MISS DIANNA: Leading in practice and being
in a real stand battle.
It's not the same.
This is your opportunity.
You say you want to be captain, right?
You said you want her spot, right?
You said you want her spot.
Prove it.
Let's have a good, old-fashioned face off.
Both of them are going to go up against each other
for the position in solo and to lead the stand battle.
I'm on the fence about the both of them.
Camryn is amazing at jazz, lyrical, and majorette.
She's very technical.
However, Tamia is amazing at hip hop and majorette.
And she has a presence out there on the dance floor.
There's pros and cons with both of these girls.
I don't know who's going to get it.
I know that it's going to be Camryn or Tamia that's
going to have to lead stands.
So we're going to have a little face-off
so I can see who's going to go the hardest,
and who's going to back down.
Ready? Who will go first.
Tamia?
OK.
I've been dancing with the Dancing Dolls
for five or six years.
And hopefully, I can work my way up to become a captain.
Camryn is a really good dancer, but I want it really bad.
CAMRYN: I would hope that Miss Dianna thinks
I'm ready for this captain position,
because dancing is my life.
Now I just need to make sure there I'm more aggressive,
and I'm more focused, and step up my game.
[laughing]
I was like--
Camryn did that?
Mark your territory, Camryn.
Mark you territory.
[laughter]
The potential for either one of you to be captain--
It's there.
It's going to be-- it's definitely there.
But for the solo this week, we have to make a decision today.
Camryn.
Camryn came out the door swinging.
That is not the Camryn that I'm used to seeing.
But that's the Camryn that I like to see.
It's the one that we need to see.
She's starting to tap into that aggressive side of her
that is necessary for a battle.
She's been talking about being captain for a long time.
This is her opportunity to prove it to me
and to show it to the team.
Y'all have any questions about this before we dismiss?
All right, we are going to really, really get out
there into the stands tomorrow.
OK?
Y'all can go.
Camryn's solo is going to be mostly jazz, lyrical,
majorette, and hip hop.
When the sirens come on, you need
to be acting like the building is one fire
and you're the police.
Siren, siren, siren-- you must don't know my name.
You must don't know my name.
And you'd better hit that damn table, too.
When Camryn dances, Camryn is very fluid.
She's almost like a soft little butterfly.
But I want her to be like a dragon with wings.
I want her to roar when she dances.
I want her movements to be explosive.
[sirens]
Come on, Camryn.
The energy!
Energy!
Camryn's issues are very, very big
It's not just about the dance steps.
It's about the performance aspect.
It's a whole situation that has to come full circle.
And if it doesn't, the routine is dry and it's boring.
And right now, Camryn is just doing the dance steps.
She's not performing.
Eyes on the judges.
Right at them.
I think it was very dry.
You're dancing like you're tired.
You have no facial expression.
So I don't know if you just feel like you have it.
I don't care.
I want to see it done full out.
As I run through my solo, I have
a lot of things similar in many different stands.
Basically, I'm getting mixed up.
It's a lot of pressure, because me
being the only one out there, I have to get it right.
I don't know what you're thinking about.
But you better get your mind wrapped around the fact
that you don't have it.
I think Miss D is real hard on Camryn
because she wants her to be better.
She wants her toughen up.
She's young, but she got to get it.
And Miss D is really forcing it.
She wants it happen now.
It's not happening quick enough for Miss D.
I'm not worried about anybody else.
I'm worried about you freezing up.
I'm worried about you not having the attitude
that I need for you to have.
I haven't gotten far enough in her head to get out of her
what I need to get out of her.