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  • 00:00

    hacksaw ridge is the best war movie
    hacksaw ridge is the best war movie

  • 00:02

    that I've ever seen and I've seen a heck
    that I've ever seen and I've seen a heck

  • 00:06

    of a lot of war movies we all have they're
    of a lot of war movies we all have they're

  • 00:08

    a Hollywood staple and interestingly
    a Hollywood staple and interestingly

  • 00:11

    hacksaw bridge is not the best war movie
    hacksaw bridge is not the best war movie

  • 00:14

    when it comes to visual effects it's not
    when it comes to visual effects it's not

  • 00:16

    the best war movie when it comes to
    the best war movie when it comes to

  • 00:18

    cinematography it's not the best war
    cinematography it's not the best war

  • 00:21

    movie when it comes to the teaching of
    movie when it comes to the teaching of

  • 00:22

    history other films in a far better job
    history other films in a far better job

  • 00:24

    and each of those categories but what
    and each of those categories but what

  • 00:27

    makes hacksaw bridge the best overall is
    makes hacksaw bridge the best overall is

  • 00:30

    it's emotional truth just like with
    it's emotional truth just like with

  • 00:34

    passion of the christ where Mel Gibson
    passion of the christ where Mel Gibson

  • 00:36

    made me understand Christianity here
    made me understand Christianity here

  • 00:39

    with hacks are rich he made me
    with hacks are rich he made me

  • 00:40

    understand the bravery of soldiers now
    understand the bravery of soldiers now

  • 00:43

    let me clarify what i mean by understand
    let me clarify what i mean by understand

  • 00:46

    because i'm sure some of you are like
    because i'm sure some of you are like

  • 00:47

    WTF grace already in the comments but
    WTF grace already in the comments but

  • 00:50

    what I mean is that before
    what I mean is that before

  • 00:52

    of course I knew about these things
    of course I knew about these things

  • 00:54

    intellectually but that implies distance
    intellectually but that implies distance

  • 00:57

    I like that something happened that
    I like that something happened that

  • 00:59

    something people did but well Gibson is
    something people did but well Gibson is

  • 01:02

    able to do is able to put me in this
    able to do is able to put me in this

  • 01:05

    situation and to make me truly
    situation and to make me truly

  • 01:08

    understand something that beforehand was
    understand something that beforehand was

  • 01:12

    not only unimaginable but I didn't even
    not only unimaginable but I didn't even

  • 01:14

    know that I didn't truly get it i think
    know that I didn't truly get it i think

  • 01:16

    the best way to describe it as like the
    the best way to describe it as like the

  • 01:18

    matrix and that mel gibson is able to
    matrix and that mel gibson is able to

  • 01:21

    plug you in with that strong emotional
    plug you in with that strong emotional

  • 01:25

    truth for instance one of the best shots
    truth for instance one of the best shots

  • 01:27

    in this movie is when they're standing
    in this movie is when they're standing

  • 01:29

    right at the edge of hacks ridge where
    right at the edge of hacks ridge where

  • 01:32

    they have to go up the side of the of
    they have to go up the side of the of

  • 01:34

    the cliff to cliff face and mel gibson
    the cliff to cliff face and mel gibson

  • 01:37

    pans up and he shows where they're
    pans up and he shows where they're

  • 01:39

    heading it with a heavy artillery from
    heading it with a heavy artillery from

  • 01:41

    the Navy offshore and it's just
    the Navy offshore and it's just

  • 01:43

    exploding and it's just it looks like a
    exploding and it's just it looks like a

  • 01:46

    painting like one of the paintings that
    painting like one of the paintings that

  • 01:48

    you see of like old-time Wars museums as
    you see of like old-time Wars museums as

  • 01:51

    a new yorker i would put it in there
    a new yorker i would put it in there

  • 01:53

    with like the metropolitan museum of art
    with like the metropolitan museum of art

  • 01:55

    and I've seen those paintings but here
    and I've seen those paintings but here

  • 01:57

    Mel Gibson made it come alive and he
    Mel Gibson made it come alive and he

  • 01:59

    made me understand what it felt like to
    made me understand what it felt like to

  • 02:01

    stand on the edge of that battlefield on
    stand on the edge of that battlefield on

  • 02:03

    the edge of hell and know that you have
    the edge of hell and know that you have

  • 02:07

    to move forward and to move forward
    to move forward and to move forward

  • 02:09

    it's it's it's both intellectual enemy
    it's it's it's both intellectual enemy

  • 02:13

    emotional like Mel Gibson can really get
    emotional like Mel Gibson can really get

  • 02:15

    into the head of the individuals he's
    into the head of the individuals he's

  • 02:18

    depicting whether it be Jesus Christ or
    depicting whether it be Jesus Christ or

  • 02:21

    in this case some very brave young men i
    in this case some very brave young men i

  • 02:25

    was just absolutely shocked how good
    was just absolutely shocked how good

  • 02:27

    this was an dat and I also think I'm
    this was an dat and I also think I'm

  • 02:30

    sorry I'm gonna make sure I get this
    sorry I'm gonna make sure I get this

  • 02:31

    right so I've got my notes here Mel
    right so I've got my notes here Mel

  • 02:33

    Gibson yes he is a master depicting
    Gibson yes he is a master depicting

  • 02:36

    violence and this is no exception
    violence and this is no exception

  • 02:39

    this is some of the most violent
    this is some of the most violent

  • 02:40

    depiction depictions of battlefield I've
    depiction depictions of battlefield I've

  • 02:44

    ever seen but mel gibson never does it
    ever seen but mel gibson never does it

  • 02:46

    gratuitous Lee and he never does it
    gratuitous Lee and he never does it

  • 02:49

    I know in a way that my god is meant to
    I know in a way that my god is meant to

  • 02:52

    discuss you what Mel Gibson is trying to
    discuss you what Mel Gibson is trying to

  • 02:54

    do is just to present to you the simple
    do is just to present to you the simple

  • 02:56

    truth of what war is really like men
    truth of what war is really like men

  • 02:58

    tearing each other apart and that's
    tearing each other apart and that's

  • 03:01

    crucial not only in authentically
    crucial not only in authentically

  • 03:03

    depicting war but to contrast it with
    depicting war but to contrast it with

  • 03:07

    Desmond boss who says and it's just so
    Desmond boss who says and it's just so

  • 03:10

    beautiful the way Mel Gibson construct
    beautiful the way Mel Gibson construct

  • 03:12

    it and I'm sure obviously it was
    it and I'm sure obviously it was

  • 03:15

    beautiful in real life which is why this
    beautiful in real life which is why this

  • 03:16

    man is a decorated soldier but one guy
    man is a decorated soldier but one guy

  • 03:20

    wants to put a little bit of a piece of
    wants to put a little bit of a piece of

  • 03:22

    the world back together as it tears
    the world back together as it tears

  • 03:23

    itself apart and the movie really does a
    itself apart and the movie really does a

  • 03:26

    good job of not only illustrating that
    good job of not only illustrating that

  • 03:28

    the script but illustrating visually in
    the script but illustrating visually in

  • 03:31

    the film itself also i want i also said
    the film itself also i want i also said

  • 03:34

    that i'm in my notes that Desmond AUSA's
    that i'm in my notes that Desmond AUSA's

  • 03:37

    feeling that every single life is
    feeling that every single life is

  • 03:39

    important in service marks on the
    important in service marks on the

  • 03:40

    scoreboard scoreboard was also really
    scoreboard scoreboard was also really

  • 03:43

    are inspiring because too often and war
    are inspiring because too often and war

  • 03:46

    especially you know foot soldiers are
    especially you know foot soldiers are

  • 03:49

    just as cannon fodder particularly in
    just as cannon fodder particularly in

  • 03:51

    some of the older wars so it's just so
    some of the older wars so it's just so

  • 03:54

    great to see someone who doesn't feel
    great to see someone who doesn't feel

  • 03:56

    that way in the middle of the
    that way in the middle of the

  • 03:57

    battlefield and doing what they can to
    battlefield and doing what they can to

  • 03:59

    make a difference
    make a difference

  • 03:59

    it's just we'll just take your breath
    it's just we'll just take your breath

  • 04:01

    away and the movie isn't perfect and not
    away and the movie isn't perfect and not

  • 04:04

    only did i say that the best visual
    only did i say that the best visual

  • 04:05

    effects and photography or the teaching
    effects and photography or the teaching

  • 04:07

    of history but in the first third of the
    of history but in the first third of the

  • 04:09

    film it's pretty clear that Gibson needs
    film it's pretty clear that Gibson needs

  • 04:11

    a bigger budget also try SE white and as
    a bigger budget also try SE white and as

  • 04:15

    hard as he might wish it
    hard as he might wish it

  • 04:16

    Australia does not stand in for Virginia
    Australia does not stand in for Virginia

  • 04:18

    the foliage is a dead giveaway and also
    the foliage is a dead giveaway and also

  • 04:21

    even though the light quality is off
    even though the light quality is off

  • 04:23

    I mean it's a very good substitution for
    I mean it's a very good substitution for

  • 04:25

    when they find themselves
    when they find themselves

  • 04:26

    I you know on that on the eastern front
    I you know on that on the eastern front

  • 04:29

    fighting against Japan that's a good
    fighting against Japan that's a good

  • 04:32

    because it's in the same part of the
    because it's in the same part of the

  • 04:33

    globe but it just it was hard for me to
    globe but it just it was hard for me to

  • 04:35

    see that is America
    see that is America

  • 04:37

    despite some very good performances now
    despite some very good performances now

  • 04:39

    let's move over to the performances
    let's move over to the performances

  • 04:40

    because while Mel Gibson elevates this
    because while Mel Gibson elevates this

  • 04:43

    film with his visceral depiction of the
    film with his visceral depiction of the

  • 04:45

    humanity of war his cast ain't too
    humanity of war his cast ain't too

  • 04:48

    shabby either they really hold up their
    shabby either they really hold up their

  • 04:50

    end of the bargain
    end of the bargain

  • 04:51

    Vince Vaughn I have to say I thought he
    Vince Vaughn I have to say I thought he

  • 04:54

    was miscast about always the only actor
    was miscast about always the only actor

  • 04:56

    you know name actor from the United
    you know name actor from the United

  • 04:58

    States I guess will still work with mel
    States I guess will still work with mel

  • 04:59

    gibson but he's really good here
    gibson but he's really good here

  • 05:02

    he's funny he has a lot of good humor
    he's funny he has a lot of good humor

  • 05:04

    but he also has a stern matter of fact
    but he also has a stern matter of fact

  • 05:07

    mr. during that the battle sequences and
    mr. during that the battle sequences and

  • 05:10

    I think he's really an important
    I think he's really an important

  • 05:12

    ingredient here because his matter of
    ingredient here because his matter of

  • 05:14

    fact miss and humor keeps the movie from
    fact miss and humor keeps the movie from

  • 05:16

    getting too sappy he's a good balance to
    getting too sappy he's a good balance to

  • 05:18

    andrew garfield character don't want to
    andrew garfield character don't want to

  • 05:20

    talk about andrew garfield that asked
    talk about andrew garfield that asked

  • 05:22

    for look bracing this is the first time
    for look bracing this is the first time

  • 05:24

    that I've not only seen Luke Bracey do a
    that I've not only seen Luke Bracey do a

  • 05:25

    good job have movie star potential so
    good job have movie star potential so

  • 05:28

    mel gibson did him a real favor here
    mel gibson did him a real favor here

  • 05:30

    also the whole cast Hugo Weaving he does
    also the whole cast Hugo Weaving he does

  • 05:33

    a good job is to really powerful moments
    a good job is to really powerful moments

  • 05:35

    as I Desmond AUSA's father and teresa
    as I Desmond AUSA's father and teresa

  • 05:38

    palmer really does a good job channeling
    palmer really does a good job channeling

  • 05:40

    Rachel McAdams and there are a whole
    Rachel McAdams and there are a whole

  • 05:42

    slew of Australian actors that you'll
    slew of Australian actors that you'll

  • 05:44

    recognize from character and small roles
    recognize from character and small roles

  • 05:46

    here in the United States doing
    here in the United States doing

  • 05:48

    excellent job portraying Americans but
    excellent job portraying Americans but

  • 05:51

    the movie belongs to andrew garfield his
    the movie belongs to andrew garfield his

  • 05:53

    performance is spectacular to behold he
    performance is spectacular to behold he

  • 05:56

    looks like he stepped out of the
    looks like he stepped out of the

  • 05:58

    nineteen forties so often these days you
    nineteen forties so often these days you

  • 06:01

    know they'll do a period piece and you
    know they'll do a period piece and you

  • 06:02

    know you have this like again its
    know you have this like again its

  • 06:04

    distance is this intellectual distance
    distance is this intellectual distance

  • 06:07

    where it's like oh yeah I'm depicting
    where it's like oh yeah I'm depicting

  • 06:08

    the nineteen forties but i feel that
    the nineteen forties but i feel that

  • 06:10

    Andrew Garfield actually felt he was in
    Andrew Garfield actually felt he was in

  • 06:12

    the nineteen forties and so therefore
    the nineteen forties and so therefore

  • 06:13

    you made me feel like he was in the
    you made me feel like he was in the

  • 06:15

    1940s it was amazing and very refreshing
    1940s it was amazing and very refreshing

  • 06:18

    but even beyond him getting that the
    but even beyond him getting that the

  • 06:21

    feeling of the time period right i would
    feeling of the time period right i would

  • 06:24

    say that every single line glance and
    say that every single line glance and

  • 06:27

    action was incredibly authentic his
    action was incredibly authentic his

  • 06:30

    performance was that deep
    performance was that deep

  • 06:32

    it just was really a thing of beauty to
    it just was really a thing of beauty to

  • 06:35

    behold I also think that one of the most
    behold I also think that one of the most

  • 06:38

    important things about his performance
    important things about his performance

  • 06:39

    and
    and

  • 06:39

    film itself is that Desmond bosses faith
    film itself is that Desmond bosses faith

  • 06:43

    is something that's private and he's not
    is something that's private and he's not

  • 06:45

    pushing his belief in Christianity on
    pushing his belief in Christianity on

  • 06:47

    anybody else in the movie or watching
    anybody else in the movie or watching

  • 06:50

    the movie and that's important because
    the movie and that's important because

  • 06:52

    while people who are equally strong
    while people who are equally strong

  • 06:54

    religious faith will relate to Desmond
    religious faith will relate to Desmond

  • 06:56

    boss I think he's also very relatable to
    boss I think he's also very relatable to

  • 06:58

    anyone who just believe in anything I
    anyone who just believe in anything I

  • 07:00

    mean this isn't a movie about
    mean this isn't a movie about

  • 07:01

    Christianity per se i mean that's
    Christianity per se i mean that's

  • 07:04

    Desmond bosses you know faith of choice
    Desmond bosses you know faith of choice

  • 07:07

    but i think it's really in the broader
    but i think it's really in the broader

  • 07:09

    scheme of things just about our faith
    scheme of things just about our faith

  • 07:11

    conviction and goodness in general which
    conviction and goodness in general which

  • 07:14

    are the best parts of humanity for
    are the best parts of humanity for

  • 07:16

    everyone no matter what religion you
    everyone no matter what religion you

  • 07:19

    choose to believe it so I thought that
    choose to believe it so I thought that

  • 07:21

    was a really crucial part of the movie
    was a really crucial part of the movie

  • 07:23

    that Mel Gibson got right there is a
    that Mel Gibson got right there is a

  • 07:25

    really important tone and balance to
    really important tone and balance to

  • 07:27

    strike and they do and so I think the
    strike and they do and so I think the

  • 07:29

    axle ridge it's a great movie and it
    axle ridge it's a great movie and it

  • 07:31

    does have its flaws so for that reason I
    does have its flaws so for that reason I

  • 07:34

    feel that it's best shot at getting uh
    feel that it's best shot at getting uh

  • 07:36

    some awards nominations it's andrew
    some awards nominations it's andrew

  • 07:38

    garfield and that's what I think I line
    garfield and that's what I think I line

  • 07:40

    station until I think they should really
    station until I think they should really

  • 07:42

    push during award season to get him a
    push during award season to get him a

  • 07:44

    nomination and i have to say we haven't
    nomination and i have to say we haven't

  • 07:46

    seen all the other contenders yet but I
    seen all the other contenders yet but I

  • 07:48

    think he might even be deserving of the
    think he might even be deserving of the

  • 07:49

    win for Best Actor for his work here it
    win for Best Actor for his work here it

  • 07:51

    was really that good
    was really that good

  • 07:53

    finally they wrap the movie up with some
    finally they wrap the movie up with some

  • 07:55

    interviews with the real Desmond boss
    interviews with the real Desmond boss

  • 07:57

    and also the commanding officer that sam
    and also the commanding officer that sam

  • 08:01

    worthington plays in the film and those
    worthington plays in the film and those

  • 08:03

    interviews were great because not only
    interviews were great because not only

  • 08:05

    is a nice of course to see the real life
    is a nice of course to see the real life

  • 08:07

    people that you just spent two hours
    people that you just spent two hours

  • 08:08

    with which is so incredible but also
    with which is so incredible but also

  • 08:13

    their interviews kind of backup the
    their interviews kind of backup the

  • 08:16

    movie that you just watch to make you
    movie that you just watch to make you

  • 08:17

    realize that Mel Gibson didn't balance
    realize that Mel Gibson didn't balance

  • 08:19

    that this these are true stories and he
    that this these are true stories and he

  • 08:21

    told you as the story as it was as
    told you as the story as it was as

  • 08:24

    Desmond das has told who of course was
    Desmond das has told who of course was

  • 08:26

    was up the one who's in many cases
    was up the one who's in many cases

  • 08:29

    you'll see in the film the only one
    you'll see in the film the only one

  • 08:31

    there you know in this it's just don't
    there you know in this it's just don't

  • 08:34

    give too much away
    give too much away

  • 08:34

    it's just absolutely stunning and i have
    it's just absolutely stunning and i have

  • 08:37

    to say that in addition to this movie
    to say that in addition to this movie

  • 08:39

    making you really appreciate veterans I
    making you really appreciate veterans I

  • 08:41

    mean you will never feel the same way
    mean you will never feel the same way

  • 08:42

    about veterans again after watching this
    about veterans again after watching this

  • 08:44

    movie but also it shows you that someone
    movie but also it shows you that someone

  • 08:47

    is truly passionate about something and
    is truly passionate about something and

  • 08:48

    they're coming from a good place even if
    they're coming from a good place even if

  • 08:51

    you don't agree with them or even if you
    you don't agree with them or even if you

  • 08:53

    don't understand them you should maybe
    don't understand them you should maybe

  • 08:57

    let it play out again i preface this has
    let it play out again i preface this has

  • 08:59

    to be coming from a good place but maybe
    to be coming from a good place but maybe

  • 09:02

    you should let it play out because that
    you should let it play out because that

  • 09:04

    person and their beliefs just might
    person and their beliefs just might

  • 09:05

    surprise you
    surprise you

  • 09:06

    wow what an amazing movie make sure you
    wow what an amazing movie make sure you

  • 09:08

    see it alright so if your snacks are
    see it alright so if your snacks are

  • 09:11

    rich i'd love to hear your thoughts down
    rich i'd love to hear your thoughts down

  • 09:12

    below be careful not to give away any
    below be careful not to give away any

  • 09:14

    spoilers without a spoiler warning
    spoilers without a spoiler warning

  • 09:15

    because there are some really incredible
    because there are some really incredible

  • 09:17

    surprises in the film and again i'm
    surprises in the film and again i'm

  • 09:20

    looking forward to continuing the
    looking forward to continuing the

  • 09:21

    discussion with you down below and you
    discussion with you down below and you

  • 09:22

    can check out some more videos right now
    can check out some more videos right now

All

Hacksaw Ridge Movie Review

78,928 views

Intro:

hacksaw ridge is the best war movie. that I've ever seen and I've seen a heck. of a lot of war movies we all have they're. a Hollywood staple and interestingly. hacksaw bridge is not the best war movie. when it comes to visual effects it's not. the best war movie when it comes to. cinematography it's not the best war. movie when it comes to the teaching of. history other films in a far better job. and each of those categories but what. makes hacksaw bridge the best overall is. it's emotional truth just like with. passion of the christ where Mel Gibson. made me understand Christianity here. with hacks are rich he made me. understand the bravery of soldiers now. let me clarify what i mean by understand. because i'm sure some of you are like. WTF grace already in the comments but.

Video Vocabulary

/ˈtēCHiNG/

noun verb

The act of helping people learn. To help someone learn or do something.

/ˈbrāv(ə)rē/

noun

Quality allowing someone to do courageous things.

/ˈkäment/

noun other verb

remark expressing opinion. Some things you say, giving opinions; remarks. express opinion.

/ˈsōljər/

noun other verb

person who serves in army. Person working in an army to fight. serve as soldier.

/əˈmōSH(ə)n(ə)l/

adjective

Causing, feeling, or appealing to the emotions.

adjective adverb noun

Viewed as a whole; in general, not as details. taken as a whole. trousers formerly worn as part of army uniform.

/bēˈkəz/

conjunction

for reason that.

/ˈhakˌsô/

noun verb

saw with narrow fine-toothed blade set in frame. cut something using hacksaw.

/ˌôlˈredē/

adverb

before or by now or time in question.

/imˈplī/

verb

indicate truth or existence of something by suggestion rather than explicit reference.

/ˌsinəməˈtäɡrəfē/

noun

Act of making a film.

/ˈkadəˌɡôrē/

noun other

class or division of people or things regarded as having particular shared characteristics. Groups of things that are similar in some way.

/əˈfekt/

noun other verb

change resulting from cause. Changes brought about by a cause; results. cause something to happen.

/ˌəndərˈstand/

verb

perceive intended meaning of.