On November 19, 1863, President Abraham Lincoln concluded his Gettysburg Address by resolving
that “a government of the people, for the people, [and] by the people, shall not perish
from this earth.” 128 years later, the singer Kurt Cobain would
use the same rhetorical device in the famous Nirvana song “Lithium.” As he struggles
with depression in the wake of his girlfriend’s death, Cobain’s speaker sings “I like
it, I'm not gonna crack / I miss you, I'm not gonna crack / I love you, I'm not gonna
crack / I killed you, I'm not gonna crack.” The repetition of words in Lincoln’s address
and Cobain’s song are examples of a literary device called “epistrophe.” Derived from
the ancient Greek word meaning “turning back upon,” epistrophe is the repetition
of phrases or words in a set of clauses, sentences, or poetic lines.
In contrast to the related term anaphora, epistrophe (or epiphora, as it is sometimes
called) occurs at the end (rather than the beginning) of these lines or phrases. While
this distinction may seem minor, the Greek philosopher Plato builds this end positioning
into his theory of the self, which he also calls epistrophe. As you may recall from Plato’s
famous allegory of the cave, people seeking enlightenment must turn away from the world
outside ourselves. In leaving that false world behind, we “turn back to” our independent,
logical selves to find truth. Epistophe is thus as much a philosophy as
it is a rhetorical or literary device. Artists probably do not have this origin in mind when
they use epistrophe, but—and here’s where things gets strange--the effect of epistophe
in a song or a speech is often surprisingly similar to what Plato has in mind in his philosophy.
In Lincoln’s speech, for example, the President asks Americans to believe that the terrible
losses of the American Civil War will give way to a renewed democratic union (of the
people, for the people, by the people). In a similar way, in Cobain’s song, the speaker
remembers the loss of his lover when he sings “I love you” but resolves that he will
not give way to despair (“I’m not gonna crack”).
Robert Burns’ 1795 poem “A Man’s a Man for A’ That” offers one final example
of epistrophe that matches this earlier model. Within the poem, which is written in Scottish
dialect, the poet’s repetitive, epistrophic phrases “an a’ that” and “for a’
that” initially emphasize the false world of wealth and power that must be turned away
from in favor of Enlightenment ideals. This idea is on full display in the third
stanza of the poem, in which the speaker observes a wealthy aristocrat (what he calls a birkie
or a coof) who fancies himself superior to his fellow Scotsmen. Burns employs the literary
device “epistrophe” here to enact the “turning away” from such sentiments:
Ye see yon birkie, ca'd a lord, Wha struts, an' stares, an' a' that;
Tho' hundreds worship at his word, He's but a coof for a' that:
For a' that, an' a' that, His ribband, star, an' a' that:
The man o' independent mind He looks an' laughs at a' that.
As Plato predicts, this turning away from the false and empty values of the outer world
leads the speaker to turn inward to discover an enlightened self. In the process, the initial
meaning of “a’ that” begins to change to Burns’ vision of a rational, democratic
society in the final epistrophic stanza: Then let us pray that come it may,
(As come it will for a' that,) That Sense and Worth, o'er a' the earth,
Shall bear the gree, an' a' that. For a' that, an' a' that,
It's comin' yet for a' that, That Man to Man, the world o'er,
Shall brothers be for a' that. Like Lincoln’s celebration of the people
and Cobain’s refusal to crack, Burns’ “an’ a’ that” therefore comes to symbolize
the value that each speaker invests in themselves and their communities. Their shared use of
epistrophe reinforces this idea, lending rhetorical weight to each speaker’s vision for a future
world beyond their troubled present. So what should you, as a reader, do, when
you encounter the literary device epistrophe as you listen to your favorite songs or read
a new poem? While epistrophe will not always match the ideas outlined in this video, it
is important to think about is what is being emphasized through epistrophic repetition—what
contrasts a repeated phrase establishes in the poem or song, and what themes or ideas
are being celebrated. Doing so will enable you to not only identify this important literary
device but also to interpret its meaning in the literature and music you love.