>> AND THAT’S YOUR LATEST FORECAST.
FORECAST. HODA?
HODA? >> DYLAN, THANK YOU.
>>> JULIANNE MOORE IS AN OPERA
SINGER WHO IS TAKEN HOSTAGE BY A
GROUP OF INSURGENTS IN SOUTH
AMERICA.
AMERICA. AND THE REBELS ATTEMPT TO FORCE
MOORE’S CHARACTER TO USE THE
POWER OF HER VOICE AND SING.
>> I WON’T SING.
NOT FOR YOU.
>> HE SAYS, TO DO WHAT YOU’RE
TOLD.
TOLD. >> OR WHAT?
YOU’LL SHOOT ME?
YOU’VE KEPT ONE WOMAN, ONE
AMERICAN, UNA AMERICANA.
IF YOU SHOOT ME, WHAT DO YOU
THINK WILL HAPPEN TO YOU AND
YOUR PEOPLE?
YOUR PEOPLE? I DON’T NEED TO DO WHAT YOU SAY.
>> JULIANNE MOORE, HELLO.
YOU PLAY AN OPERA SINGER.
THAT’S ONE OF THE ROLES I
HAVEN’T SEEN YOU PLAY BEFORE.
>> I DON’T KNOW ANYTHING ABOUT
OPERA.
OPERA. IT WAS A GREAT DOESN’T TO LEARN
SOMETHING AND TO WORK WITH RENEE
FLEMING, WHO SUPPLIES THE VOICE.
>> I THINK, YOU’VE WON OSCARS,
GOLDEN GLOBES, EMMYS, YOU HAVE
CALL KINDS OF SCRIPTS.
WHAT WAS IT ABOUT THIS ONE?
>> I LIKE THE LOVE STORY.
HERE’S THIS DIVA WHO TRAVELS ALL
OVER THE WORLD.
SHE IS A STAR.
BUT SHE HAS NO LIFE.
SHE HAS NO COMMUNITY.
AND IN THIS EXTRAORDINARY
SITUATION, SHE ENDS UP FINDING
PEOPLE TO CARE ABOUT AND SOMEONE
TO LOVE.
TO LOVE. SHE FALLS IN LOVE WITH KEN
WATANABE.
WATANABE. >> WHEN THE CLIPS ARE ROLLING ON
OUR SCREENS, YOU’RE NOT LOOKING.
I’M LIKE, I SAW YOU ON SET.
OH, I NEVER WATCH THAT.
WHAT IS IT ABOUT NOT WANTING TO
WATCH YOURSELF?
WATCH YOURSELF? >> I THINK YOU DON’T WANT TO BE
SELF-CONSCIOUS.
SELF-CONSCIOUS. YOU WANT TO EXIST ON SCREEN OR
ON A TV SHOW WITHOUT SCRUTINIZE
SCRUTINIZING YOURSELF ALL THE
TIME.
TIME. IT’S THE SAME -- WE HAD THE
EXPERIENCE OF HAVING OUR VOICE
PLAYED BACK.
PLAYED BACK. IS THAT WHAT I SOUND LIKE?
THERE’S SOMETHING -- I WANT A
DEGREE OF UNCONSCIOUSNESS ABOUT
IT.
IT. >> DO YOU FEEL LIKE YOU’RE STILL
LEARNING?
LEARNING? I FEEL LIKE YOU’VE DONE ALL
THESE INCREDIBLE THINGS.
WHAT IS THERE LEFT FOR YOU TO
LEARN?
LEARN? >> EVERYTHING.
>> EVERYTHING. I MEAN, THERE’S ALWAYS SOMETHING
TO LEARN ABOUT HUMAN BEHAVIOR.
WHAT I LEARNED ABOUT OPERA IS I
LEARNED SO LITTLE, THE ONLY WAY
TO EXPERIENCE IT IS TO
EXPERIENCE IT LIVE.
THE FIRST TIME I SAW RENEE SING,
WE WERE AT A CONCERT HALL.
AND EACH OF THE DIFFERENT
SINGERS GOT UP TO REHEARSE.
AND THE RESONANCE WAS SO
DIFFERENT, WHERE THEIR VOICE SAT
WAS SO DIFFERENT.
AND I THOUGHT, I DIDN’T KNOW
THAT.
THAT. I HAVE ONLY SEEN IT ON
TELEVISION OR IN THE MOVIES.
BUT LIVE, THEY ARE HUMAN,
MUSICAL INSTRUMENTS.
MUSICAL INSTRUMENTS. THERE’S ALWAYS SOMETHING TO
LEARN.
LEARN. >> THE OTHER PART OF YOUR LIFE,
TWO ADOREIALEABLE CHILDREN.
ONE IS IN COLLEGE AND ONE IS IN
HIGH SCHOOL.
HIGH SCHOOL. HAVE EITHER OF THEM BEEN BITTEN
BY THE ACTING BUG?
>> NOPE.
>> NOPE. I SAY TO MY DAUGHTER, WHY DON’T
YOU TRY OUT FOR THE PLAYS.
SHE’S LIKE, IT’S NOT COOL, MOM.
WELL, THEN I -- YEAH.
IT’S NOT COOL.
>> WHEN YOU WERE HER AGE, WERE
YOU INTERESTED IN ACTING?
>> YES.
>> YES. BECAUSE I WAS DEFINITELY NOT
COOL.
COOL. I WAS IN THE THESPIAN CLUB.
>> YOU WERE IN THAT GROUP.
>> I WAS THAT GIRL.
>> I READ SOMEWHERE THAT MAYBE
I’LL BE A DOCTOR OR DO OTHER
THINGS.
THINGS. >> I WAS A GOOD STUDENT.
I WAS NOT COOL.
YOU KNOW, I WANTED TO BE A
DOCTOR, A LAWYER, SOMETHING THAT
WAS, YOU KNOW, GO TO GRADUATE
SCHOOL.
SCHOOL. AND I STARTED DOING THIS IS MY
THING, MY AFTER-SCHOOL THING
BECAUSE I COULDN’T PLAY SPORTS.
>> AND YOU FELL IN LOVE WITH IT.
>> YEAH.
>> YEAH. >> WE’RE SO HAPPY YOU DID.