

Quality of being strange and not understood.

/ˌadapˈtāSH(ə)n/

noun

Music, movie or play, changed to a new form.

/rəˈfər/

verb

To send a patient, client to a specialist.

/ˈfranˌCHīz/

noun verb

authorization enabling person to carry out commercial activities. To sell the use of a brand to run a company.

/diˈrektər/

noun

Senior person who manages part of an organization.