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  • 00:38

    Jessie Otto Hite Never before have we had a building that bore our name.
    Jessie Otto Hite Never before have we had a building that bore our name.

  • 00:42

    We used to have the permanent collection in the Ransom Center
    We used to have the permanent collection in the Ransom Center

  • 00:45

    and our temporary exhibitions in the art building.
    and our temporary exhibitions in the art building.

  • 00:47

    Not an ideal situation.
    Not an ideal situation.

  • 00:49

    This is the first time we've really had a building that was designed to show the kind of art that we have.
    This is the first time we've really had a building that was designed to show the kind of art that we have.

  • 00:55

    We have a wonderful staff who oversees the safety of the collection.
    We have a wonderful staff who oversees the safety of the collection.

  • 00:58

    There were six teams working. Some of them were working on moving the objects in.
    There were six teams working. Some of them were working on moving the objects in.

  • 01:02

    Some of them were working on uncrating the collections in the gallery.
    Some of them were working on uncrating the collections in the gallery.

  • 01:06

    Some of them were working on hanging the collections.
    Some of them were working on hanging the collections.

  • 01:09

    It was a very well managed process.
    It was a very well managed process.

  • 01:53

    Johnny King I'm a painter [laughs] so in order to make a living while I'm painting, I hang other people's work.
    Johnny King I'm a painter [laughs] so in order to make a living while I'm painting, I hang other people's work.

  • 02:01

    There's a set of instructions that have traveled with the show that encompasses everything from beginning until end.
    There's a set of instructions that have traveled with the show that encompasses everything from beginning until end.

  • 02:10

    Here you have the hooks with the bones that we're hanging now.
    Here you have the hooks with the bones that we're hanging now.

  • 02:14

    It helps to get it exactly the way the artist wants it.
    It helps to get it exactly the way the artist wants it.

  • 02:17

    In this case, we couldn't ask for anything better.
    In this case, we couldn't ask for anything better.

  • 02:20

    Patrick Sheehy You done with those wire cutters?
    Patrick Sheehy You done with those wire cutters?

  • 02:22

    Can you pass them through the bones?
    Can you pass them through the bones?

  • 02:25

    Logistics... Weight is a big issue.
    Logistics... Weight is a big issue.

  • 02:28

    These supports, these I-beams in the ceiling had to be put in during construction.
    These supports, these I-beams in the ceiling had to be put in during construction.

  • 02:32

    Johnny King We were initially working with a large lift to get all the cables hung and to get the frame hung
    Johnny King We were initially working with a large lift to get all the cables hung and to get the frame hung

  • 02:37

    And now comes the fun work with the bones.
    And now comes the fun work with the bones.

  • 02:42

    Worker I'm gettin', like, bone marrow in my eye. [laughs]
    Worker I'm gettin', like, bone marrow in my eye. [laughs]

  • 02:45

    Patrick Sheehy Five crates of bones, and it's 2,000 bones.
    Patrick Sheehy Five crates of bones, and it's 2,000 bones.

  • 02:48

    When the hosts are up, we'll put up the blocks around the outer edges, and we'll start spreading out the pennies.
    When the hosts are up, we'll put up the blocks around the outer edges, and we'll start spreading out the pennies.

  • 02:58

    Patrick Sheehy 600,000 pennies. $50 bags.
    Patrick Sheehy 600,000 pennies. $50 bags.

  • 03:00

    Johnny King $6,000 worth of pennies.
    Johnny King $6,000 worth of pennies.

  • 03:14

    Workers Oh, that's perfect. That's perfect.
    Workers Oh, that's perfect. That's perfect.

  • 03:17

    Patrick Sheehy It's Meireles, and it's "How to Build a Cathedral"
    Patrick Sheehy It's Meireles, and it's "How to Build a Cathedral"

  • 03:44

    [Applause]
    [Applause]

  • 03:56

    Jessie Otto Hite We were opened on time, we had 13,000 people in 24 hours.
    Jessie Otto Hite We were opened on time, we had 13,000 people in 24 hours.

  • 04:00

    We had thought the top number for the 24 hour opening was probably 5000 people.
    We had thought the top number for the 24 hour opening was probably 5000 people.

  • 04:05

    So it way, way, exceeded our expectations.
    So it way, way, exceeded our expectations.

  • 04:11

    People keep saying "Aren't you tired?" "Don't you feel stressed out?"
    People keep saying "Aren't you tired?" "Don't you feel stressed out?"

  • 04:14

    It was a little stressful, but it was fun. We had waited for this for a very long time.
    It was a little stressful, but it was fun. We had waited for this for a very long time.

  • 04:19

    It was just wonderful. It was probably the single most rewarding day of my career.
    It was just wonderful. It was probably the single most rewarding day of my career.

  • 05:14

    Jessie Otto Hite We own about 17,000 works, and the jewels of the collection are up.
    Jessie Otto Hite We own about 17,000 works, and the jewels of the collection are up.

  • 05:19

    This is the time to come see the Durer's and Rembrandt's and Whistler's, and all of the fabulous treasures we have.
    This is the time to come see the Durer's and Rembrandt's and Whistler's, and all of the fabulous treasures we have.

  • 05:24

    A museum is a place to come to learn, for a social occasion with friends,
    A museum is a place to come to learn, for a social occasion with friends,

  • 05:27

    It's a place you can come for that quiet, contemplative moment
    It's a place you can come for that quiet, contemplative moment

  • 05:30

    when you need to just get away from everything and kind of recharge.
    when you need to just get away from everything and kind of recharge.

  • 05:33

    We're a wonderful front door for the university, a wonderful bridge to the community.
    We're a wonderful front door for the university, a wonderful bridge to the community.

  • 05:37

    The door is open, and people seem to be coming, so we're thrilled.
    The door is open, and people seem to be coming, so we're thrilled.

All

Blanton Museum of Art Grand Opening

1,263 views

Video Language:

  • English

Caption Language:

  • English (en)

Accent:

  • English

Speech Time:

58%
  • 3:25 / 5:50

Speech Rate:

  • 148 wpm - Conversational

Category:

  • Education

Intro:

Jessie Otto Hite Never before have we had a building that bore our name.
We used to have the permanent collection in the Ransom Center
and our temporary exhibitions in the art building.. Not an ideal situation.. This is the first time we've really had a building that was designed to show the kind of art that we have.
We have a wonderful staff who oversees the safety of the collection.
There were six teams working. Some of them were working on moving the objects in.
Some of them were working on uncrating the collections in the gallery.
Some of them were working on hanging the collections.
It was a very well managed process.. Johnny King I'm a painter [laughs] so in order to make a living while I'm painting, I hang other people's work.
There's a set of instructions that have traveled with the show that encompasses everything from beginning until end.
Here you have the hooks with the bones that we're hanging now.
It helps to get it exactly the way the artist wants it.
In this case, we couldn't ask for anything better.. Patrick Sheehy You done with those wire cutters?. Can you pass them through the bones?. Logistics... Weight is a big issue.. These supports, these I-beams in the ceiling had to be put in during construction.
Johnny King We were initially working with a large lift to get all the cables hung and to get the frame hung

Video Vocabulary

/dəˈzīnd/

adjective verb

planned or conceived in detail for specific purpose. To plan in a particular way to fulfill a purpose.

/ˈevrēˌTHiNG/

pronoun

all things.

/inˈkəmpəs/

verb

To encircle; cover completely.

/ˈsēliNG/

noun

Greatest level that is allowed; limit.

/ˈwəndərfəl/

adjective

inspiring delight or admiration.

/ˈtempəˌrerē/

adjective noun

Continuing for a limited time; not permanent. person employed on temporary basis.

/kəˈlekSH(ə)n/

noun

Act of asking for money for a debt or a charity.

/ˈhaNGiNG/

adjective noun verb

suspended in air. Act of killing by putting rope around a neck. To attach a picture, photograph etc. onto a wall.

/ˈbildiNG/

noun verb

structure with roof and walls. To establish e.g. a reputation, over time.

other

Apostle and patron saint of Ireland; an English missionary to Ireland in the th century.

/ˈtravəld/

adjective verb

having travelled to many places. To go to a place that is far away.

/bəˈɡiniNG/

adjective noun verb

new or inexperienced. First part of an action or task. To do the first part of an action; to start.

/ˈpān(t)ər/

noun

Person who paints pieces of art; artist.

/iɡˈzak(t)lē/

adverb

No more and no less than; precisely.

/ˌənˈkrāt/

verb

remove something from crate.