- [Man] Oh my God.
(intense music)
- [Luke] When you talk about the Yellowstone Ranch
the cattle are everything.
- Well you're talking about
hundreds of thousands of dollars.
- [Lloyd] Here's your culprit.
- [John Dutton] It's a crime scene.
- [Cole] It's kind of a despicable thing to do
is poison a bunch of innocent cows.
- [Man] Fence is way over there,
nobody threw it over.
Didn't fall through the fucking sky
- [John Dutton] That's exactly what it did.
(Old West Music)
- [Luke] So that becomes a big point of contention
is figuring out who did that
and what we need to do about it.
- [Kayce] You have any idea who did this?
- [John Dutton] I know exactly who did it.
Now we gotta go prove it.
- [Luke] John gives him this responsibility.
If he's ever gonna end up
being in John's position
there's a lot of things
he needs to learn along the way.
There's a political side to the whole thing-
Kayce does not understand at all.
He knows the land, he knows horses,
he knows how to take care of cattle,
but he has no clue about how to run it politically.
His father is setting him on a track where
where he can learn that stuff
and it's probably exactly the way John did it.
- [John Dutton] There's a war going on in this valley.
- [Luke] And within that he runs into
the kinda violence that you saw Kayce involved
with a lot in season one.
Except that he's on the other end of it
and he's trying to be the peacemaker sort of.
- Kayce's disenfranchised from more killing
that has to be covered-up or handled.
- [Luke] It's just all part of this process of
watching Kayce grow into
a man that's more capable of living in society
and taking care of people.
- [Man] Let him fuc*ing go now!
- [Man 2] Whoa whoa whoa whoa whoa... easy.
- [Man 3] Put it down!
(indiscriminate shouting)
- [Man 2] Shit !
- No!!
- [Cassidy] Now that's plenty, thank you.
- [Beth] Here,
come sit next to me.
- [John] Have a seat, son.
- [Wes] It's tough you know.
It's tough when I'm playing these scenes where
Jamie's sort of taken a beating
or having to deal with something like Beth
stabbing his leg at the table
while Cassidy sits there
and they're trying to have a business sort of dinner.
- [Man] Oh!
Excuse me, I'm sorry.
- [Kelly] Nothing gives Beth greater joy than
making Jamie feel awful.
- [Cassidy] Is he okay?
- [ Beth] He has Celiac disease.
- [Cassidy] Oh...
- [John] He has what?
- [Wes] Doing those dining room scenes were great
'cause I think a lotta the
childhood dynamics between everyone really plays out.
- She doesn't believe in Jamie,
but at this particular dinner table
she's having a nice time because
she's like a, you know all the puppets.
Cassidy comes in,
she absolutely knows she wants
Jamie to sit next to her.
It's got nothing to do with loyalty
to whose seat it is.
It's all about getting Jamie to sit next to her
so she can stab him.
I mean he can walk, it's just-
It just penetrates, just a little bit.
- [Wes] Even as I read this for the first time
my blood was boiling as
As Wes, I was getting upset for Jamie.
Why does he put up with this?
Or why is he dealing with this?
- [Wes] It's the lengths Jamie will go
to stay there, but we see him cracking.
That's that moment where
he actually seems dangerous
because from there
he storms off into the bathroom and
seems like he could just about kill somebody.
- [Kelly] It's very common to sort of
go back into that family dynamic.
It's like why am I suddenly acting like a fifteen year old?
- If you didn't have balls the size of quail eggs
you'd invested this money years ago and
he wouldn't be chasing his fu*king tail every fall.
Good work.
- [Wes] I think it's really what the core of the issues
with the family all come from.
- I love that sort of stuff.
So yes, and even in those squabbles there is
affection, 'cause they all know each other so well.
- Which is fine and funny,
but a little tricky 'cause you don't wanna, you know
you wanna be hammy about it you just wanna play it real but
It's funny moments.
- And Wes is such a great sport.
With all that he's so fabulous to work with.
- You think you're gonna get him to trust you
by making him not trust me?
I wish you and your bird balls the best of luck.
(acoustic guitar music)
- [Kayce] Hey, how are ya?
- [Monica] I'm lonely Kayce.
- [Kayce] You want me to come over?
- [Monica] Yeah.
- [Kelsey] Being married at ceremony,
they'll never be able to really let each other go.
They're also married in the after-life so
they're connected on such a deeper level.
Essentially they're, you know they're married forever.
- [Kelsey] So it's not something that you can just
walk away from.
They're so in love with each other
and yet, they're both responsible for
pushing each other away.
- She just felt unsafe and then felt unsafe for her child
around this guy who obviously
couldn't figure out a way to live
without violence and comes from
such the opposite side of the tracks.
When he shows up there, it's not his plan to do that,
but they kinda just can't help themselves.
It happens right?
You separate with somebody and there's
still a lotta love there.
And I think that's what that scene is there
to kinda signify is that
there's still mad for each other.
- [Tate] Mama?
(man murmurs)
- [Tate] Daddy!
- [Reporter] Thomas Rainwater annexed the lab purchased
for the confederated tribes of Broken Rock's
ambitious hotel and casino project.
- We need to find a less subtle means of
expressing our displeasure.
- They're cocky arrogant guys who think that
they can come and you know buy anybody out.
Or you know push people around.
And they think they're the smartest people
in the room and they're not.
- They're gonna build a massive huge Wynn type casino
in the gates of Yellowstone.
I'm not gonna let that happen.
So when I go to Kevin and I go to everyone else
to say " Hey, let's not let this happen."
and they're not seeing it my way
I have to make them see it my way.
- [Man] Can I help you?
- [Other Man] Looking for John Dutton.
- [Man] Yeah, who's looking for John Dutton?
We don't know you.
- [Armed Man] Hey!
Step back!
- [Man With Club] Hey!
- [Man] Put it down!
(indecipherable shouting)
- [Cole] I love Neal.
He plays a real asshole.
Well.
- And then as I started to read the scripts,
as it just..
You know I'm like an onion.
And at first that onion is nice
and it's simple on the outside,
but then you start peeling that stuff away
and you see the depth and the desperation at times
the desire to keep my world afloat.
It was so much fun to jump into those boots of Malcolm Beck
and I can't wait to see what Taylor has for us.
- [Man] Working with them is a deal with the devil dad.
- [John] All the angels are gone son.
There's only devils left.