Hi! I'm Ben Denzer. I'm an artist and designer.
Your assignment is to make a book that's atypical in terms of its form
or material. A book doesn't have to look, or feel, or even taste for that matter
like what you typically have on your shelf. Look around your house or your
neighborhood--what do you find and how can you make a
book from those things?
I took a book binding class, a hardcover book book binding class, at
this place called the Center for Book Arts in New York.
Taking a class on how to make a book really demystifies the process and shows
you that "hey this is actually just three rectangles glued onto a piece of
flexible material and you fold the edges and then
you have a hardcover book." And so it was through taking this class and realizing
that I could make my own books and then being at the Center for Book Arts
its mission is to promote artist books and book arts and they have
a wonderful collection of artist books there, and so I got to see examples of
people treating the book itself as an artwork.
So catalog press is a
small edition artist press that I make and publish myself,
where all the books are catalogues in one way or another. So, catalogs of images,
catalogs of words, and catalogs of physical objects.
Playing with this idea of the book as an object and "what is a book but a collection
of things bound together" and so how far can you stretch that? So you go to the
grocery store and you see a packet of slices
of American cheese. If you put a cover around it that
instantly becomes a book--so some of the books I've been making
play with this idea of ready-mades in a sense.
This is a book of 200 one dollar bills
that are used bills that I sorted in order of serial number.
This is a book that I recently made in quarantine of
one roll of Charmin Ultra Strong toilet paper. I recently made a book
of scratch-off lottery tickets. So, this is 77 lucky sevens and so
they're all lottery tickets that you can scratch off.
So, this book is worth potentially quite a bit if all these is
a winner--but who knows. I wanted to do a cover so
that it would open perfectly flat. And, so, I went to a
bookstore and looked at all of the kids book
section because there are board books which open perfectly flat.
The world of book binding is this rabbit hole
of lots of ways that people have figured out how to do things,
so there's normally always a solution it's just a matter of inventing it or
finding it. I think part of the fun for me is trying
to take this thing that people know and have an expectation for--you
know, the book people have bookshelves in their house , maybe they
have books around so they kind of know what to expect,
so part of the fun for me is trying to subvert those expectations and finding
interesting, ideally funny, ways of doing that by
using maybe different materials or different scales or different ways of
combining things. And so i think there's no bad
material for making a book so i think the most
challenging um book i've tried to bind together was
this book i recently made at the University of Michigan
called "20 Slices of Meat". I've been wanting to make a book that was
made out of 100% meat for quite a while and
while I was there, I went to Zingerman's Deli and they were kind enough to kind
of show me all the meats and guide me towards the mortadella.
I got these huge slices of mortadella that I then had to figure out
how to bind into a book, so it was a process of
trying different threads, different things from the butcher shop.
After a lot of experimentation, I ended up using "Gorilla Glue"
which on the bottle says "this will stick to your fingers"
and meat is just like fingers, and so it worked out
actually surprisingly well. I was able to "perfect bind" this book of meat--
gluing these mortadella slices together and making a cover and a spine all out
of meat itself. And, actually, using the fat from
mortadella to kind of inlay the words "20 Slices".
It worked out really well, but it was quite a challenge to figure out how
exactly to make it all stay together. Making a book doesn't have to be
difficult! There are a few basic easy ways to bind pages together.
1. You could "perfect bind" something, which means taking a stack of pages and gluing them along one side.
2. Another way to bind a loose stack of paper is "stab binding." In stab binding, you poke
holes along the side of the page near your spine
and thread thread through them.
3. Another method is simply folding.
You could fold paper to make an accordion book.
4. Lastly, there's "signature sewing" which involves
taking sheets, making signatures from them,
and then binding these signatures together.
That's how this book works.
There are lots of things that are already
books around you. On your desk you may have
a pad of post-it notes, and that itself is a book. You could either add content
by writing on it, or leave it as it is. There are things in your fridge: slices
of things that are kind of inherently already books. You go outside and there are
leaves all around you, which can act as pages.
When you're going about this assignment, think about either
trying a different weird material to use that it might not be paper,
but if you want to use paper, what can you do with it that's different?
Can you fold it in an interesting way? Can you make a book that's really tall
or really long, or is a circle? There are all sorts of ways to take this
assignment--it's all about trying to deviate from the expected form
of a rectangle book that you might have
on your bedside table.
Thanks to all of our patrons for supporting The
Art Assignment, especially our grand masters of the arts
Divide by Zero Collection, Sai Rakshith, and Gabriel Civita Ramirez.
the best cover i've ever designed for a book of art assignments would have to be
you are an artist assignments to spark
creation
you