Alright this is the second instrument in our keyboard family.
Alright this is the second instrument in our keyboard family.

This is a harpsichord. You can see there's a lot of things in common with
This is a harpsichord. You can see there's a lot of things in common with

the piano has the same basic sort of shape
the piano has the same basic sort of shape

long and sort of tapering into the middle. It's got a keyboard,
long and sort of tapering into the middle. It's got a keyboard,

but what do you notice about this keyboard? Should see a couple of things,
but what do you notice about this keyboard? Should see a couple of things,

one
one

there's not just one are actually two keyboards. Some harpsichords
there's not just one are actually two keyboards. Some harpsichords

actually only have one keyboard
actually only have one keyboard

but two is a more like the standard. You'll also notice that the keys are
but two is a more like the standard. You'll also notice that the keys are

backwards in terms of color
backwards in terms of color

what used to be white keys on the piano are black
what used to be white keys on the piano are black

and the black keys on the piano are now white. The layout is exactly the same
and the black keys on the piano are now white. The layout is exactly the same

it's just that the colors are reversed. I have no idea
it's just that the colors are reversed. I have no idea

why that is. You can do some research and you can let me know why they decide to
why that is. You can do some research and you can let me know why they decide to

reverse the colors,
reverse the colors,

but this is fairly standard. You will see some
but this is fairly standard. You will see some

modern harpsichord where they go white and black just because
modern harpsichord where they go white and black just because

of what it is, but this is the basic construction for harpsichord.
of what it is, but this is the basic construction for harpsichord.

So we play it the same way, we press the keys down, (playing harpsichord)
So we play it the same way, we press the keys down, (playing harpsichord)

but you can see that it's not very loud because
but you can see that it's not very loud because

I wasn't being timid about that.
I wasn't being timid about that.

I'm pushing that just about as hard as I can push it so you can see why the piano
I'm pushing that just about as hard as I can push it so you can see why the piano

was such an advantage
was such an advantage

this poor little instrument working as hard as I can with it
this poor little instrument working as hard as I can with it

you can barely hear it did 10 feet away. That's because
you can barely hear it did 10 feet away. That's because

the way that the instrument produces the sound. So now lets get
the way that the instrument produces the sound. So now lets get

inside this harpsichord and see how it actually creates sound.
inside this harpsichord and see how it actually creates sound.

Now on the inside the harpsichord let's look at the difference between it and
Now on the inside the harpsichord let's look at the difference between it and

the piano.
the piano.

First remember we had that whole long row of black damper things on the top is nothing like
First remember we had that whole long row of black damper things on the top is nothing like

that in here.
that in here.

There's no hammers here. Instead we have what looks like a bunch of
There's no hammers here. Instead we have what looks like a bunch of

gigantic screws or something lined up together here.
gigantic screws or something lined up together here.

What happens here inside the harpsichord is instead a hammer striking the strings,
What happens here inside the harpsichord is instead a hammer striking the strings,

what happens is that one of these little devices
what happens is that one of these little devices

comes up and plucks this string. There's actually a little piece right here that's
comes up and plucks this string. There's actually a little piece right here that's

really hard to see
really hard to see

that comes up grabs the string and that's what makes the sound.
that comes up grabs the string and that's what makes the sound.

It's called the plectrum, that's it's technical term. So this is
It's called the plectrum, that's it's technical term. So this is

considered a string instrument
considered a string instrument

as well as keyboard because the way the sound is produced, the sound is produced by
as well as keyboard because the way the sound is produced, the sound is produced by

plucking a string.
plucking a string.

Now just like violins you know you go the orchestra they're forever tuning
Now just like violins you know you go the orchestra they're forever tuning

the thing. A
the thing. A

harpsichord has to be tuned every time you want to play it.
harpsichord has to be tuned every time you want to play it.

A piano will stay in tune for quite a long time a harpsichord goes out of tune
A piano will stay in tune for quite a long time a harpsichord goes out of tune

very quickly and we didn't have this tuned for us so
very quickly and we didn't have this tuned for us so

we're not going to try to play anything for you that's real but,
we're not going to try to play anything for you that's real but,

but you can see them it's a very different kind of sound. It's,
but you can see them it's a very different kind of sound. It's,

it's string sounding, it's not like the big powerful sound of the piano.
it's string sounding, it's not like the big powerful sound of the piano.

You can also see that the strings go laterally on
You can also see that the strings go laterally on

our piano strings were all strung this direction so now we have strings
our piano strings were all strung this direction so now we have strings

strung in what we call these courses. So they're one up above
strung in what we call these courses. So they're one up above

each other and so we have whole row of these are plucking
each other and so we have whole row of these are plucking

various different strings on the inside. So that's what makes a harpsichord very
various different strings on the inside. So that's what makes a harpsichord very

different from a piano. It
different from a piano. It

can't play nearly as loudly because the strings can only do what the strings can
can't play nearly as loudly because the strings can only do what the strings can

do.
do.

Now you can create some different-- (plays)
Now you can create some different-- (plays)

you can see that those sounds are a little bit different little, bit out of tune as well, but
you can see that those sounds are a little bit different little, bit out of tune as well, but

but the tone quality can be different. They can
but the tone quality can be different. They can

some stop things here on the front do some things with pedals that actually
some stop things here on the front do some things with pedals that actually

change the sound quality,
change the sound quality,

but it's always going to be fairly soft, it's always going to have a sort of a
but it's always going to be fairly soft, it's always going to have a sort of a

tinkly sound to it just because the way that the sound is produced.
tinkly sound to it just because the way that the sound is produced.

A little bit better than Schroeder's piano on Peanuts but,
A little bit better than Schroeder's piano on Peanuts but,

(plays instrument)
(plays instrument)

not significantly better than what you think of
not significantly better than what you think of

as kind of a good toy piano. But it's a very interesting sound it's used a lot in the
as kind of a good toy piano. But it's a very interesting sound it's used a lot in the

Baroque period, so you'll hear a lot of it when we listen to Bach in that
Baroque period, so you'll hear a lot of it when we listen to Bach in that

period of time.
period of time.

In fact if you hear harpsichord being played you can pretty much guess it's
In fact if you hear harpsichord being played you can pretty much guess it's

from one of two periods,
from one of two periods,

it's either from the Baroque or it's from the modern period when it kinda made a
it's either from the Baroque or it's from the modern period when it kinda made a

resurgence because it was an old sound it was kind of cool.
resurgence because it was an old sound it was kind of cool.

So that's a harpsichord lots of strings,
So that's a harpsichord lots of strings,

not as many as a piano, no metal you see that there's no big metal board
not as many as a piano, no metal you see that there's no big metal board

here. These strings are strung very
here. These strings are strung very

much more loose than the tension is much more loose on the harpsichord.
much more loose than the tension is much more loose on the harpsichord.

Which also makes so it can't play very loudly. So
Which also makes so it can't play very loudly. So

that's our second keyboard instrument.
that's our second keyboard instrument.