Keep calm and carry on the comedy.

Welcome to WatchMojo UK and today we’ll be counting down our picks for the top 10

greatest classic British sitcoms!

For this list, we’ve gathered the finest, funniest, most iconic and most important British

sitcoms.

As this is a countdown of the classics, to be in contention the show must have started

before the year 2000.

For a look at celebrated recent sitcoms, be sure to check out our video counting down

the greatest modern shows, and if cult comedy is more your thing then we’ve got you covered

with another clip as well.

We start stacked with sexual innuendo, for a double helping of double entendre.

Throughout the ‘70s and early ‘80s “Are you Being Served?”

had audiences bent double with its risqué word play and comic misdirection.

Taking place in the clothing section of a fictional department store, each half-hour

episode offered an abundance of inside leg gags and not so well veiled references to

Mrs Slocombe’s ‘pet cat’ – which seemed to get itself into all manner of situations.

True, the ‘nudge, nudge, wink, wink’ approach is out of sync with today’s society, and

the social stereotypes have dated, but “Are You Being Served?”

remains a favourite with fans and critics.

So much so, a one-off reboot aired in 2016.

Following on from earlier success with “The Young Ones”, “Bottom” is the squalid,

anarchic brainchild of Ade Edmondson and Rick Mayall.

The pair wrote and starred in the series, which centres around Richie Richard and Eddie

Hitler, dysfunctional flatmates living on the dole in West London.

Mostly set inside their paltry and dangerously unsanitary city home, show storylines centre

on drinking heavily, fighting fiercely, and hatching unconventional plans to try and find

someone willing to have sex with them.

It’s crude, often controversial, and the complete opposite to ‘clean cut’.

Plus, the show’s title is the most blatant bum gag going.

What more could you want?

The earliest aired of today’s entries, “Steptoe

and Son” was a front-runner for sitcom writers.

As one of the first shows to cast actors over straight-up comedians, with Wilfrid Bramble

and Harry H. Corbett starring in title roles, it saw a generation clash between elderly

Albert Steptoe and his middle-aged son, whose social aspirations are wildly out of tune

with his father’s.

Despite ongoing rumours of on-set tensions, “Steptoe” was watched by 28 million at

its peak, with moving storylines which offered much more than the expected gag reel.

In 1964, it was even rescheduled so as not to be broadcast on election night.

Prime Minister Howard Wilson feared that the polls would be empty if “Steptoe” was

on.

Of all Britain’s institutions, its government perhaps most frequently falls within the comic’s

firing line.

Political satire is a staple of UK TV, and “Yes Minister” gets our vote as the finest

parliamentary jaunt on the box.

The series follows the rise (and occasional falls) of the right honourable Jim Hacker

MP, a hapless incumbent at the fictional Department of Administrative Affairs.

Hacker’s hopeless attempts to get his policies noticed contribute to what seems a floundering

career in public office, until a surprising promotion lands him in the big seat for a

two-series sequel.

“Yes Prime Minister” ran from ’86 to ’88, as Hacker causes havoc from inside

Number 10.

From the first line of its iconic theme tune to its many classic catchphrases, “Dad’s

Army” is etched into British pop culture.

Written by Jimmy Perry and David Croft and set in the fictional town of Walmington-on-Sea,

the show chronicles the comings and goings of a Home Guard platoon during World War Two.

A cast of classic characters includes Privates Pike, Godfrey, Walker and Frazer, as well

as Sergeant Wilson and Lance Corporal Jones, who all do their best to give the enemy ‘what

for’ under the patriotic but imperfect leadership of Arthur Lowe’s Captain Mainwaring.

It’s war, just not as we would normally know it.

To south east London next, and a family business destined for the big time – or so Del Boy

believes, at least.

“Only Fools” sees David Jason’s Del pair with little brother Rodney to make a

questionable living on the streets of Peckham.

The Trotters will try their hand at anything if it seems a money-maker, but their ‘Independent

Traders’ firm has yet to expand from out the back of beat up three-wheeler.

Not-so-ably assisted by Grandad, and Uncle Albert in later series’, their drive rarely

waivers but success almost never comes their way.

Still, millions tuned in on a weekly basis, crossing their fingers that one day it would.

The links between comedy and the clergy may not

be immediately obvious, but some of TV’s funniest shows take place in and around the

holy house of God.

We might have listed “The Vicar of Dibley” here, a biblical triumph in its own right,

but we’ve saved our sermon for “Father Ted”.

A predominantly Irish arrangement, it first aired on Channel 4 in 1995 before running

for three series, with a Christmas Special to boot.

Set on Craggy Island, the fictional place of exile for three not-so-saintly priests,

the sublime and ridiculous storylines see titular Ted deal with daily life in the parish

alongside Fathers Jack and Dougal.

It’s the answer to all your sitcom prayers.

As one half of “The Two Ronnies”, Ronnie Barker was already a household name when he

debuted as Norman Stanley Fletcher.

But his stretch inside HMP Slade remains one of the comic’s most memorable roles.

“Porridge” was the result of another initiative, “Seven of One”, which saw Barker star

in seven separate sitcom pilots, including an early version of “Open All Hours”.

While finding a funny side to prison life proved difficult at first, writers Dick Clement

and Ian La Frenais soon realised that ‘small victories’ were key.

Essentially, “Porridge” is Fletcher beating the system over and over again, and audiences

loved his anti-establishment ways.

With only 12 episodes ever made, “Fawlty Towers” is the shortest-running of today’s

top ten.

But size really isn’t everything.

The hotel-based hilarity was created by John Cleese and Connie Booth, who were married

at the time of the first series and both had starring roles.

Cleese’s Basil Fawlty is head hotelier, attempting to run a hospitable residence but

consistently blowing his top whenever problems arise.

Booth plays Polly, a hotel assistant and voice of reason within the chaos, while Prunella

Scales stars as Sybil, Basil’s long-suffering wife, and Andrew Sachs is Manuel, a Spanish

waiter forever lost in translation.

From hotel inspections to hygiene restrictions, Basil’s business is a shambles, but it makes

for five star TV.

Before we unveil our top pick, here are a few honorable mentions.

A

sitcom spanning almost 500 years of history, “Blackadder” takes today’s crown.

From the Middle Ages to Elizabethan England, the Regency period and World War One – not

to mention a lengthy series of specials, one-off clips and standalone sketches – no era is

safe from Edmund Blackadder and his band of the merriest of men.

Rowan Atkinson’s antihero raised the bar for sitcoms throughout the ‘80s, consistently

bucking the trend with his delightfully deadpan delivery.

But, as with most great comic characters, he has a human side too, and despite all the

gags, usually at the expense of Baldrick, the finale to “Goes Forth” remains one

of the most moving moments in British TV history.

Blackadder, we salute you.