I think it's not just beautiful not just
lyrical but it has this incredibly noble
introspective recollection of the human
spirit and so you have this so it has
this this mood and and the particular
interesting feature to point out is that
we all know and here in the in the very
first entrance the the first theme
motive of the concerto in the first
moment is if you look in the second
movement the white note of the first
violin part so what we hear is the
violins play this line which we all know
that if you look at the white notes they
end up being so just like so now it's
not something that a listener hears on
the surface but as a unifying structural
motto or watermark that's placed in the
second movement shows how tightly and
how brilliantly this incredibly
beautiful sounding music is constructed
you