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  • 00:00

    A docudrama is a genre of radio and television programming, feature film,
    A docudrama is a genre of radio and television programming, feature film,

  • 00:05

    and staged theatre, which features dramatized re-enactments of actual
    and staged theatre, which features dramatized re-enactments of actual

  • 00:11

    events. On stage, it is sometimes known as documentary theatre.
    events. On stage, it is sometimes known as documentary theatre.

  • 00:16

    In the core elements of its story a docudrama strives to adhere to known
    In the core elements of its story a docudrama strives to adhere to known

  • 00:22

    historical facts, while allowing a greater or lesser degree of dramatic
    historical facts, while allowing a greater or lesser degree of dramatic

  • 00:27

    license in peripheral details, and where there are gaps in the historical record.
    license in peripheral details, and where there are gaps in the historical record.

  • 00:34

    Dialogue may include the actual words of real-life persons, as recorded in
    Dialogue may include the actual words of real-life persons, as recorded in

  • 00:40

    historical documents. Docudrama producers sometimes choose to film their
    historical documents. Docudrama producers sometimes choose to film their

  • 00:45

    reconstructed events in the actual locations in which the historical events
    reconstructed events in the actual locations in which the historical events

  • 00:51

    occurred. A docudrama, in which historical
    occurred. A docudrama, in which historical

  • 00:55

    fidelity is the keynote, is generally distinguished from a film merely "based
    fidelity is the keynote, is generally distinguished from a film merely "based

  • 01:01

    on true events", a term which implies a greater degree of dramatic license; and
    on true events", a term which implies a greater degree of dramatic license; and

  • 01:07

    from the concept of "historical drama", a broader category which may also
    from the concept of "historical drama", a broader category which may also

  • 01:13

    encompass largely fictionalized action taking place in historical settings or
    encompass largely fictionalized action taking place in historical settings or

  • 01:19

    against the backdrop of historical events.
    against the backdrop of historical events.

  • 01:23

    As a neologism, the term docudrama is sometimes confused with docufiction.
    As a neologism, the term docudrama is sometimes confused with docufiction.

  • 01:29

    However, unlike docufiction—which is essentially a documentary filmed in real
    However, unlike docufiction—which is essentially a documentary filmed in real

  • 01:35

    time, incorporating some fictional elements—docudrama is filmed at a time
    time, incorporating some fictional elements—docudrama is filmed at a time

  • 01:41

    subsequent to the events it portrays. Characteristics
    subsequent to the events it portrays. Characteristics

  • 01:45

    Docudramas tend to demonstrate some or most of the following characteristics
    Docudramas tend to demonstrate some or most of the following characteristics

  • 01:51

    Representation of actual historical events
    Representation of actual historical events

  • 01:54

    Focus on the facts of the event, as they are known
    Focus on the facts of the event, as they are known

  • 01:58

    Use of literary and narrative techniques to flesh out the bare facts of an event
    Use of literary and narrative techniques to flesh out the bare facts of an event

  • 02:05

    in history to tell a story Some degree of license is often taken
    in history to tell a story Some degree of license is often taken

  • 02:10

    with minor historical facts for the sake of enhancing the drama
    with minor historical facts for the sake of enhancing the drama

  • 02:15

    Docudramas are distinct from historical fiction, in which the historical setting
    Docudramas are distinct from historical fiction, in which the historical setting

  • 02:21

    is a mere backdrop for a plot involving fictional characters.
    is a mere backdrop for a plot involving fictional characters.

  • 02:26

    History The impulse to incorporate historical
    History The impulse to incorporate historical

  • 02:30

    material into literary texts has been an intermittent feature of literature in
    material into literary texts has been an intermittent feature of literature in

  • 02:36

    the west since its earliest days. Aristotle's theory of art is based on
    the west since its earliest days. Aristotle's theory of art is based on

  • 02:42

    the use of putatively historical events and characters. Especially after the
    the use of putatively historical events and characters. Especially after the

  • 02:48

    development of modern mass-produced literature, there have been genres that
    development of modern mass-produced literature, there have been genres that

  • 02:54

    relied on history or then-current events for material. English Renaissance drama,
    relied on history or then-current events for material. English Renaissance drama,

  • 03:00

    for example, developed subgenres specifically devoted to dramatizing
    for example, developed subgenres specifically devoted to dramatizing

  • 03:06

    recent murders and notorious cases of witchcraft.
    recent murders and notorious cases of witchcraft.

  • 03:09

    However, docudrama as a separate category belongs to the second half of
    However, docudrama as a separate category belongs to the second half of

  • 03:15

    the twentieth century. After World War II, Louis de Rochemont, creator of The
    the twentieth century. After World War II, Louis de Rochemont, creator of The

  • 03:21

    March of Time, became a producer at 20th Century Fox. There he brought the
    March of Time, became a producer at 20th Century Fox. There he brought the

  • 03:27

    newsreel aesthetic to films, producing a series of movies based upon real events
    newsreel aesthetic to films, producing a series of movies based upon real events

  • 03:34

    using a realistic style that became known as semidocumentary. These films
    using a realistic style that became known as semidocumentary. These films

  • 03:39

    were widely imitated, and the style soon became used even for completely
    were widely imitated, and the style soon became used even for completely

  • 03:45

    fictional stories such as The Naked City. Perhaps the most significant of
    fictional stories such as The Naked City. Perhaps the most significant of

  • 03:51

    the semidocumentary films was He Walked by Night, based upon the serial killer
    the semidocumentary films was He Walked by Night, based upon the serial killer

  • 03:57

    Erwin "Machine-Gun" Walker. Jack Webb had a supporting role in the movie and
    Erwin "Machine-Gun" Walker. Jack Webb had a supporting role in the movie and

  • 04:03

    struck up a friendship with the LAPD consultant, Sergeant Marty Wynn. The
    struck up a friendship with the LAPD consultant, Sergeant Marty Wynn. The

  • 04:09

    film and his relationship with Wynn inspired Webb to create what became one
    film and his relationship with Wynn inspired Webb to create what became one

  • 04:15

    of the most famous docudramas in history: Dragnet.
    of the most famous docudramas in history: Dragnet.

  • 04:19

    The influence of New Journalism tended to create a license for authors to treat
    The influence of New Journalism tended to create a license for authors to treat

  • 04:26

    with literary techniques material that might in an earlier age have been
    with literary techniques material that might in an earlier age have been

  • 04:31

    approached in a purely journalistic way. Both Truman Capote and Norman Mailer
    approached in a purely journalistic way. Both Truman Capote and Norman Mailer

  • 04:37

    were influenced by this movement, and Capote's In Cold Blood is arguably the
    were influenced by this movement, and Capote's In Cold Blood is arguably the

  • 04:44

    most famous example of the genre. American television
    most famous example of the genre. American television

  • 04:48

    Some docudrama examples for American television include Brian's Song, and
    Some docudrama examples for American television include Brian's Song, and

  • 04:54

    Roots. Brian's Song is the biography of Brian Piccolo, a Chicago Bears football
    Roots. Brian's Song is the biography of Brian Piccolo, a Chicago Bears football

  • 05:00

    player who died at a young age after battling cancer. Roots depicts the life
    player who died at a young age after battling cancer. Roots depicts the life

  • 05:06

    of a slave and his family. Docudramas
    of a slave and his family. Docudramas

  • 05:09

    Historic evolution = Radio =
    Historic evolution = Radio =

  • 05:11

    The March of Time The Fifth Horseman
    The March of Time The Fifth Horseman

  • 05:14

    = Films = The March of Time
    = Films = The March of Time

  • 05:16

    Call Northside 777 Children of Hiroshima
    Call Northside 777 Children of Hiroshima

  • 05:19

    The Wrong Man A Night to Remember
    The Wrong Man A Night to Remember

  • 05:22

    The Gallant Hours Judgment at Nuremberg
    The Gallant Hours Judgment at Nuremberg

  • 05:25

    The Longest Day Culloden
    The Longest Day Culloden

  • 05:27

    Cathy Come Home In Cold Blood
    Cathy Come Home In Cold Blood

  • 05:29

    Tora! Tora! Tora! 10 Rillington Place
    Tora! Tora! Tora! 10 Rillington Place

  • 05:32

    The Missiles of October All the President's Men
    The Missiles of October All the President's Men

  • 05:36

    Pumping Iron King
    Pumping Iron King

  • 05:37

    Threads Canada's Sweetheart: The Saga of Hal C.
    Threads Canada's Sweetheart: The Saga of Hal C.

  • 05:41

    Banks Seacoal
    Banks Seacoal

  • 05:42

    Life Story Goodfellas
    Life Story Goodfellas

  • 05:43

    Dien Bien Phu Ed Wood
    Dien Bien Phu Ed Wood

  • 05:45

    Quiz Show Apollo 13
    Quiz Show Apollo 13

  • 05:47

    Nixon Hillsborough
    Nixon Hillsborough

  • 05:48

    Pirates of Silicon Valley The Insider
    Pirates of Silicon Valley The Insider

  • 05:51

    Thirteen Days The Pianist
    Thirteen Days The Pianist

  • 05:53

    Bloody Sunday The Laramie Project
    Bloody Sunday The Laramie Project

  • 05:55

    The Story of the Weeping Camel Touching the Void
    The Story of the Weeping Camel Touching the Void

  • 05:59

    The Last Dragon Cinderella Man
    The Last Dragon Cinderella Man

  • 06:02

    End Day Good Night, and Good Luck
    End Day Good Night, and Good Luck

  • 06:04

    Supervolcano Bobby
    Supervolcano Bobby

  • 06:06

    Hollywoodland Krakatoa: The Last Days
    Hollywoodland Krakatoa: The Last Days

  • 06:08

    The 9/11 Commission Report United 93
    The 9/11 Commission Report United 93

  • 06:11

    Rescue Dawn Breach
    Rescue Dawn Breach

  • 06:13

    Charlie Wilson's War A Mighty Heart
    Charlie Wilson's War A Mighty Heart

  • 06:15

    Zodiac Che
    Zodiac Che

  • 06:16

    The Beckoning Silence Frost/Nixon
    The Beckoning Silence Frost/Nixon

  • 06:19

    John Adams The Lena Baker Story
    John Adams The Lena Baker Story

  • 06:21

    The Informant! Public Enemies
    The Informant! Public Enemies

  • 06:23

    The Fighter 127 Hours
    The Fighter 127 Hours

  • 06:25

    Fair Game No Place on Earth
    Fair Game No Place on Earth

  • 06:27

    The Attacks of 26/11 Captain Phillips
    The Attacks of 26/11 Captain Phillips

  • 06:30

    Enemy of the Reich: The Noor Inayat Khan Story
    Enemy of the Reich: The Noor Inayat Khan Story

  • 06:34

    America: Imagine the World Without Her Heaven Is for Real
    America: Imagine the World Without Her Heaven Is for Real

  • 06:38

    Bridge of Spies = Television =
    Bridge of Spies = Television =

  • 06:41

    Culloden The War Game
    Culloden The War Game

  • 06:42

    Death of a Princess Egypt
    Death of a Princess Egypt

  • 06:44

    Space Race The Road to Guantanamo
    Space Race The Road to Guantanamo

  • 06:47

    Ancient Rome: The Rise and Fall of an Empire
    Ancient Rome: The Rise and Fall of an Empire

  • 06:50

    Nuclear Secrets Heroes and Villains
    Nuclear Secrets Heroes and Villains

  • 06:53

    House of Saddam Micro Men
    House of Saddam Micro Men

  • 06:55

    Moonshiners The Men Who Built America
    Moonshiners The Men Who Built America

  • 06:58

    Mabo An Adventure in Space and Time
    Mabo An Adventure in Space and Time

  • 07:01

    Code of a Killer See also
    Code of a Killer See also

  • 07:03

    Docufiction Dramality
    Docufiction Dramality

  • 07:04

    Ethnofiction Mockumentary
    Ethnofiction Mockumentary

  • 07:06

    Fly on the wall Factual television
    Fly on the wall Factual television

  • 07:09

    Reality television Peter Watkins, a pioneer of docudrama
    Reality television Peter Watkins, a pioneer of docudrama

  • 07:13

    List of historical drama films List of Asian historical drama films
    List of historical drama films List of Asian historical drama films

  • 07:19

    References Bibliography
    References Bibliography

  • 07:21

    Hellmann, John. Fables of Fact: The New Journalism as New Fiction. Urbana:
    Hellmann, John. Fables of Fact: The New Journalism as New Fiction. Urbana:

  • 07:27

    University of Illinois Press. ISBN 0252008472.
    University of Illinois Press. ISBN 0252008472.

  • 07:30

    Kazin, Alfred. Bright Book of Life: American Hot Dogs and Storytellers from
    Kazin, Alfred. Bright Book of Life: American Hot Dogs and Storytellers from

  • 07:36

    Hemingway to Mailer. Boston: Little, Brown. ISBN 0316484180.
    Hemingway to Mailer. Boston: Little, Brown. ISBN 0316484180.

  • 07:41

    Lipkin, Steven N., ed.. Real Emotional Logic: Film and Television Docudrama As
    Lipkin, Steven N., ed.. Real Emotional Logic: Film and Television Docudrama As

  • 07:47

    Persuasive Practice. Carbondale: Southern Illinois Press. ISBN
    Persuasive Practice. Carbondale: Southern Illinois Press. ISBN

  • 07:52

    978-0-8093-2409-5. Lukács, György. Mitchell, Hannah;
    978-0-8093-2409-5. Lukács, György. Mitchell, Hannah;

  • 07:57

    Mitchell, Stanley, eds. The Historical Novel. London: Merlin Press.
    Mitchell, Stanley, eds. The Historical Novel. London: Merlin Press.

  • 08:02

    Paget, Derek. No Other Way to Tell It: Dramadoc/docudrama on television.
    Paget, Derek. No Other Way to Tell It: Dramadoc/docudrama on television.

  • 08:08

    Manchester: Manchester University Press. ISBN 978-0-7190-8446-1.
    Manchester: Manchester University Press. ISBN 978-0-7190-8446-1.

  • 08:13

    Rhodes, Gary Don; Springer, John Parris, eds.. Docufictions: Essays on the
    Rhodes, Gary Don; Springer, John Parris, eds.. Docufictions: Essays on the

  • 08:19

    intersection of documentary and fictional filmmaking. London: McFarland
    intersection of documentary and fictional filmmaking. London: McFarland

  • 08:25

    & Co. ISBN 978-0-7864-2184-8. Roscoe, Jane; Hight, Craig. Faking it:
    & Co. ISBN 978-0-7864-2184-8. Roscoe, Jane; Hight, Craig. Faking it:

  • 08:30

    Mock-documentary and the subversion of factuality. Manchester: Manchester
    Mock-documentary and the subversion of factuality. Manchester: Manchester

  • 08:36

    University Press. ISBN 978-0-7190-5641-3.
    University Press. ISBN 978-0-7190-5641-3.

  • 08:39

    Rosenthal, Alan. Writing Docudrama: dramatizing reality for film and TV.
    Rosenthal, Alan. Writing Docudrama: dramatizing reality for film and TV.

  • 08:45

    Boston, Mass.: Focal Press. ISBN 0240801954.
    Boston, Mass.: Focal Press. ISBN 0240801954.

  • 08:49

    Rosenthal, Alan. Why Docudrama?: Fact-Fiction on Film and TV. Carbondale
    Rosenthal, Alan. Why Docudrama?: Fact-Fiction on Film and TV. Carbondale

  • 08:54

    & Edwardsville: Southern Illinois Press. ISBN 978-0-8093-2186-5.
    & Edwardsville: Southern Illinois Press. ISBN 978-0-8093-2186-5.

  • 09:00

    Siegle, Robert. "Capote's Hand-Carved Coffins and the Nonfiction Novel".
    Siegle, Robert. "Capote's Hand-Carved Coffins and the Nonfiction Novel".

  • 09:05

    Contemporary Literature 25: 437–451. doi:10.2307/1208055.
    Contemporary Literature 25: 437–451. doi:10.2307/1208055.

  • 09:10

    Stavreva, Kirilka. "Fighting Words: Witch-speak in Late Elizabethan
    Stavreva, Kirilka. "Fighting Words: Witch-speak in Late Elizabethan

  • 09:15

    Docu-fiction". Journal of Medieval and Early Modern Studies 30: 309–338.
    Docu-fiction". Journal of Medieval and Early Modern Studies 30: 309–338.

  • 09:21

    doi:10.1215/10829636-30-2-309. White, Hayden. Tropics of Discourse:
    doi:10.1215/10829636-30-2-309. White, Hayden. Tropics of Discourse:

  • 09:26

    Essays in Cultural Criticism. Baltimore: Johns Hopkins University Press. ISBN
    Essays in Cultural Criticism. Baltimore: Johns Hopkins University Press. ISBN

  • 09:33

    0801821274. External links
    0801821274. External links

  • 09:35

    British Film Institute paper on British drama-documentary
    British Film Institute paper on British drama-documentary

  • 09:39

    Docudrama: the realtory by Çiçek Coşkun: unpublished academic paper
    Docudrama: the realtory by Çiçek Coşkun: unpublished academic paper

  • 09:45

    Docudrama at BookRags
    Docudrama at BookRags

All noun
genre
/ˈZHänrə/

word

category of artistic composition, as in music or literature, characterized by similarities in form

Docudrama

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Video Language:

  • English

Caption Language:

  • English (en)

Accent:

  • English (US)

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Intro:

A docudrama is a genre of radio and television programming, feature film,
and staged theatre, which features dramatized re-enactments of actual
events. On stage, it is sometimes known as documentary theatre.
In the core elements of its story a docudrama strives to adhere to known
historical facts, while allowing a greater or lesser degree of dramatic
license in peripheral details, and where there are gaps in the historical record.
Dialogue may include the actual words of real-life persons, as recorded in
historical documents. Docudrama producers sometimes choose to film their
reconstructed events in the actual locations in which the historical events
occurred. A docudrama, in which historical. fidelity is the keynote, is generally distinguished from a film merely "based
on true events", a term which implies a greater degree of dramatic license; and
from the concept of "historical drama", a broader category which may also
encompass largely fictionalized action taking place in historical settings or
against the backdrop of historical events.. As a neologism, the term docudrama is sometimes confused with docufiction.
However, unlike docufiction—which is essentially a documentary filmed in real
time, incorporating some fictional elements—docudrama is filmed at a time
subsequent to the events it portrays. Characteristics
Docudramas tend to demonstrate some or most of the following characteristics

Video Vocabulary

/ˈkänˌsept/

noun

Abstract idea of something or how it works.

/əˈlou/

verb

let someone have or do.

/tekˈnēk/

noun other

way of carrying out particular task. Ways of doing by using special knowledge or skill.

/ˈjen(ə)rəlē/

adverb

in most cases.

/lōˈkāSH(ə)n/

noun other

place or position. Particular positions or areas of place events etc..

/inˈhans/

verb

To improve; make bigger or better.

/ˈkadəˌɡôrē/

noun

class or division of people or things regarded as having particular shared characteristics.

/ˈhist(ə)rē/

noun

study of past events.

/inˈkəmpəs/

verb

surround and have or hold within.

/ˈfikSH(ə)nəˌlīz/

verb

give fictional version of.

/ˈfēCHər/

adjective noun verb

Main; important. Distinctive or important point of something. To highlight or give special importance to.

/strīv/

verb

make great efforts to achieve or obtain something.

/ˈlärjlē/

adverb

In large part; mainly or chiefly.

/əˈɡenst/

preposition

In physical contact with, as for support; next to.

/ˈdäkyəˌdrämə/

noun

.