(lighthearted music0
Male Voiceover: We're standing on a small circle
of yellow stone in the middle of the floor
of the nave of Saint Ignatius in Rome,
and we're looking up at a miraculous ceiling.
Female Voiceover: It really is miraculous.
As we look up, we see the architecture, the plasters, the columns.
The colored marble of the nave walls continue up into the ceiling,
and it looks so real, but we know that it's paint.
Male Voiceover: That transition between
the actual stone architecture and the painted surface,
it seems that its rise up infinitely into the heavens is imperceptible.
I can't always make out where one stops and one begins.
Female Voiceover: No, it's impossible.
Male Voiceover: Even when the artist, Pozzo,
is rendering figures that we know are simply paint,
for instance, the angels, there is a kind of veracity,
there's a kind of physicality, even as they hover.
Look, for instance, at the red angel.
That wing is simply coming towards us.
Female Voiceover: We know that the figures have to be paint
because they're not actually flying around,
but it's almost impossible not to be absorbed into this illusion
that we're looking up at Saint Ignatius
being welcomed into heaven by Christ himself.
Male Voiceover: Well, this is the point,
that this erasure of the distinction
between our physical world and the miraculous world of heaven,
this brings us into proximity with the divine in the most direct way.
Female Voiceover: Well, it's as though
where a heavenly miracle is appearing before us
as though we are having a spiritual vision.
Male Voiceover: This is the counter-reformation.
The Jesuits are at the center of the attempt
by the Catholic church to reclaim their primacy.
They're with the defenders and the propagators of the Catholic faith.
Female Voiceover: Right, the idea of defending the faith
against the Protestants at this moment,
and also areas of the world that were not Christianized,
and bringing them into the fold of the church,
enhancing the power of the church.
Male Voiceover: In fact, Pozzo, the artist,
has really made that clear by representing
the four great continents of the earth,
Asia, the Americas, Europe, and Africa;
and so this notion of the expansion of Catholicism
to be come this universal truth is central to this painting.
Female Voiceover: That was really what
Loyola's intention was in founding the Jesuit order.
Male Voiceover: What we have in this painting
is a reminder of just how important it was to reassert
the Catholic faith's belief in the miraculous.
Female Voiceover: As we stand in the [neath],
I almost feel my body rising toward the ceiling,
because as we look up, we see figures
who are also moving toward heaven,
and I think that's something that [proregard] always does
weather we're looking at Caravaggio, or Bernini,
or here with Pozzo, is breaking down that barrier
between our world and the world of the heavenly.
Male Voicoever: In fact, what you describe
is expressed directly by the artist, Pozzo,
in a letter where he details what the intent of this painting was.
Female Voiceover: He wrote about how he represented
rays sent from heaven, caught in a shield
inscribed with the name of Jesus, used to light the flames
of divine love in a golden cauldron,
used to be distributed by angels.
On the opposite side of the vault,
avenging angels threaten those who resist the light of faith
with divine wrath in the form of thunder bolts and javelins.
I think that this quote show us the two sides of the counter-reformation.
One is to reaffirm the faith of those who believe,
and the other is to attack those who went against the church.
Male Voiceover: Just as the narrative of the painting
describes the intention of the Jesuits,
the style of the painting is a beautiful description
of the concerns of the Baroque.
Look at the sense of energy, the sense of theatricality,
the sense of movement, the dynamism.
You were mentioning the avenging angel,
and look, for instance, at the diagonal of that javelin.
There's nothing in this painting that is static;
even God is full of movement.
Female Voiceover: That's absolutely true.
Even the clouds are moving before us as though
we were looking up into a real sky with wind and atmosphere.
Male Voiceover: So, the Baroque borrows
the naturalism of the High Renaissance,
but activates it and puts it to a new purpose,
which is here, the reaffirming of the Catholic faith.
Female Voiceover: We've reached a natural end point
that began with the invention of perspective
and the illusion that perspective creates,
beginning with Masaccio's Holy Trinity.
Here we stand in one point in the church
and that whole illusion comes together for us
and merges the physical with the spiritual.
Male Voiceover: An important point of the art and the architecture
is the blur the lines between reality and the miraculous,
and to make possible the divine in our world,
to make it seem as if we can pass easily from one to the other.
Metamorphosis is central here;
the metamorphosis of the soul is in a sense
represented through the metamorphosis of material.
Female Voiceover: As we walk through the church
after looking up at the ceiling,
I find myself questioning the reality of the space I'm walking through.
I start wondering if it, too, is an illusion.
(lighthearted music)