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Fill the gaps to the Lyric - Best method
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  • 00:07

    One of the oftentimes-unsung heroes of great video production is titles and graphics. Leave
    One of the oftentimes-unsung heroes of great video production is titles and graphics. Leave

  • 00:13

    them out - and your work will be average at best and at worst - downright boring. The
    them out - and your work will be average at best and at worst - downright boring. The

  • 00:17

    most common type of graphic used to identify people and companies are lower thirds. We’ll
    most common type of graphic used to identify people and companies are lower thirds. We’ll

  • 00:22

    be looking at their purpose and design and take you step-by-step through their creation
    be looking at their purpose and design and take you step-by-step through their creation

  • 00:26

    as well. With these basic skills and a bit of imagination, you’ll soon see your work
    as well. With these basic skills and a bit of imagination, you’ll soon see your work

  • 00:32

    rise from the depths of the mundane to the heights of audience pleasing excellence.
    rise from the depths of the mundane to the heights of audience pleasing excellence.

  • 00:41

    Lower thirds have a very simple purpose, which is to communicate to your audience information
    Lower thirds have a very simple purpose, which is to communicate to your audience information

  • 00:46

    about the person or event they are watching onscreen. They derive their name from their
    about the person or event they are watching onscreen. They derive their name from their

  • 00:50

    placement along the lower third of the viewing area. You will find them identifying the reporter
    placement along the lower third of the viewing area. You will find them identifying the reporter

  • 00:55

    on your local news station, the forest in which the latest fire is raging and the current
    on your local news station, the forest in which the latest fire is raging and the current

  • 00:59

    score of the game you’re watching. Usually, lower thirds appear for a short while then
    score of the game you’re watching. Usually, lower thirds appear for a short while then

  • 01:04

    fade away. In some cases, where a person being interviewed is onscreen over a period of several
    fade away. In some cases, where a person being interviewed is onscreen over a period of several

  • 01:09

    minutes for example, the lower third may reappear occasionally to remind the audience exactly
    minutes for example, the lower third may reappear occasionally to remind the audience exactly

  • 01:13

    who this person is, what they do and why their viewpoint may be important.
    who this person is, what they do and why their viewpoint may be important.

  • 01:22

    Proper design is critical in achieving maximum lower third effectiveness. You want to draw
    Proper design is critical in achieving maximum lower third effectiveness. You want to draw

  • 01:26

    an appropriate amount of attention to the lower third in order to convey the desired
    an appropriate amount of attention to the lower third in order to convey the desired

  • 01:30

    information without overpowering the primary content. But let’s not just talk about it;
    information without overpowering the primary content. But let’s not just talk about it;

  • 01:35

    let’s fire up our editing software and have a look at several important design considerations.
    let’s fire up our editing software and have a look at several important design considerations.

  • 01:39

    Since we are talking about lower thirds, positioning is extremely important. With your footage
    Since we are talking about lower thirds, positioning is extremely important. With your footage

  • 01:40

    in the timeline, open the title creation application. Be sure the Safe Title grid is visible and
    in the timeline, open the title creation application. Be sure the Safe Title grid is visible and

  • 01:41

    the underlying video is showing through. These features will be invaluable to proper placement
    the underlying video is showing through. These features will be invaluable to proper placement

  • 01:42

    and color selection. Using the Rectangle Tool draw a box across the bottom of the viewing
    and color selection. Using the Rectangle Tool draw a box across the bottom of the viewing

  • 01:43

    area. It’s okay to run off the screen at the ends. We’re keeping it simple for illustration
    area. It’s okay to run off the screen at the ends. We’re keeping it simple for illustration

  • 01:47

    purposes but on a real project and depending on your particular design it may be desirable
    purposes but on a real project and depending on your particular design it may be desirable

  • 01:53

    to keep both ends within view or even to extend the box to no more than one-half to two-thirds
    to keep both ends within view or even to extend the box to no more than one-half to two-thirds

  • 01:59

    of the way across the screen. The important thing to remember here is to keep the lower
    of the way across the screen. The important thing to remember here is to keep the lower

  • 02:05

    third inside the Safe Title area as text outside this area could disappear on televisions with
    third inside the Safe Title area as text outside this area could disappear on televisions with

  • 02:10

    thick bezels. Next, try reducing the opacity to allow the underlying video to show through
    thick bezels. Next, try reducing the opacity to allow the underlying video to show through

  • 02:16

    a bit. With the Type Tool, type the desired text over the top of the rectangle. In creating
    a bit. With the Type Tool, type the desired text over the top of the rectangle. In creating

  • 02:21

    your text, readability is key. Choose a font that is easy to read. Generally speaking,
    your text, readability is key. Choose a font that is easy to read. Generally speaking,

  • 02:26

    sans serif fonts work best for video. When choosing colors, use one that contrasts well
    sans serif fonts work best for video. When choosing colors, use one that contrasts well

  • 02:32

    with the background. White or a light yellow against a dark background can work very well.
    with the background. White or a light yellow against a dark background can work very well.

  • 02:38

    Be sure to make your text large enough to be seen but not so large as to dominate the
    Be sure to make your text large enough to be seen but not so large as to dominate the

  • 02:43

    scene. When using multiple lines of text in your lower third, be sure to place the more
    scene. When using multiple lines of text in your lower third, be sure to place the more

  • 02:48

    important information on top and in bold with the less important information underneath.
    important information on top and in bold with the less important information underneath.

  • 02:52

    Finally, adding a drop shadow to your text can make it pop right off the background,
    Finally, adding a drop shadow to your text can make it pop right off the background,

  • 02:57

    greatly enhancing its readability. Like text, backgrounds can have as many variations as
    greatly enhancing its readability. Like text, backgrounds can have as many variations as

  • 03:02

    there are people to create them. They can be as simple as our rectangle with a solid
    there are people to create them. They can be as simple as our rectangle with a solid

  • 03:06

    color or even a gradient, with colors changing gradually from one to another over the length
    color or even a gradient, with colors changing gradually from one to another over the length

  • 03:10

    of the object. Pictures can be used to create very effective lower thirds as well. A photo
    of the object. Pictures can be used to create very effective lower thirds as well. A photo

  • 03:15

    or stock graphic may be sized and placed on one side of the lower third. This may be a
    or stock graphic may be sized and placed on one side of the lower third. This may be a

  • 03:20

    corporate logo or other appropriate image for added impact. Another interesting variation
    corporate logo or other appropriate image for added impact. Another interesting variation

  • 03:26

    is to create lower thirds using video or a motion graphic. This gives your design energy
    is to create lower thirds using video or a motion graphic. This gives your design energy

  • 03:31

    and can make the lower third look more professional.
    and can make the lower third look more professional.

  • 03:39

    Theme is another very important consideration when designing lower thirds. The main idea
    Theme is another very important consideration when designing lower thirds. The main idea

  • 03:43

    is to be sure it matches the rest of the video. For example, if your video is about a visit
    is to be sure it matches the rest of the video. For example, if your video is about a visit

  • 03:49

    to the ocean your lower third could contain an image or video of seashells, crashing waves
    to the ocean your lower third could contain an image or video of seashells, crashing waves

  • 03:54

    or jellyfish. Color choices should complement the colors one would find in the ocean water
    or jellyfish. Color choices should complement the colors one would find in the ocean water

  • 03:59

    or sandy beaches. Text could be given a ripple effect so it moves gently with the waves.
    or sandy beaches. Text could be given a ripple effect so it moves gently with the waves.

  • 04:04

    Many variations are possible, just be sure everything matches the theme of the overall
    Many variations are possible, just be sure everything matches the theme of the overall

  • 04:09

    project.
    project.

  • 04:16

    Sound can add an important dimension to your lower third when used appropriately. It can
    Sound can add an important dimension to your lower third when used appropriately. It can

  • 04:19

    give your lower third a sense of realism and action. Your ocean themed lower third might
    give your lower third a sense of realism and action. Your ocean themed lower third might

  • 04:24

    be accompanied by the sound of crashing waves. Another popular choice is the digital typing
    be accompanied by the sound of crashing waves. Another popular choice is the digital typing

  • 04:29

    sound effect used in many movies, as text appears onscreen. For a more subtle effect
    sound effect used in many movies, as text appears onscreen. For a more subtle effect

  • 04:34

    a subdued tone, hum or swoosh may accompany your lower third as it makes its appearance.
    a subdued tone, hum or swoosh may accompany your lower third as it makes its appearance.

  • 04:40

    Sounds may be purchased in quantity as part of sound effects libraries or downloaded individually
    Sounds may be purchased in quantity as part of sound effects libraries or downloaded individually

  • 04:44

    from various websites. A quick Internet search will reveal plenty of options. If you’re
    from various websites. A quick Internet search will reveal plenty of options. If you’re

  • 04:49

    feeling particularly adventurous or are having difficulty finding just the right sound you
    feeling particularly adventurous or are having difficulty finding just the right sound you

  • 04:53

    might go the Foley route and try recording your own. The important thing to remember,
    might go the Foley route and try recording your own. The important thing to remember,

  • 04:57

    as with visual elements, is that any sounds you choose must also match the project thematically.
    as with visual elements, is that any sounds you choose must also match the project thematically.

  • 05:02

    Sound should always serve to help your graphics come alive and should never overpower or dominate
    Sound should always serve to help your graphics come alive and should never overpower or dominate

  • 05:08

    what people are saying on screen. Communication should always come before design.
    what people are saying on screen. Communication should always come before design.

  • 05:17

    Presentation of your lower third is the final consideration. Now that it’s complete how
    Presentation of your lower third is the final consideration. Now that it’s complete how

  • 05:21

    do you get it on and off screen? Do you simply cut it in and grab your audience’s attention
    do you get it on and off screen? Do you simply cut it in and grab your audience’s attention

  • 05:26

    with its sudden appearance or take the more subtle route and use a dissolve to fade it
    with its sudden appearance or take the more subtle route and use a dissolve to fade it

  • 05:29

    in and out of view? The answer lies in appropriateness. If the emotion of the production is very relaxed,
    in and out of view? The answer lies in appropriateness. If the emotion of the production is very relaxed,

  • 05:35

    a subtle fade in and out would work best. If the emotion is highly energetic, then having
    a subtle fade in and out would work best. If the emotion is highly energetic, then having

  • 05:40

    text animate into frame and out would be approprate. An easy way to make your titles interesting
    text animate into frame and out would be approprate. An easy way to make your titles interesting

  • 05:44

    is to use the crop effect - in reverse. Apply the crop effect to your lower third and at
    is to use the crop effect - in reverse. Apply the crop effect to your lower third and at

  • 05:49

    the beginning of the clip turn on keyframing for the property that crops the right margin.
    the beginning of the clip turn on keyframing for the property that crops the right margin.

  • 05:54

    Set this value to 100 percent. Move the time indicator forward on the timeline to the place
    Set this value to 100 percent. Move the time indicator forward on the timeline to the place

  • 06:00

    where you want the lower third to be fully visible and change the right margin crop value
    where you want the lower third to be fully visible and change the right margin crop value

  • 06:04

    to zero percent. When you play it through your lower third will appear to unroll itself
    to zero percent. When you play it through your lower third will appear to unroll itself

  • 06:09

    across the screen from left to right. If you're feeling adventurous, you could also add an
    across the screen from left to right. If you're feeling adventurous, you could also add an

  • 06:13

    edge feather to the animation in order to soften the edges. Pretty cool huh? And what
    edge feather to the animation in order to soften the edges. Pretty cool huh? And what

  • 06:19

    about duration? As with any text onscreen make sure it remains fully visible long enough
    about duration? As with any text onscreen make sure it remains fully visible long enough

  • 06:24

    for the average viewer to be able to read it two to three times before it goes away.
    for the average viewer to be able to read it two to three times before it goes away.

  • 06:28

    That way you will be sure that everyone receives the full benefit of all your hard work.
    That way you will be sure that everyone receives the full benefit of all your hard work.

  • 06:38

    Lower thirds are are great ways to give your productions an air of professionalism and
    Lower thirds are are great ways to give your productions an air of professionalism and

  • 06:41

    make them rise above the crowd. Take the tools we’ve given you, reference the many examples
    make them rise above the crowd. Take the tools we’ve given you, reference the many examples

  • 06:46

    you’ll find on television and online, let your imagination run free and you'll soon
    you’ll find on television and online, let your imagination run free and you'll soon

  • 06:51

    be making lower thirds that can impress and inform.
    be making lower thirds that can impress and inform.

All idiom
unsung heroes
//

idiom

Individuals not famous or celebrated as they deserve to be. alludes to the long epic poems of Homer and Virgil, which celebrated the heroes of Greece and Troy. Indeed, a version of the term, which dates from the late seventeenth century, appears in Alexander Pope’s translation of Homer’s —“Unwept, unhonour’d, uninterrid he lies!”—words picked up a century later by Sir Walter Scott in one of his most famous poems, “The Lay of the Last Minstrel” (1805): “And, doubly dying, shall go down To the vile dust, from whence he sprung, Unwept, unhonour’d, and unsung.”

Lower Thirds

77,411 views

Video Language:

  • English

Caption Language:

  • English (en)

Accent:

  • English (US)

Speech Time:

95%
  • 6:46 / 7:06

Speech Rate:

  • 188 wpm - Fast

Category:

  • Howto & Style

Intro:

One of the oftentimes-unsung heroes of great video production is titles and graphics. Leave
them out - and your work will be average at best and at worst - downright boring. The
most common type of graphic used to identify people and companies are lower thirds. We’ll
be looking at their purpose and design and take you step-by-step through their creation
as well. With these basic skills and a bit of imagination, you’ll soon see your work
rise from the depths of the mundane to the heights of audience pleasing excellence.
Lower thirds have a very simple purpose, which is to communicate to your audience information
about the person or event they are watching onscreen. They derive their name from their
placement along the lower third of the viewing area. You will find them identifying the reporter
on your local news station, the forest in which the latest fire is raging and the current
score of the game you’re watching. Usually, lower thirds appear for a short while then
fade away. In some cases, where a person being interviewed is onscreen over a period of several
minutes for example, the lower third may reappear occasionally to remind the audience exactly
who this person is, what they do and why their viewpoint may be important.
Proper design is critical in achieving maximum lower third effectiveness. You want to draw
an appropriate amount of attention to the lower third in order to convey the desired
information without overpowering the primary content. But let’s not just talk about it;
let’s fire up our editing software and have a look at several important design considerations.
Since we are talking about lower thirds, positioning is extremely important. With your footage
in the timeline, open the title creation application. Be sure the Safe Title grid is visible and

Video Vocabulary

/ˈtôkiNG/

adjective noun verb

engaging in speech. action of talking. To say things or ideas to someone with words.

/ˈplēziNG/

adjective verb

Happy; delighted; entertaining. To make someone happy by doing something.

/ˈprīˌmerē/

adjective noun verb

Most important, most basic or essential. preliminary election. run as opponent of incumbent in preliminary election.

/hīt/

noun other

measurement from base to top. High places.

/ˌōvərˈpou(ə)riNG/

adjective verb

extremely strong or intense. (Of smell, taste etc.) to be (too).

/ˈmaksəməm/

adjective adverb noun

as great as possible or permitted. at most. greatest amount.

/ˈkēpiNG/

noun verb

action or fact of owning, maintaining, or protecting something. To maintain the rules.

/ˈplāsmənt/

noun

Act of putting something in a place or position.

adjective verb

Right or suitable for some situation or purpose. To take (money or goods) without permission.

/wäCH/

verb

To look at something for entertainment, e.g. TV.

/dəˈpend/

verb

Be able to trust; rely on..

/ˈminit/

noun other

sixty seconds. Records in writing what is said at a meeting.

/īˈden(t)əˌfī/

verb

establish identity of.

adjective

Being on the (movie) screen.

/ikˈstrēmlē/

adverb

to very great degree.