What’s up, guys?
Jared here and today we’re talking about one of the best anime of the year, Season
Two of My Hero Academia.
My Hero Academia asks some serious questions about heroism, namely: Are all of our heroes
full of s***?
Welcome to this Wisecrack Quick Take on My Hero Academia, season 2.
And of course, spoilers ahead.
For those uninitiated, here’s a quick recap: My Hero Academia takes place in a world where
80% of people manifest some sort of superpower, or “quirk”, and being a hero has finally
become a full-time job.
And a glamorous one at that.
Middle schooler Midoriya Izuku yearns to be like his idol, the hero All Might, but unfortunately,
is quirkless.
But after demonstrating his selflessness to All Might, Midoriya receives his very own
powers from his hero.
After a year of training Midoriya enrolls in the exclusive high school for will-be heroes,
U.A. Academy.
At the end of Season 1, he and his classmates come face to face with some real bad guys
– the League of Villains, led by Shigaraki Tomura – only for All Might to save the day.
Now there are lot of great moments in Season Two, but where this question of what it means
to be a hero really comes to the fore is during the Stain Arc.
Class President, Iida Tenya, learns that his brother has been attacked
by the hero-killer, Stain.
Stain believes that today’s heroes are more concerned with their own image than actually
doing good.
Determined to get revenge, Iida then interns with the less than prestigious Normal Hero
in order to find Stain, while Midoriya is stuck, well, with this guy.
And as Shigaraki unleashes a horde of biologically engineered super villains on the city, Iida,
Midoriya, and fellow classmate Todoroki manage to converge on Stain and capture him.
The Stain arc raises the question: what causes our obsession with heroism?
According to philosopher Ernest Becker, the desire to be a hero is innate.
It’s the desire to be the very best at something and ultimately, to be remembered and thereby
transcend death.
But most of us aren’t heroes, we’re Jerrys, or Cementos at best
Instead, Becker tells us that we redirect this desire into society, or what he calls
Bummed you're not All Might?
That’s okay, feel special because Ingenium’s younger brother interns at your hero agency.
Sad you’re not always saving the day?
Who cares, you can still feature on a TV talk show panel because of your ridiculous costume.
It’s this kind of hero worship which Stain opposes, instead believing that heroes must
epitomize self-sacrifice.
Stain rejects a society that treats heroes like celebrities, paying them for capturing
villains and allowing them to use their status for lucrative side hustles.
Stain believes that being a superhero with an asterisk isn't being a superhero at all.
And this argument isn't all that crazy, and in fact mirrors an idea that philosopher/senior
men's model Jacques Derrida dubbed “unconditional hospitality.”
To Derrida, unconditional hospitality is a pure, unbounded kindness and generosity to
others – a “law without law”, as he confusingly called it.
To Derrida, true absolute hospitality cannot be imposed upon by rules, duties, or laws
– whether they be legal, cultural, or even moral.
Otherwise it stops being unconditional.
As one thinker put it, “The law of hospitality is absolute in that it requires one to give
all one has to another without asking any questions, imposing any restrictions, or requiring
any compensation.”
If we apply Derrida’s logic to My Hero Academia, the heroes are only acting
out a conditional hospitality.
This is particularly the case with Iida, who is so wrapped up in his desire for revenge
that he forgets what it means to be a hero: putting others first.
When Iida stumbles upon Stain attacking Native, Iida isn’t really coming to the rescue.
Instead, he’s implicitly making Native’s rescue contingent on him getting what he wants:
killing Stain.
And Stain, the perceptive slasher, tells it as it is
By the way, this fight scene was really awesome, one of the best of the season, and if you
want to see it broken down by one of our friends, check out Geoff over at Mother’s Basement.
He just dropped a video analyzing all the things that make this fight scene incredible.
So check him out at the link in the description.
You won’t regret it.
Anyway...
This all goes to show what makes Midoriya and All Might special: their unwavering adherence
to unconditional hospitality.
In fact, it’s Midoriya’s willingness to sacrifice himself for others – even without
a quirk – that originally drew All Might to him.
And over the course of Seasons One and Two, we see Midoriya putting himself on the line
over and over again.
Whether it’s leaping into the fray against League of Villains when All Might seems down
for the count, or arriving at the last minute to save Iida from Stain.
Hell, Midoriya can’t even use One for All without literally shattering the bones in
his body, but that’s never stopped him.
Of course, Stain recognizes this trait in Midoriya, initially sparing him.
But Midoriya is only a pale comparison of what Stain really wants: to fight the Symbol
of Peace himself.
After Stain saves Midoriya from being abducted, he declares:
That’s right.
Stain, motivated to make a more just society, will only let himself be brought down by a
true hero, the embodiment of unconditional hospitality himself, All Might.
Now, Stain isn’t the main villain of My Hero Academia, but his impact is really felt
in the season’s concluding episode.
What starts as a day off for Midoriya and his classmates, ends with Midoriya being briefly
held captive by Shigaraki.
Now Shigaraki is royally pissed at Stain for scorning him and drawing
so much attention.
What Shigaraki can’t see is how he’s different than Stain.
But as Midoriya explains, Stain stands for something.
Now to end this, we’re going to invoke a little more Becker here.
Remember those cultural hero systems in society?
He said that they were based all on the denial of death.
The reason why we strive to get a raise, fall in love, or even start a family is because,
even if we’re only side characters and NPC’s, we’re desperately trying to feel special
in our little corner of the universe and be remembered.
To Becker though, society would crumble if we ever realized how little
our deaths actually mean to the unfeeling universe.
As such, we have to desperately protect these fragile, artificial hero-systems that make up society.
This issue of confronting death becomes even more pronounced in the world of My Hero Academia
where your everyday citizen’s mortality is constantly put on display.
When super villains can appear and kill hundreds in an instant - how does your average person
go about living their life?
Just as in our lives, people can only create meaning by building up images of heros and
worshipping them.
And specifically, the Symbol of Peace himself, All Might.
As Shigaraki releases Midoriya, he realizes he’s been driven by an ideal all along:
destroying the symbol that gives society peace.
So what do you think, Wisecrack?
What does it mean to be a hero?
And are they really the glue that binds society together?
Let us know by dropping a line in the comment section.
And, as always, peace!