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  • 00:28

    Anyone who has ripped a CD to an MP3 file and compared the difference
    Anyone who has ripped a CD to an MP3 file and compared the difference

  • 00:33

    will know that the music loses something in the process -
    will know that the music loses something in the process -

  • 00:36

    a liveliness and realism that makes it much more enjoyable to listen to.
    a liveliness and realism that makes it much more enjoyable to listen to.

  • 00:41

    Music producers and artists have long been aware of this,
    Music producers and artists have long been aware of this,

  • 00:45

    so they capture their recordings at the highest quality possible -
    so they capture their recordings at the highest quality possible -

  • 00:49

    in most cases, a quality that makes even CD sound flat and lifeless in comparison.
    in most cases, a quality that makes even CD sound flat and lifeless in comparison.

  • 00:55

    But until recently, these master recordings were simply not available
    But until recently, these master recordings were simply not available

  • 00:58

    for the average listener to enjoy.
    for the average listener to enjoy.

  • 01:01

    But, as music-lovers ourselves,
    But, as music-lovers ourselves,

  • 01:03

    Sony created High-Resolution Audio products to give you that
    Sony created High-Resolution Audio products to give you that

  • 01:06

    next best thing, next to being right there
    next best thing, next to being right there

  • 01:09

    in the studio or live venue with your favourite musicians.
    in the studio or live venue with your favourite musicians.

  • 01:13

    So, if you're a music lover, the simple fact is you'll love High Resolution Audio.
    So, if you're a music lover, the simple fact is you'll love High Resolution Audio.

  • 01:19

    But in this video, I want to drill into you
    But in this video, I want to drill into you

  • 01:21

    some of the fundamentals of sound to help you better understand
    some of the fundamentals of sound to help you better understand

  • 01:25

    why high resolution is such an important innovation
    why high resolution is such an important innovation

  • 01:28

    and how we got to this point in the history of audio recording.
    and how we got to this point in the history of audio recording.

  • 01:31

    Stick around - it's a fascinating subject.
    Stick around - it's a fascinating subject.

  • 01:35

    Music, like all audio, is vibrations in the air.
    Music, like all audio, is vibrations in the air.

  • 01:39

    An instrument, or speaker, creates high or low-speed vibrations
    An instrument, or speaker, creates high or low-speed vibrations

  • 01:44

    which our ears capture and translate into a huge range of pitches and tones.
    which our ears capture and translate into a huge range of pitches and tones.

  • 01:50

    At its most simple, a fast vibration, or high frequency,
    At its most simple, a fast vibration, or high frequency,

  • 01:54

    creates a high pitch,
    creates a high pitch,

  • 01:56

    while a lower frequency one will produce a lower pitch.
    while a lower frequency one will produce a lower pitch.

  • 02:00

    Other characteristics such as the shape and energy of these soundwave vibrations
    Other characteristics such as the shape and energy of these soundwave vibrations

  • 02:05

    then determine the type and volume of the sound.
    then determine the type and volume of the sound.

  • 02:09

    Capturing and storing this audio for later playback
    Capturing and storing this audio for later playback

  • 02:12

    has come in a variety of forms over the years,
    has come in a variety of forms over the years,

  • 02:15

    but it can broadly be broken up into three types:
    but it can broadly be broken up into three types:

  • 02:19

    analogue, digital, and digitally compressed.
    analogue, digital, and digitally compressed.

  • 02:23

    Despite being less convenient than digital formats,
    Despite being less convenient than digital formats,

  • 02:26

    a good analogue audio recording is valued even today
    a good analogue audio recording is valued even today

  • 02:30

    for its natural, realistic sound.
    for its natural, realistic sound.

  • 02:33

    Analogue recordings, whether on magnetic tape,
    Analogue recordings, whether on magnetic tape,

  • 02:36

    record, or even wax cylinders,
    record, or even wax cylinders,

  • 02:39

    capture and reproduce the sound vibrations directly.
    capture and reproduce the sound vibrations directly.

  • 02:42

    The needle on a record player is literally bumping along microscopic grooves,
    The needle on a record player is literally bumping along microscopic grooves,

  • 02:47

    and those tiny vibrations are simply amplified into the electrical signals
    and those tiny vibrations are simply amplified into the electrical signals

  • 02:51

    that drive your speakers.
    that drive your speakers.

  • 02:54

    It's a good system, with few steps
    It's a good system, with few steps

  • 02:56

    between the audio being captured and being reproduced.
    between the audio being captured and being reproduced.

  • 03:00

    But it requires physical and sometimes fragile objects for storage -
    But it requires physical and sometimes fragile objects for storage -

  • 03:05

    not ideal for the large music collections we all have now.
    not ideal for the large music collections we all have now.

  • 03:10

    A digital recording starts the same way as an analogue one,
    A digital recording starts the same way as an analogue one,

  • 03:14

    with capturing those vibrations,
    with capturing those vibrations,

  • 03:16

    but these soundwaves are then converted to a series of coordinates.
    but these soundwaves are then converted to a series of coordinates.

  • 03:22

    When a digital audio file is played back,
    When a digital audio file is played back,

  • 03:24

    those coordinates are used to reconstruct the soundwave back to an analogue signal
    those coordinates are used to reconstruct the soundwave back to an analogue signal

  • 03:29

    which your speakers or headphones can recognise, and reproduce.
    which your speakers or headphones can recognise, and reproduce.

  • 03:35

    All things being equal, the quality of a digital audio recording
    All things being equal, the quality of a digital audio recording

  • 03:39

    is determined by two things -
    is determined by two things -

  • 03:41

    the sampling frequency,
    the sampling frequency,

  • 03:43

    which is how many of these coordinates are captured per second.
    which is how many of these coordinates are captured per second.

  • 03:47

    And the bitrate, which is how accurate
    And the bitrate, which is how accurate

  • 03:50

    each of these coordinates is relative to the original audio signal.
    each of these coordinates is relative to the original audio signal.

  • 03:55

    When the CD was developed by Sony and Philips,
    When the CD was developed by Sony and Philips,

  • 03:58

    a lot of thought went into what specifications would allow it
    a lot of thought went into what specifications would allow it

  • 04:01

    to deliver a good listening experience while being reasonably practical to use.
    to deliver a good listening experience while being reasonably practical to use.

  • 04:07

    The result was a sampling frequency of 44.1 kHz,
    The result was a sampling frequency of 44.1 kHz,

  • 04:12

    or just over 44,000 samples per second, each captured at a bit rate of 16 bits,
    or just over 44,000 samples per second, each captured at a bit rate of 16 bits,

  • 04:19

    which determines how precise the height, or energy, of that coordinate is.
    which determines how precise the height, or energy, of that coordinate is.

  • 04:26

    Together, these two things determine the frequency range,
    Together, these two things determine the frequency range,

  • 04:29

    or the range of pitches from low to high, and the dynamic range -
    or the range of pitches from low to high, and the dynamic range -

  • 04:34

    the volume from soft to loud - a recording can contain.
    the volume from soft to loud - a recording can contain.

  • 04:38

    That 44.1 kHz sample rate gives us a range of reproducible frequencies
    That 44.1 kHz sample rate gives us a range of reproducible frequencies

  • 04:44

    of around 20 Hz to 20,000 Hz - roughly the capability of human hearing.
    of around 20 Hz to 20,000 Hz - roughly the capability of human hearing.

  • 04:50

    And the 16 bit bitrate results in a dynamic range of 96 dB,
    And the 16 bit bitrate results in a dynamic range of 96 dB,

  • 04:55

    easily enough to reproduce a live orchestra from solo piccolo to full noise.
    easily enough to reproduce a live orchestra from solo piccolo to full noise.

  • 05:00

    So, the CD remains a good format,
    So, the CD remains a good format,

  • 05:03

    but its physical dimensions and the inability to stream or download
    but its physical dimensions and the inability to stream or download

  • 05:07

    means it has been rapidly replaced by new compressed file formats.
    means it has been rapidly replaced by new compressed file formats.

  • 05:12

    With much smaller file sizes and no physical size,
    With much smaller file sizes and no physical size,

  • 05:16

    compressed audio formats like MP3 or AAC are the way most people enjoy music now -
    compressed audio formats like MP3 or AAC are the way most people enjoy music now -

  • 05:22

    whether via streaming services or from files stored on your device.
    whether via streaming services or from files stored on your device.

  • 05:26

    A compressed audio file offers unmatched convenience.
    A compressed audio file offers unmatched convenience.

  • 05:30

    A good way to think about compressed music files
    A good way to think about compressed music files

  • 05:33

    is by considering a drawing on a piece of paper.
    is by considering a drawing on a piece of paper.

  • 05:35

    If you fold up the paper you can fit it in your pocket
    If you fold up the paper you can fit it in your pocket

  • 05:39

    but, once you've done that, it's impossible to fully restore it to its original state.
    but, once you've done that, it's impossible to fully restore it to its original state.

  • 05:45

    How small the file is, is determined by the data rate.
    How small the file is, is determined by the data rate.

  • 05:48

    It's common for streaming services to offer audio at around 120-300 kbps,
    It's common for streaming services to offer audio at around 120-300 kbps,

  • 05:55

    and most tracks you purchase and download are around 250 kbps.
    and most tracks you purchase and download are around 250 kbps.

  • 06:00

    That's about 1/5th the file size of a digital track on a CD.
    That's about 1/5th the file size of a digital track on a CD.

  • 06:05

    Of course, not all digital file formats are the same either,
    Of course, not all digital file formats are the same either,

  • 06:08

    so a modern AAC file sounds better than an older MP3 file
    so a modern AAC file sounds better than an older MP3 file

  • 06:13

    even if it's the same file size. Think of it as more careful folding.
    even if it's the same file size. Think of it as more careful folding.

  • 06:18

    We now understand that most digital music starts out sounding pretty good -
    We now understand that most digital music starts out sounding pretty good -

  • 06:22

    at CD quality or better -
    at CD quality or better -

  • 06:24

    but it is then compressed so that you can stream it on your smartphone
    but it is then compressed so that you can stream it on your smartphone

  • 06:28

    or download it quickly to your computer.
    or download it quickly to your computer.

  • 06:31

    The real question then is what you're missing out on, and should you care?
    The real question then is what you're missing out on, and should you care?

  • 06:35

    So here's uncompressed music...
    So here's uncompressed music...

  • 06:41

    and a typical compressed stream.
    and a typical compressed stream.

  • 06:47

    In that short sample, probably playing through your basic speakers or headphones,
    In that short sample, probably playing through your basic speakers or headphones,

  • 06:52

    you might not hear much difference, but this is what you're missing out on...
    you might not hear much difference, but this is what you're missing out on...

  • 07:01

    While compressing audio doesn't change the basic sound of a music track much,
    While compressing audio doesn't change the basic sound of a music track much,

  • 07:06

    it does change how you feel about it.
    it does change how you feel about it.

  • 07:08

    The more detail is contained in a music track,
    The more detail is contained in a music track,

  • 07:11

    the more real it sounds, and the greater your emotional response to it.
    the more real it sounds, and the greater your emotional response to it.

  • 07:15

    We've all been moved by music at some point -
    We've all been moved by music at some point -

  • 07:18

    it's a powerful tool used by film makers, retailers, even call centres -
    it's a powerful tool used by film makers, retailers, even call centres -

  • 07:23

    so delivering all that detail to your ears quite literally changes
    so delivering all that detail to your ears quite literally changes

  • 07:28

    how much you enjoy it.
    how much you enjoy it.

  • 07:29

    And that brings us back to High Resolution Audio.
    And that brings us back to High Resolution Audio.

  • 07:32

    High Resolution Audio goes beyond even CD quality -
    High Resolution Audio goes beyond even CD quality -

  • 07:35

    offering higher sampling frequencies and bitrates.
    offering higher sampling frequencies and bitrates.

  • 07:39

    It's like using that really nice glossy photo paper for your picture,
    It's like using that really nice glossy photo paper for your picture,

  • 07:42

    instead of regular printer paper.
    instead of regular printer paper.

  • 07:44

    The use of higher bitrates like 24 bits rather than CD's 16 bits
    The use of higher bitrates like 24 bits rather than CD's 16 bits

  • 07:49

    means you have more dynamic range,
    means you have more dynamic range,

  • 07:52

    so you can accurately capture the tiniest subtleties -
    so you can accurately capture the tiniest subtleties -

  • 07:55

    like the tap of a pianists fingernails across the keyboard,
    like the tap of a pianists fingernails across the keyboard,

  • 07:58

    or the subtle break in a singer's voice - as well as all the impact of a drum solo.
    or the subtle break in a singer's voice - as well as all the impact of a drum solo.

  • 08:04

    And all without compromise.
    And all without compromise.

  • 08:07

    The higher sampling frequency of perhaps 192 kHz, 5x that of CD quality,
    The higher sampling frequency of perhaps 192 kHz, 5x that of CD quality,

  • 08:14

    means a much wider frequency range is captured and reproduced.
    means a much wider frequency range is captured and reproduced.

  • 08:19

    When matched with an appropriate amplifier and speakers or headphones,
    When matched with an appropriate amplifier and speakers or headphones,

  • 08:23

    audio frequencies greater than 20kHz are reproduced,
    audio frequencies greater than 20kHz are reproduced,

  • 08:27

    including ultra-high frequency harmonics -
    including ultra-high frequency harmonics -

  • 08:30

    the subtle components of a sound which help to give
    the subtle components of a sound which help to give

  • 08:33

    especially acoustic instruments their character.
    especially acoustic instruments their character.

  • 08:36

    We all know the experience of sitting in the audience for a live performance,
    We all know the experience of sitting in the audience for a live performance,

  • 08:41

    and we know the experience is not the same as listening to a CD recording of it later.
    and we know the experience is not the same as listening to a CD recording of it later.

  • 08:46

    High Resolution Audio isn't just about hearing a difference,
    High Resolution Audio isn't just about hearing a difference,

  • 08:49

    it's about experiencing a difference -
    it's about experiencing a difference -

  • 08:53

    the music may be the same,
    the music may be the same,

  • 08:54

    but the feeling and presence that the music conveys is what changes.
    but the feeling and presence that the music conveys is what changes.

  • 08:59

    We're lucky that recording engineers have known all this for years,
    We're lucky that recording engineers have known all this for years,

  • 09:03

    so they've already captured audio in their studios
    so they've already captured audio in their studios

  • 09:06

    at the highest resolution available to them.
    at the highest resolution available to them.

  • 09:09

    What Sony is offering with High Resolution Audio products
    What Sony is offering with High Resolution Audio products

  • 09:13

    is to reproduce that audio in your home, or headphones,
    is to reproduce that audio in your home, or headphones,

  • 09:17

    exactly as your favourite artist and record producer intended you to.
    exactly as your favourite artist and record producer intended you to.

  • 09:22

    And a music lover couldn't ask for more than that!
    And a music lover couldn't ask for more than that!

All verb
file
/fīl/

word

To organize documents by storing them safely

What is High-Resolution Audio?

803,145 views

Video Language:

  • English

Caption Language:

  • English (en)

Accent:

  • English (US)

Speech Time:

86%
  • 8:20 / 9:40

Speech Rate:

  • 158 wpm - Fast

Category:

  • Science & Technology

Intro:

Anyone who has ripped a CD to an MP3 file and compared the difference
will know that the music loses something in the process -
a liveliness and realism that makes it much more enjoyable to listen to.
Music producers and artists have long been aware of this,
so they capture their recordings at the highest quality possible -
in most cases, a quality that makes even CD sound flat and lifeless in comparison.
But until recently, these master recordings were simply not available
for the average listener to enjoy.. But, as music-lovers ourselves,. Sony created High-Resolution Audio products to give you that
next best thing, next to being right there. in the studio or live venue with your favourite musicians.
So, if you're a music lover, the simple fact is you'll love High Resolution Audio.
But in this video, I want to drill into you. some of the fundamentals of sound to help you better understand
why high resolution is such an important innovation
and how we got to this point in the history of audio recording.
Stick around - it's a fascinating subject.. Music, like all audio, is vibrations in the air.. An instrument, or speaker, creates high or low-speed vibrations

Video Vocabulary

/inˈjoiəb(ə)l/

adjective

Satisfying or pleasurable.

/ˈsəmˌTHiNG/

adverb pronoun

used for emphasis with following adjective functioning as adverb. Thing that is not yet known or named.

/ˈlīfləs/

adjective

dead or apparently dead.

/ˈfrēkwənsē/

noun

rate at which something occurs.

noun verb

agricultural products. To control the making a movie or television show.

adjective noun

Best liked or most enjoyed. A thing that someone likes best or enjoys most.

/transˈlāt/

verb

To change something into a different state.

/ˈhist(ə)rē/

noun

study of past events.

/prəˈd(y)o͞osər/

noun other

person or thing that produces goods. Companies producing or growing a certain product.

/ˈlis(ə)nər/

noun

person who listens.

/ˈprädəkt/

noun other

manufactured article or substance. Items that can be bought.

/ˌfəndəˈmen(t)əl/

noun other

central rule or principle. Principles from which other truths can be derived.

/ˈärdəst/

noun other

person who produces paintings or drawings. People who are skilled and creative in art.

/ˈkapCHər/

noun verb

action of capturing. To catch and prevent from being free.