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  • 00:00

    Scribble Kibble is a show about animation.
    Scribble Kibble is a show about animation.

  • 00:03

    You want to watch something awesome?
    You want to watch something awesome?

  • 00:04

    Let’s watch something awesome.
    Let’s watch something awesome.

  • 00:06

    Go here.
    Go here.

  • 00:11

    Once again proving that animations made in order to graduate from college are the best.
    Once again proving that animations made in order to graduate from college are the best.

  • 00:16

    Really.
    Really.

  • 00:17

    Watching this is like watching the inner workings of an artist’s mind.
    Watching this is like watching the inner workings of an artist’s mind.

  • 00:21

    Maybe you know what I’m talking about - how you can hear a piece of music and, even if
    Maybe you know what I’m talking about - how you can hear a piece of music and, even if

  • 00:25

    you’ve never heard the music before, create a story-based animated video in your head
    you’ve never heard the music before, create a story-based animated video in your head

  • 00:31

    as the song unfolds.
    as the song unfolds.

  • 00:33

    Please tell me I’m not the only one who does this.
    Please tell me I’m not the only one who does this.

  • 00:36

    Spirit Chaser is made by Karl “pajackinthebox” in TVPaint.
    Spirit Chaser is made by Karl “pajackinthebox” in TVPaint.

  • 00:40

    I can’t promise the backgrounds and the editing are the same program because other
    I can’t promise the backgrounds and the editing are the same program because other

  • 00:44

    artists did those parts, but the animation itself is TVPaint.
    artists did those parts, but the animation itself is TVPaint.

  • 00:49

    What gives it away are the textured lines scattered throughout the characters.
    What gives it away are the textured lines scattered throughout the characters.

  • 00:53

    Instead of pure solid colors with no outlines, textured lines define parts you wouldn’t
    Instead of pure solid colors with no outlines, textured lines define parts you wouldn’t

  • 00:58

    otherwise see, like the arm, mouth, and fingers.
    otherwise see, like the arm, mouth, and fingers.

  • 01:02

    Now, you can make lines that look like this in other animation programs, but it’s far
    Now, you can make lines that look like this in other animation programs, but it’s far

  • 01:06

    easier to do in TVPaint.
    easier to do in TVPaint.

  • 01:07

    I find the choice to use solid lines for the eyes interesting - actually so interesting
    I find the choice to use solid lines for the eyes interesting - actually so interesting

  • 01:16

    that I went and asked for the story.
    that I went and asked for the story.

  • 01:20

    Karl says that in some of the original character designs he used the textured lines the same
    Karl says that in some of the original character designs he used the textured lines the same

  • 01:25

    way you see here, except also on the eyes.
    way you see here, except also on the eyes.

  • 01:28

    But… the eyes didn’t pop very much.
    But… the eyes didn’t pop very much.

  • 01:32

    He tried the solid lines and viola, the eyes stand out a lot better.
    He tried the solid lines and viola, the eyes stand out a lot better.

  • 01:37

    Eyes are very expressive parts of characters, so most of the time in animation you want
    Eyes are very expressive parts of characters, so most of the time in animation you want

  • 01:42

    to make sure they stand out instead of just blending into the colors and lines around
    to make sure they stand out instead of just blending into the colors and lines around

  • 01:47

    them.
    them.

  • 01:58

    Take some time to appreciate all of the work that goes into animating these lightning paths
    Take some time to appreciate all of the work that goes into animating these lightning paths

  • 02:02

    in a way that makes it look natural.
    in a way that makes it look natural.

  • 02:05

    Effects animation is a bit different from character animation.
    Effects animation is a bit different from character animation.

  • 02:10

    In order to do it well you need both a good sense of how nature moves AND a taste for
    In order to do it well you need both a good sense of how nature moves AND a taste for

  • 02:15

    invention.
    invention.

  • 02:16

    A lot of invention goes into effects.
    A lot of invention goes into effects.

  • 02:19

    It’s easy to look up pictures of foxes.
    It’s easy to look up pictures of foxes.

  • 02:22

    Good luck finding a real world reference for an electric smoke explosion.
    Good luck finding a real world reference for an electric smoke explosion.

  • 02:26

    Uuurgh, I just love everything about this animation.
    Uuurgh, I just love everything about this animation.

  • 02:29

    It has the rising action, the point of downfall, and then the redemption.
    It has the rising action, the point of downfall, and then the redemption.

  • 02:34

    Woo!
    Woo!

  • 02:35

    Everything you need for a nice clean story arc.
    Everything you need for a nice clean story arc.

  • 02:37

    What’s amazing is animator Karl also made the music and the music is dang good.
    What’s amazing is animator Karl also made the music and the music is dang good.

  • 02:43

    I wouldn’t have expected it to be made by the same person.
    I wouldn’t have expected it to be made by the same person.

  • 02:46

    The nice thing about this is the song is made for the animation without the extra step of
    The nice thing about this is the song is made for the animation without the extra step of

  • 02:51

    explaining to a musician what needs to happen.
    explaining to a musician what needs to happen.

  • 02:54

    Musicians make music for animations all the time with awesome results, but there’s always
    Musicians make music for animations all the time with awesome results, but there’s always

  • 02:57

    going to be that slight disconnect between the vision the animator has and how the musician
    going to be that slight disconnect between the vision the animator has and how the musician

  • 03:03

    interprets that vision.
    interprets that vision.

  • 03:04

    Or vice versa.
    Or vice versa.

  • 03:05

    Spirit Chaser is a pure combination of animation and music.
    Spirit Chaser is a pure combination of animation and music.

  • 03:09

    That’s why you feel such a strong connection between the two when you watch it.
    That’s why you feel such a strong connection between the two when you watch it.

  • 03:13

    The sound design is also really nice.
    The sound design is also really nice.

  • 03:15

    Those are the sound effects and the noises you hear that fill the white space.
    Those are the sound effects and the noises you hear that fill the white space.

  • 03:25

    And that’s by Ryan Meadows.
    And that’s by Ryan Meadows.

  • 03:28

    I enjoy pointing out the different crew members it takes to make an animation.
    I enjoy pointing out the different crew members it takes to make an animation.

  • 03:32

    While I’m on that subject if you check the thank you section you’ll notice video game
    While I’m on that subject if you check the thank you section you’ll notice video game

  • 03:36

    characters like Jak and Daxter, Spyro, Master Chief, hahaha.
    characters like Jak and Daxter, Spyro, Master Chief, hahaha.

  • 03:40

    Spirit Chaser does feel like it could be a video game.
    Spirit Chaser does feel like it could be a video game.

  • 03:43

    Main character, companion character, nemesis.
    Main character, companion character, nemesis.

  • 03:46

    I’d play it if it were a game.
    I’d play it if it were a game.

  • 03:48

    Alright, that’s a wrap.
    Alright, that’s a wrap.

  • 03:50

    If you liked the music from the animation, there’s a link to a brand new set of music
    If you liked the music from the animation, there’s a link to a brand new set of music

  • 03:54

    tracks by Karl below.
    tracks by Karl below.

  • 03:56

    So what about you?
    So what about you?

  • 03:58

    Are you ready to fight your inner demons?
    Are you ready to fight your inner demons?

  • 04:16

    Oh, you were just waiting for me to say something about this part, weren’t you.
    Oh, you were just waiting for me to say something about this part, weren’t you.

  • 04:36

    Bad.
    Bad.

  • 04:37

    Go home!
    Go home!

All noun
kibble
/ˈkibəl/

word

ground meal shaped into pellets

Spirit Chaser [Scribble Kibble #35]

127,357 views

Video Language:

  • English

Caption Language:

  • English (en)

Accent:

  • English (CA)

Speech Time:

99%
  • 4:36 / 4:38

Speech Rate:

  • 142 wpm - Conversational

Category:

  • Film & Animation

Intro:

Scribble Kibble is a show about animation.. You want to watch something awesome?. Let’s watch something awesome.. Go here.. Once again proving that animations made in order to graduate from college are the best.
Really.. Watching this is like watching the inner workings of an artist’s mind.
Maybe you know what I’m talking about - how you can hear a piece of music and, even if
you’ve never heard the music before, create a story-based animated video in your head
as the song unfolds.. Please tell me I’m not the only one who does this.. Spirit Chaser is made by Karl “pajackinthebox” in TVPaint.
I can’t promise the backgrounds and the editing are the same program because other
artists did those parts, but the animation itself is TVPaint.
What gives it away are the textured lines scattered throughout the characters.
Instead of pure solid colors with no outlines, textured lines define parts you wouldn’t
otherwise see, like the arm, mouth, and fingers.. Now, you can make lines that look like this in other animation programs, but it’s far
easier to do in TVPaint.. I find the choice to use solid lines for the eyes interesting - actually so interesting

Video Vocabulary

/ˈteksCHərd/

adjective verb

having rough surface. To give a particular look or feel to a surface.

/əˈrijənl/

adjective noun

Being unique or thinking differently from others. earliest form of something.

/ˈskadərd/

adjective verb

(Objects) separated into different directions. To throw or move into various different directions.

/bēˈkəz/

conjunction

for reason that.

/dəˈzīn/

noun other verb

plan or drawing. Ways some things are planned, to fulfill a purpose. To plan in a particular way to fulfill a purpose.

/ˈprōˌɡram/

noun verb

A plan or schedule of events. To write computer code for a piece of software.

/ˈbakˌɡround/

noun other

setting of picture, scene, or design. People's personal work and educational histories.

/ˈpro͞oviNG/

noun verb

testing of remedy. To demonstrate truth by providing evidence.

/ˈedət/

verb

prepare written material for publication.

/wäCH/

verb

To guard a place or people; protect child, etc..

/ˈkerəktər/

noun verb

Person in a story, movie or play. write.

/ˈak(t)SH(o͞o)əlē/

adverb

as truth or facts.

/ˌanəˈmāSH(ə)n/

noun other

liveliness. Liveliness; condition of being excited or lively.

/ˈint(ə)rəstiNG/

adjective verb

arousing curiosity or interest. To make someone want to know about something.