The last thing I noticed in Washington DC propelled me on a virtual journey around the

world.

Remember the pair of interlocking triangles surrounding the White House?

It struck me that the horseshoe shaped lawn in the White House backyard looked a lot like

the blue stone ring at Stonehenge.

That got me thinking how these two triangles together form a 5 by 12 rectangle that has

the same proportions as the station rectangle at Stonehenge.

Following this hunch, I drew a line from the tip of the Federal Triangle to the center

of Stonehenge.

Later on I happened to zoom into New York City when this layer was on, and saw that

the alignment perfectly bisects Central Park.

That's probably not an accident so here we go!

The angle that this large scale alignment takes through Central Park matches the interlocking

Pythagorean triangles' hypotenuses.

Four such triangles match Central Park's proportions of 5 to 24 precisely.

I then wondered what is this unusual aqueduct doing just under the surface of the Jacqueline

Kennedy Onassis reservoir?

It seems to mirror the triangle's hypotenuse angle.

That's certainly odd, but in my research I've learned to follow so-called coincidences wherever

they lead.

The aqueduct leads us to the Metropolitan Museum of Art.

Getting closer still, we see this variation of the Templar flag in the atrium of the Robert

Lehman collection.

Incidentally Albrecht Durer's esoteric masterpiece Melancholia I is in this collection and we'll

study it in Egypt.

In case you're thinking I'm imagining connections where none exist, right outside this room

is one of the oldest artifacts in North America, a 3500 year old Egyptian obelisk from Heliopolis.

Note the octagon surrounding yet another solar symbol.

There are only a handful of ancient Egyptian obelisks left in the world, even counting

those still in Egypt.

So when I see one I sit up and take notice.

This obelisk is the twin of Cleopatra's needle in London.

Egyptian temples typically had paired obelisks at their entrances, so the obelisks now in

New York and London used to together frame the entrance to a temple in Heliopolis.

It was quite a difficult and expensive project in the 19th century, and even today, to transport

a 224 ton slab of granite halfway across the planet.

Connecting nations with ancient Egypt was apparently a very powerful motivator to the

Freemasons who bothered moving these obelisks.

Overlaying the floor plan, we see what the aqueduct is pointing to, literally an ancient

Egyptian temple within the Sackler wing of the Met.

The Temple of Dendur had to be removed from its original site in order to save it from

being submerged by the construction of the Aswan High Dam.

In 1965 the government of Egypt presented the temple as a gift to the United States,

which was ceremonially represented by Jacqueline Kennedy Onassis.

That's quite a coincidence considering the aqueduct in Jacquie's reservoir led us to

the very temple she received.

Was the former first lady playing the role of Isis?

While we're in New York let's take a look at one of the most famous tourist spots and

greatest symbols of America and visit the Statue of Liberty.

The authors Graham Hancock and Robert Bauval have researched the Statue of Liberty and

you might be surprised what they have found.

French sculptor and well-known Freemason Bartholdi designed the colossal statue originally for

the opening of the Suez canal in 1867.

Fellow Freemason Gustave Eiffel, who was later made famous for his Parisian Tower, was commissioned

as the statue's engineer.

It is said Bartholdi modeled the sculpture after the Roman goddess Libertas.

The truth is Libertas was an echo of the Egyptian goddess Isis.

After Bartholdi's colossus was rejected for the Suez canal due to financial reasons, he

re-purposed it as the Statue of Liberty for New York harbor.

It comes as no surprise that the cornerstone for the Statue of Liberty was laid in a masonic

ceremony.

Researcher Jim Alison has connected the dots and identified the triangle between Giza,

Pharos and the opening of the Suez canal.

The angle of this triangle matches the slope of the great pyramid and looks like the Greek

letter delta which beautifully echoes the Nile delta.

The colossus of Rhodes was one of the 7 wonders of the ancient world.

The giant statue that stood on the island of Rhodes depicted Apollo, god of the Sun,

who also wore a crown of 7 rays.

Seven rays is very interesting in light of the culmination of the initiation ceremony

into the cult of Isis.

According to 19th century author Eduard Schure, after a successful initiate survived all the

harrowing tests and triumphed over death by fire, water, and temptation of the senses,

he was led into an inner sanctum where he looked upon a colossal metal statue of Isis,

crowned with a diadem of seven rays.

I believe seven is Isis' secret number.

Isis' son Horus was god of the Sun, just as Apollo depicted in the colossus of Rhodes

was god of the Sun to the Greeks.

You'll see that the Statue of Liberty's base star is quite odd, having 11 points.

I think this was done to make the number symbolism in the Statue of Liberty fit an important

Egyptian structure, the Great Pyramid of Giza whose height to base proportion is 7 to 11,

like the famous convenience store's name.

And if you didn't get 11 from the base star, the height of the statue from heel to top

of head is 111'1".

So it all fits now: you see how the Statue of Liberty secretly depicts the Egyptian Goddess

Isis.