hello everyone experiment time tonight so welcome back to my studio thank you for being here!
I am going to do a straight pour tonight and I can't believe I haven't done it it's been on my
list you know I always keep like my little list of ideas it's been on my list for a long time
and I haven't tried it I'm going to try a straight pour tonight but with Australian floetrol and white
as my white mixture now Australian floetrol really does its magic if it is swiped over
other colors or if somehow it is kind of sloshed over other colors or blown over other colors so
it just may come out to be just white I'm not sure and I haven't seen anybody else I'm sure somebody
else has tried it before trust me but I haven't seen it so I don't know if it's gonna work or not
um I am going to layer my cup in front of you this time because a ton of people always say
even though you can see the layers in the cup they're like how did you layer that so I'm going
to layer it in front of you if I can get it on camera I hope um yeah let's start let's paint
so I'm going to start with the white in the bottom and I'm actually going to add
quite a bit of white throughout
just so that I can see kind of what's Happening I'm gonna add my yellow necks and I just tilt
the cup a little bit my paints are pretty thick let me see I think I'm gonna go magenta
oh I saw one little bit of something slide through there oh my gosh I'm terrific
I am going to keep my colors on the side over here in the order that I
layered them just in case I want to layer them that way again I do want
my green I want it to go a little bit darker and then lighter maybe next to
pour a little bit more in I'm not finishing my sentence
I'm concentrating this is a 20 ounce cup for a 20 inch canvas it works pretty well
and I thought these colors would be really pretty together
go back in with my white
I think I'll have enough to layer this twice ooh that white is sinking hmm
interesting
I used all of my yellow up whatever I have left over in colors I will pour around the sides
yep
and as you get closer to the top you don't have to really tilt as much anymore
add a little bit of white in there but in the last layering scheme but
I think maybe I'll just put it in now
the rest of it on in there and yep it is sinking right down to
the bottom oh I don't know how this is going to turn out I do not know
the rest of my this is a magenta Rose Mater combo
all right that is like filled to the brim okay so I'll have a little bit of green and
a little bit of blue left over all right I'm just gonna go ahead and and pour this
pour this away okay so straight pour not ring pour I have to remind myself and I'm just going
to start in the center here oh I had a lot of bubbles oh my gosh I have so many bubbles
and it is really all just blue coming out of here right now
I wonder if this Australian flow trial is gonna do anything
okay here come all my colors coming out
it looks really pretty coming out but I don't know I am going to rotate this just a little bit
gosh this takes so much like coordination to
I left my paints a little bit on the thinner side then I would regularly do
a straight pour just because I wanted to give the Australian flotrol white mixture
enough of a chance so the first thing oh I don't like that dang
not in love with the way that I did that Center
okay we'll see it's really interesting so in a regular
straight pour the white would be very predominant if I layered it that many times this looks like
it took on the tint of some other colors and I'll see as I stretch it out further but that's
something that's really interesting I do have some tiny little cells populating I can see
and I think I do have plenty of paint but I'm just going to pour the rest of this
green right around there just in case pour the rest of the blue around this side right here
all right now if you had wanted you could have put
like a base coat down of white or green or blue whatever color you were using
um but I did not because I know that this amount of paint will cover the canvas
I'm interested to see what comes out I can't believe out of all
that white I put in there is no white to be seen in this right now
it took on the tent of whatever color it was next to all right I'm gonna oh let me put my
gloves on and then I'm just going to stretch this out the Colors by themselves are gorgeous together
the only part that I think is going to be a little bit muddy is this section right there
but let's see all right I'm gonna go in a circular motion
already saw something yep it's like right on the edge
I'm just gonna work this on around
see if anything pops up
oh
so I'm not really seeing anything right now except the fact that it tinted the colors
it took on the tint of the colors I should say
and I'm not like expecting this to develop anymore or anything
it's just kind of it is what it is
I am getting some cells on the outer edges it looks like it's the Payne's Gray
it's very interesting so where there would have been
White it's kind of like Blended the colors together a little bit
and I don't know if I want to come off the look at all these
so I said this wasn't going to develop any but I feel like it is in front of my eyes
huh
I think I'm just gonna let this dry
super short and sweet I may have to play around with this a little bit more
I do really like the colors
yeah no white to be found
super interesting it's actually a really pretty painting I wonder how far this is gonna go
wow all right so let me touch up my sides and then I will show you what
it looks like wet and then we'll come back in for the dry result
all right well first off it's beautiful I I really love this color combination
the lines in the center
and that's just because it was thinner and the way I poured they're like really Blended together
this section but look at the sides y'all look what started to happen as it stretched over
super cool reaction it's almost like Pearl cells are starting to like pop up
and that could be because the Payne's gray is a creative inspiration
but I had green on the outer corners of this so that this is just very interesting to me
here I'll take you in
beautiful colors no lacing but it's just so interesting that there's also no white
basically in this painting and I love how those got outlined with the magenta
super cool effect so there you have it I think it's really interesting there's that Center
all right so we'll see how this one dries I wonder if any more of those cells are going to populate
all right I'll show you the dried result
well my original idea of getting some type of lacing with the Australian flotrol did not work
but the pore itself is gorgeous look at these colors down here
I am still very surprised all of the white sunk down through and it really just tinted the other
colors like a lighter color you can see how many different colors are in each of those rings and
this is not due to any of the Australian phloetrol it is due to the Payne's gray that I use that's
really cell reactive it's a creative inspirations but look at all those lines and details
oh
super duper cool
all right well I hope that you enjoyed this one thank you so much for watching! happy painting! bye