It is generally thought that paper was invented around 100 BC in China.
Originally made from wet hemp that was, then, beaten to a pulp, tree bark, bamboo, and other
plant fibers were eventually used.
Paper soon spread across Asia, first only being used for official and important documents,
but as the process became more efficient and cheaper, it became far more common.
Paper first arrived in Europe likely around the 11th century.
Historians believe the oldest known paper document from the “Christian West” is
the Missal of Silos from Spain, which is essentially a book containing texts to be read during
Mass.
This paper was made out of a form of linen.
While paper, books, and printing would evolve throughout the next eight hundred years, with
the Gutenberg printing press coming in the mid-15th century, paper was normally made
out of linen, rags, cotton, or other plant fibers.
It wouldn't be until the mid-19th century when paper was made out of wood fiber.
So what changed?
In 1844, two individuals invented the wood paper-making process.
On one end of the Atlantic Ocean was Canadian inventor Charles Fenerty.
Growing up, his family owned a series of lumber mills in Nova Scotia.
Knowing the durability, cheapness, and availability of wood, he realized it could be a good substitute
for the much more expensive cotton used in paper.
He experimented with wood pulp and on October 26, 1844, he sent his wood pulp paper to Halifax’s
top newspaper, The Acadian Recorder, with a note touting the durability and cost-effective
spruce wood paper.
Within weeks, the Recorder used Fenerty’s wood pulp paper.
At the same time, German binder and weaver Friedrich Gottlob Keller was working on a
wood-cutting machine when he discovered the same thing as Fenerty - that wood pulp could
act as a cheaper paper than cotton.
He produced a sample and, in 1845, received a German patent for it.
In fact, some historians credit Keller for the invention more than Fenerty simply due
to the fact that he received a patent and the Canadian did not.
Within thirty years, wood pulp paper was all the rage on both sides of the pond.
While wood pulp paper was cheaper and just as durable as cotton or other linen papers,
there were drawbacks.
Most significantly, wood pulp paper is much more prone to being effected by oxygen and
sunlight.
Wood is primarily made up of two polymer substances - cellulose and lignin.
Cellulose is the most abundant organic material in nature.
It is also technically colorless and reflects light extremely well rather than absorbs it
(which makes it opaque); therefore, humans see cellulose as white.
However, cellulose is also somewhat susceptible to oxidation, although not nearly as much
as lignin.
Oxidation causes a loss of electron(s) and weakens the material.
In the case of cellulose, this can result in some light being absorbed, making the material
(in this case, wood pulp) appear duller and less white (some describe it as "warmer"),
but this isn't what causes the bulk of the yellowing in aged paper.
Lignin is the other prominent substance found in paper, newspaper in particular.
Lignin is a compound found in wood that actually makes the wood stronger and harder.
In fact, according to Dr. Hou-Min Chang of N.C.
State University in Raleigh, “Without lignin, a tree could only grow to about 6 ft. tall.”
Essentially, lignin functions as something of a "glue," more firmly binding the cellulose
fibers, helping make the tree much stiffer and able to stand taller than they otherwise
would, as well able to withstand external pressures like wind.
Lignin is a dark color naturally (think brown-paper bags or brown cardboard boxes, where much
of the lignin is left in for added strength, while also resulting in the bags/boxes being
cheaper due to less processing needed in their creation).
Lignin is also highly susceptible to oxidation.
Exposure to oxygen (especially when combined with sunlight) alters the molecular structure
of lignin, causing a change in how the compound absorbs and reflects light, resulting in the
substance containing oxidized lignin turning a yellow-brown color in the human visual spectrum.
Since the paper used in newspapers tends to be made with a less intensive and more cost-efficient
process (since a lot of the wood pulp paper is needed), there tends to be significantly
more lignin in newspapers than in, say, paper made for books, where a bleaching process
is used to remove much of the lignin.
The net result is that, as newspapers get older and are exposed to more oxygen, they
turn a yellowish-brown color relatively quickly.
As for books, since the paper used tends to be higher grade (among other things, meaning
more lignin is removed along with a much more intensive bleaching process), the discolorization
doesn’t happen as quickly.
However, the chemicals used in the bleaching process to make white paper can result in
the cellulose being more susceptible to oxidation than it would otherwise be, contributing slightly
to the discolorization of the pages in the long run.
Today, to combat this, many important documents are now written on acid-free paper with a
limited amount of lignin, to prevent it from deteriorating as quickly.
As for old historic documents, there may not be a way to reverse the damage already done,
but one can prevent further damage.
It is important to store the documents, books, or newspaper in a cool, dry, dark place, just
like how museums store historic documents in a temperature-controlled room with low-lighting.
Additionally, do not store them in an attic or basement; those places can get humid and
can have significant temperature swings.
If one would like to display the newspaper or document out in the open, put it behind
UV protected glass to deflect harmful rays.
Most importantly, limit the handling of said document or newspaper - nothing destroys a
valuable piece of paper like frequent handling.
Bonus Fact: Ever wonder why blueprints are blue?
Well, wonder no more: Making copies of architectural drawings hasn’t always been the easiest
thing in the world to do.
For the majority of human history, the most economical solution was simply to have someone
make a tracing of the original plans.
In the mid-nineteenth century, the process abruptly became much quicker and easier thanks
to famed polymath Sir John Herschel.
In 1842, Herschel invented a method to easily copy drawings using potassium ferrocyanide
and ammonium iron citrate.
The exact method, called cyanotype, is performed as follows.
First, you take a drawing of the plans done on relatively translucent tracing paper or
cloth and place it on top of and attach it to paper (or sometimes linen, Mylar, etc.)
that has been previously soaked in a mixture of the aforementioned two chemicals, then
dried.
Next, you expose the papers to a bright ultra-violet light source, such as the Sun, for several
minutes.
The result is that the paper soaked in the chemicals ends up turning blue as the chemicals
react to the light and form a compound called blue ferric ferrocyanide, also known as “Prussian
Blue.”
This wouldn’t be very helpful for making a copy of a document except for the fact that
where the light cannot penetrate the translucent paper, namely where the drawing marks are,
the coated paper remains the original color of the paper, usually white, effectively making
a nice copy.
You might see a potential problem here in that you then can’t expose the un-blued
bits to any bright light source at first, but this problem is easily solved by simply
washing the chemicals off, then allowing the paper to dry.
At this point, the copy is complete.
Within a few decades of the discovery of this method of copying (as well as other blue-printing
methods such as one developed by Alphonse Louis Poitevin in 1861 using ferro-gallate),
the price dropped to about one-tenth the cost of having someone simply trace the original
plans, helping the popularity of blueprints explode.
In the mid-twentieth century, copying methods such as as diazo prints, and then later xerographic
prints, finally supplanted blueprints.
Much more recently, simply sticking with digital versions of plans has become popular, with
these having the advantage of being easy to modify and distribute as needed during the
construction process.
Despite the technological changes and the fact that these plans usually aren’t on
blue paper anymore, in popular vernacular the term “blueprints” has stuck around
anyways.