hey what's up everybody welcome to the faked New York city if you look up look around you see
that the tire is a faked movie wall we are in MBS studio and shooting me right now is the Canon EOS
R5c uh look around beautiful studio look at the sun
i can't get in there
Canon R5 C is here, but no one seems to figure out how to shoot VR180 video with
it. There is no footage, not even from the Official Canon, in 3D 180 format until TODAY.
You are looking at some stunning Real-world footage right now shot at 8K 60fps
Canon RAW LT in Clog 3, Cinema Gamut - and I convert it into REC 709.
hey guys check out the car i just bought
so my mom once told me if i work hard enough in hollywood
eventually, i will make enough money to get a beat-up Cadillac
So, you can absolutely shoot VR180 with Canon R5 C, and we will teach you how. But first,
let's make some side-by-side comparisons between the Canon R5c and Canon R5 to find out which
is better for VR180 production. The Canon R5 c is not necessarily better than the R5.
It depends. I will show you in this video in VR.
So put on your Meta Quest 2 or VR headset of choice, sit back, relax and enjoy.
Hey, what's up, everybody. It's your boi Hugh here. Shooting me right now is the
Canon R5 c with the Canon RF5.2mm F2.8 L Dual fisheye lens. Next to it, we have the Canon R5
also with the Cannon Dual Fisheye lens. They are shooting side by side at the same time.
Right now, you should be seeing the Canon R5. This is defished and stereo
calibrated with the Canon EOS VR Utility. Let's switch back to Canon R5 C, which is
defished and stereo calibrated by me manually, with a combination of Blackmagic Resolve Fusion,
After Effects, and Mistika. So, if you decide to get the Canon R5 C, prepare yourself to do
your own defish and stereo 3D calibration. Lucky, it is easier than you think. We will
go into detail in the following 2D tutorial. If you just want to shoot and release your 3D
content without TB of RAW footage and complicated post-production workflow,
then Canon R5 is a better choice. R5c is really designed for professionals who will not use the
EOS VR Utility. We, as 3D professionals, like to have complete control of disparity
and pick our convergence point and Yaw Balance. R5 C with a more dynamic range, cinema-level image
quality, and 60fps unlock our creativity to meet demanding film industry clients.
Let's quickly do a chart test here.
The biggest difference between the R5 and R5c is the ability to capture 8K in 60fps. As you see
here, 60fps has way fewer motion artifacts inside a VR headset. In my opinion, for dance
and action-focus VR180 video, or if the camera is moving like what you see right here,
having 60fps is very necessary. Shot both in Clog 3 Cinema Gamut,
we can clearly tell R5c has a lot more dynamic range in both highlight and
shadow compared to R5. Canon R5c is one of the first EOS R cameras with dual gain ISO. Its base
ISO is 800 and 3500. So for low light, like right here in ISO 3500 at midnight, Venice High School,
the footage is still usable. This is undoubtfully the best low-light VR camera on the market today.
You can watch this on Oculus TV directly with
a cached download to see the quality inside your Meta Quest 2. Link it is
in the description below. If you need the source sample footage, please comment below.
In the following tutorial, we will focus on how to shoot,
edit, and render VR180 video in 8K 60fps just like this with the Canon R5 C. So don't forget
to subscribe, give this video a big thumb up, and I will see you in the tutorial soon.