Howard: MY FAVORITE LINE OF ALL TIME IN THE HISTORY OF CINEMA IS...
Cunningham: GOSH. THAT IS A TRICKY ONE.
Arnold: UH...
Pomeroy: IT'S SUCH A HARD QUESTION. HOW DO YOU PICK ONE, RIGHT?
Haugen: MY FAVORITE LINE FROM A FILM IS,
"WE'RE GONNA NEED A BIGGER BOAT" IN "JAWS."
IT DOESN'T GET MORE ICONIC THAN THAT.
Marshak: "MAKE HIM AN OFFER HE CAN'T REFUSE," "THE GODFATHER."
Lonner: "THIS ONE GOES TO 11" IN "SPINAL TAP,"
BECAUSE I LOVE BEING ABLE TO LOSE MY MIND AT THE MOVIES.
THAT LINE JUST CRACKED ME UP.
Sugerman: "THESE ARE NOT THE DROIDS YOU'RE LOOKING FOR."
IT VERY SIMPLY TELLS US
THAT REALITY IS SOMETHING THAT WE CREATE.
Forbes: FROM "SUPERMAN II," GENERAL ZOD, TERENCE STAMP.
HE SAYS, "I WIN. I ALWAYS WIN." IN THE MOST AMAZING WAY.
Pederson: "HOUSTON, WE HAVE A PROBLEM."
IT'S A CLASSIC LINE, YET IT'S AN HISTORICAL LINE.
Marshall: "OF ALL THE GIN JOINTS
IN ALL THE TOWNS IN ALL THE WORD, SHE WALKS INTO MINE."
RICK IN "CASABLANCA" BECAUSE IT'S REALLY ABOUT LIFE.
LIFE'S ABOUT COINCIDENCES AND IRONY.
Branaman: MY FAVORITE LINE FROM A FILM IS "ROSEBUD,"
"CITIZEN KANE."
AS JUST A KID, I THOUGHT,
"HOW CAN SOMEONE MAKE A FILM THAT GREAT?"
Cunningham: "FIELD OF DREAMS" WHEN KEVIN COSTNER AT THE END
SAYS, YOU KNOW, "DAD, YOU WANT TO HAVE A CATCH?"
IT WAS A MOVIE I WATCHED OFTEN AS A YOUNG ASPIRING DESIGNER.
Gomez-Rejon: GODARD'S "CONTEMPT," WHEN SHE SAYS,
"SO YOU LOVE ME TOTALLY," AND THEN HE SAYS,
"I LOVE YOU TOTALLY, TENDERLY, AND TRAGICALLY."
Morgen: "WHEN THE LEGEND BECOMES FACT, PRINT THE LEGEND."
"THE MAN WHO SHOT LIBERTY VALANCE."
IT'S A LINE THAT SORT OF HAS DEFINED MY CAREER.
Pomeroy: HE SAYS, "HAPPY BIRTHDAY, SAMANTHA. MAKE A WISH."
AND SHE SAYS, "IT ALREADY CAME TRUE."
THE FEELING FROM BEING A TEENAGER AND WATCHING THAT
WAS JUST PHENOMENAL.
I WORSHIPPED JOHN HUGHES.
Alexander: "BETTER OFF DEAD." THE MAIN CHARACTER
IS LEARNING HOW TO SKI, AND HIS FRIEND SAYS,
"GO THAT WAY REALLY FAST.
IF SOMETHING GETS IN YOUR WAY, TURN."
I'VE ALWAYS LOVED THAT LINE.
Shannon: RICHARD DREYFUSS IN NEIL SIMON'S "THE GOODBYE GIRL"
WHEN HE SAYS, "AND I DON'T LIKE THE PANTIES HANGING ON THE ROD."
Trevorrow: "BETTER GET USED TO THESE BARS, KID."
THAT MOMENT, EVERY TIME THAT I HIT IT, IT'S LIKE THE LACES
COME TIGHT ON THAT WHOLE MOVIE, AND IT'S INCREDIBLE.
Broecker: "I DON'T COUNT THE MUSIC.
I FEEL THE MUSIC," FROM "THE TURNING POINT."
I THINK THAT IS A BIG THING IS AN ARTIST.
Howard: "I'M JUST A GIRL, STANDING IN FRONT OF A BOY,
ASKING HIM TO LOVE HER," FROM "NOTTING HILL."
THAT'S THE MOMENT WHEN, LIKE,
THE TWO CHARACTERS THAT YOU WANT TO END UP TOGETHER
JUST ARE COMPLETELY VULNERABLE WITH ONE ANOTHER.
Sheen: THE OPENING SCENE OF THE FILM "A MATTER OF LIFE AND DEATH."
THERE ARE GREAT LINES, LIKE SHE SAYS,
"I COULD LOVE A MAN LIKE YOU, PETER."
Mann: IT'S FROM "DOG DAY AFTERNOON."
SONNY ASKS HIM, "WHERE DO YOU WANT TO GO AFTER THIS?
WE COULD GO ANYWHERE IN THE WORLD.
WHAT COUNTRY WOULD YOU WANT TO VISIT?"
AND JOHN CAZALE SAYS, "WYOMING."
IT JUST SAYS SO MUCH ABOUT HIS CHARACTER.
Garbus: IN "GREY GARDENS,"
BIG EDIE SAYS, "IT'S VERY HARD TO LIVE NOWADAYS.
LIVING IS VERY HARD."
GREAT DOCUMENTARIES KIND OF GIVE LIGHT
INTO HOW LIVING IS HARD FOR SO MANY DIFFERENT PEOPLE,
BUT THEN, ALSO, YOU KNOW, WHAT THE JOYS AND TRIUMPHS ARE.
Arnold: FROM "TRUE LIES," "WHAT KIND OF A SICK BITCH
TAKES THE ICE-CUBE TRAYS OUT OF THE FREEZER?"
BECAUSE I WAS GOING THROUGH A DIVORCE AT THE TIME,
AND I CAME INTO WORK, AND I TOLD JIM CAMERON
THAT MY WIFE HAD TAKEN THE ICE-CUBE TRAYS
OUT OF THE FREEZER.
HE'S LIKE, "YOU'RE GONNA SAY THAT IN THIS NEXT SCENE."
Dano: IN "DUMB AND DUMBER,"
JIM CARREY'S CHARACTER IS TOLD TOWARDS THE END OF THE FILM
THAT THE GIRL HE'S AFTER HAS, YOU KNOW, A HUSBAND OR SOMETHING
AND THERE'S, LIKE, YOU KNOW, ALMOST NO CHANCE, AND HE GOES,
"SO YOU'RE TELLING ME THERE'S A CHANCE?"
IT'S A GOOD LINE.