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  • 00:07

    Hi. It’s Mr. Andersen. And this is AP Physics essentials video 117. It is on beats. Beats
    Hi. It’s Mr. Andersen. And this is AP Physics essentials video 117. It is on beats. Beats

  • 00:12

    are changes in amplitude when you have two wavelengths that have a frequency that is
    are changes in amplitude when you have two wavelengths that have a frequency that is

  • 00:17

    very close together. And you can actually play around with this if you are connected
    very close together. And you can actually play around with this if you are connected

  • 00:21

    to the internet. And so I will put a link to this down below. But is you go to this
    to the internet. And so I will put a link to this down below. But is you go to this

  • 00:25

    website right here and you launch it, what you can do is you can play a tone. And so
    website right here and you launch it, what you can do is you can play a tone. And so

  • 00:29

    what I am going to do is play one that is at 440 Hertz. I am then going to launch another
    what I am going to do is play one that is at 440 Hertz. I am then going to launch another

  • 00:34

    tab. And in that tab I am going to briefly change what note I am playing. So that is
    tab. And in that tab I am going to briefly change what note I am playing. So that is

  • 00:41

    440 Hertz. That is also 440 Hertz. But listen what happens when I change one. Those are
    440 Hertz. That is also 440 Hertz. But listen what happens when I change one. Those are

  • 00:52

    beats. Now they are gone. Now as I go above it you can hear the beats again. And as I
    beats. Now they are gone. Now as I go above it you can hear the beats again. And as I

  • 00:59

    bring them back to the same value, then it goes away. Now when would this be useful?
    bring them back to the same value, then it goes away. Now when would this be useful?

  • 01:03

    Well let’s say you are tuning your guitar. What you can do is tune one of the strings.
    Well let’s say you are tuning your guitar. What you can do is tune one of the strings.

  • 01:08

    So make sure you tune that to a tuner or piano or something like that. Once you have that,
    So make sure you tune that to a tuner or piano or something like that. Once you have that,

  • 01:12

    then you can play another string, you have to move up on the fret, but play another string.
    then you can play another string, you have to move up on the fret, but play another string.

  • 01:17

    And if it is close you will hear the beats. And if it is exactly the same you can adjust
    And if it is close you will hear the beats. And if it is exactly the same you can adjust

  • 01:21

    the one, then the beats will go away. And then you can move on to the next string, and
    the one, then the beats will go away. And then you can move on to the next string, and

  • 01:26

    the next string and the next string. And so waves, when they come together, will interact.
    the next string and the next string. And so waves, when they come together, will interact.

  • 01:30

    And as they interact they cause interference. Now the interference can be constructive,
    And as they interact they cause interference. Now the interference can be constructive,

  • 01:35

    sometimes building up the wave or the summation of the waves. And sometimes it is destructive.
    sometimes building up the wave or the summation of the waves. And sometimes it is destructive.

  • 01:39

    It is tearing it down. But if those waves are very similar in frequency, what you get
    It is tearing it down. But if those waves are very similar in frequency, what you get

  • 01:45

    are these beats. And beats are going to be amplitude changes. In other words the volume
    are these beats. And beats are going to be amplitude changes. In other words the volume

  • 01:50

    is going to go up and down and up and down due to this constructive and destructive interference.
    is going to go up and down and up and down due to this constructive and destructive interference.

  • 01:55

    Now it is really easy to calculate the frequency of the beats. All you do is, the frequency
    Now it is really easy to calculate the frequency of the beats. All you do is, the frequency

  • 02:00

    of the beat equals the absolute value of the difference between the two frequencies. So
    of the beat equals the absolute value of the difference between the two frequencies. So

  • 02:06

    if I know frequency one and two I simply subtract one and it is the value, the absolute value
    if I know frequency one and two I simply subtract one and it is the value, the absolute value

  • 02:10

    of those. And so again in review, if you do not know what constructive and destructive
    of those. And so again in review, if you do not know what constructive and destructive

  • 02:15

    interference are, if we have two waves that are perfectly the same frequency and they
    interference are, if we have two waves that are perfectly the same frequency and they

  • 02:20

    are right next to each other, what we will get is constructive interference. If they
    are right next to each other, what we will get is constructive interference. If they

  • 02:25

    are out of phase with one another we will have destructive interference. But if the
    are out of phase with one another we will have destructive interference. But if the

  • 02:31

    frequencies are slightly off, and if we look at this animation down here, these are frequencies
    frequencies are slightly off, and if we look at this animation down here, these are frequencies

  • 02:35

    that are close, but not exactly the same, what you get is as you have this constructive
    that are close, but not exactly the same, what you get is as you have this constructive

  • 02:40

    and destructive interference you get the blue summation of those two waves and you can see
    and destructive interference you get the blue summation of those two waves and you can see

  • 02:46

    that we are seeing these changes in the amplitude. In other words the amplitude is decreasing
    that we are seeing these changes in the amplitude. In other words the amplitude is decreasing

  • 02:50

    and then it is increasing and then decreasing. Now if I could make those frequencies exactly
    and then it is increasing and then decreasing. Now if I could make those frequencies exactly

  • 02:54

    the same, then the beats are simply going to go away. How do you calculate it? Again
    the same, then the beats are simply going to go away. How do you calculate it? Again

  • 03:00

    it is frequency one minus frequency 2. Absolute value of. And let’s do a sample of that.
    it is frequency one minus frequency 2. Absolute value of. And let’s do a sample of that.

  • 03:04

    So I am using audacity. It is a little music software. And so what I am going to do is
    So I am using audacity. It is a little music software. And so what I am going to do is

  • 03:09

    I am going to generate some tones. And so I am going to generate a 440 Hertz tone. So
    I am going to generate some tones. And so I am going to generate a 440 Hertz tone. So

  • 03:14

    that will be in one track. And then I am going to add another track down here and we are
    that will be in one track. And then I am going to add another track down here and we are

  • 03:18

    going to generate another tone. So we will make this one slightly different. It is 444
    going to generate another tone. So we will make this one slightly different. It is 444

  • 03:25

    Hertz. Like that. Now let me mute the bottom one and play the top. And now let me mute
    Hertz. Like that. Now let me mute the bottom one and play the top. And now let me mute

  • 03:31

    the top and play the bottom. They sound almost the same. But let’s play them together now.
    the top and play the bottom. They sound almost the same. But let’s play them together now.

  • 03:38

    So I will unmute them. So now you can hear those beats or those changes in the amplitude.
    So I will unmute them. So now you can hear those beats or those changes in the amplitude.

  • 03:44

    Now let’s calculate what the frequency of the beats should be. So frequency of the beat
    Now let’s calculate what the frequency of the beats should be. So frequency of the beat

  • 03:49

    is going to be f1 minus f2. And so what were the two frequencies? Well we had 440 and 444.
    is going to be f1 minus f2. And so what were the two frequencies? Well we had 440 and 444.

  • 03:56

    And so if I put those two values in what is my frequency of the beat going to be? It is
    And so if I put those two values in what is my frequency of the beat going to be? It is

  • 04:01

    simply going to be 4 Hertz. So now let’s check that with this model. And so what I
    simply going to be 4 Hertz. So now let’s check that with this model. And so what I

  • 04:05

    am going to do is now mix these two together and we are making a single track of the two.
    am going to do is now mix these two together and we are making a single track of the two.

  • 04:11

    And so let me get rid of those first two tracks. You can already see the beats. And now let’s
    And so let me get rid of those first two tracks. You can already see the beats. And now let’s

  • 04:17

    check our numbers. So let’s look at 1 second in time. It is exactly 4 beats. The frequency
    check our numbers. So let’s look at 1 second in time. It is exactly 4 beats. The frequency

  • 04:23

    of the beats equals the difference between the two frequencies. So did you learn to use
    of the beats equals the difference between the two frequencies. So did you learn to use

  • 04:28

    a visual representation to explain how slightly different frequencies cause beats?
    a visual representation to explain how slightly different frequencies cause beats?

  • 04:32

    I hope so. And I hope that was helpful.
    I hope so. And I hope that was helpful.

All idiom
this is
//

idiom

Used to quote, paraphrase, or mimic the words of someone else, especially in a mocking or derisive manner.

Beats

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Video Language:

  • English

Caption Language:

  • English (en)

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  • English

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  • Education

Intro:

Hi. It’s Mr. Andersen. And this is AP Physics essentials video 117. It is on beats. Beats
are changes in amplitude when you have two wavelengths that have a frequency that is
very close together. And you can actually play around with this if you are connected
to the internet. And so I will put a link to this down below. But is you go to this
website right here and you launch it, what you can do is you can play a tone. And so
what I am going to do is play one that is at 440 Hertz. I am then going to launch another
tab. And in that tab I am going to briefly change what note I am playing. So that is
440 Hertz. That is also 440 Hertz. But listen what happens when I change one. Those are
beats. Now they are gone. Now as I go above it you can hear the beats again. And as I
bring them back to the same value, then it goes away. Now when would this be useful?
Well let’s say you are tuning your guitar. What you can do is tune one of the strings.
So make sure you tune that to a tuner or piano or something like that. Once you have that,
then you can play another string, you have to move up on the fret, but play another string.
And if it is close you will hear the beats. And if it is exactly the same you can adjust
the one, then the beats will go away. And then you can move on to the next string, and
the next string and the next string. And so waves, when they come together, will interact.
And as they interact they cause interference. Now the interference can be constructive,
sometimes building up the wave or the summation of the waves. And sometimes it is destructive.
It is tearing it down. But if those waves are very similar in frequency, what you get
are these beats. And beats are going to be amplitude changes. In other words the volume

Video Vocabulary

/kənˈstrəktiv/

adjective

having or intended to have useful or beneficial purpose.

/səbˈtrakt/

other verb

To take away a value or amount from another. take away number or amount from another to calculate difference.

/bəˈtwēn/

adverb preposition

in space separating things. at, into, or across space separating things.

/ˈak(t)SH(o͞o)əlē/

adverb

Used to add new (often different) information.

/ˈfrēkwənsē/

noun

rate at which something occurs.

/əˈnəT͟Hər/

adjective determiner pronoun

One more, but not this. used to refer to additional person or thing of same type as one. One more (thing).

/ˈwebsīt/

noun

set of related web pages located under single domain name.

/ˈwāvˌleNG(k)TH/

noun other

distance between successive crests of wave. The size of a wave.

/dəˈstrəktiv/

adjective

causing great and irreparable damage.

/ˈsəmˌTHiNG/

adverb pronoun

used for emphasis with following adjective functioning as adverb. Thing that is not yet known or named.

/iɡˈzak(t)lē/

adverb

used to emphasize accuracy of figure or description.

/ˈkalkyəˌlāt/

verb

determine mathematically.

/CHānj/

noun other verb

act or process bringing change. Acts of making or becoming something else. To replace something with another thing.

/ˈsim(ə)lər/

adjective noun

having resemblance in appearance, character, or quantity. person or thing similar to another.

/ˈbildiNG/

noun verb

A structure with a roof and walls, e.g. a house. To construct a house, office, factory.