Hey guys, Ryan here at Signature Edits, and today I'm gonna show you how I edit
and touch up my portraits inside of Lightroom. Alright let's do it!
So this is the photo we're starting with, and we're gonna show you how I get from
here - to here. Let's do it. So starting with our white balance, the first thing
I'm going to do is adjust the white balance as per normal and just try to
get the skin tones where I like them. Typically I find Lightroom makes the
skin tones a little bit too red, so we're just going to take that down a
bit and we're gonna adjust our exposure using the plus/minus keys. Do a little
bit of basic contrast adjustments and shadows, highlights. Everything looks
pretty good for me for right now so we're gonna go down to our tone curve
basically what I'm doing first is I'm doing what I would do with any image I'm
just adjusting the basic basic adjustments first and then we're gonna
worry about the actual touch-ups so what I've done is I made a little s-curve
I've done a point in the highlights point in the shadows point in the
mid-tones I've taken the mid-tones up which is just brightening her skin
separating her from the background a little bit I'm not gonna go into the red
green and blue curves but if you want to play there you can doing something
similar next up I'm going to go to the HSL panel and I'm going to play with the
tones to get her skin where I like it a little bit more so as I said typically
the skin tones tend to be a little too red in Lightroom so instead of this
we're actually going to take things very slightly in the other direction and you
can see our skin is getting just a little bit less magenta less red and
these are all subtle adjustments so what's happening is it little by little
I'm building a house right so one brick might not be much on its own but once
you add in the next change the knacks changed the next change you wind up
getting something that's really quite nice so I'm just gonna make those little
adjustments I didn't notice earlier one thing you can do is grab this little dot
here and put it on any area of the image so in this case her eyes and it'll show
you you can see now the yellow is highlighted when I go over in that spot
or when I go over our skin it's mostly orange now you can click and drag that
spot and it will actually just adjust the hue
in that area so if you want to get some really interesting effects you can do
that we're going to go a little bit more subtle here and probably leave those
close to where they naturally were but what I am going to do since the eyes are
in the greens and the yellows I'm going to take the greens and just turn the
saturation up a little bit and the yellows maybe not so much the yellows
because those are in skin tones too great so we've gone from this to this
again very subtle changes we're gonna keep going split toning I'm not gonna
worry about that here because there really isn't much for toning going on in
this image we've got her skin her eyes and this black gray background so we
don't need to worry so much about changing manipulating those colors I
want it to be natural sharpening we'll just leave that as is noise reduction
adjust that as necessary this was shot on a camera with ISO 200 so it really
doesn't need any noise reduction lens Corrections normally I'd have this one
but because this is a dmg file it doesn't actually need it it's already
got it embedded and lastly before we move on to our touch-ups I'm going to
just adjust the camera calibration so this is how Adobe Lightroom interprets
the colors within your image are the shadows more magenta or do they lean
more towards green are the Reds more red or more towards orange so we're just
going to play around with this to get the nice nice skin tone we're going
after I'm gonna take a little bit again of magenta out then I'm going to take my
Reds I'm gonna take them a little bit away from red and towards orange not too
much I'm gonna take the saturation down in that area not so much but generally
skin doesn't have a lot of saturation in it cameras often times mix this up and
add too much so we're just going to take a little bit out and our greens are
gonna kind of take that and take our saturation down just a little bit and
blues I like to do this just lets me see what's going on in the image take it
back to our starting point and I don't think this really needs much of an
adjustment we can maybe take a saturation
very slightly up just to add a little bit of kind of blush to her face perfect
so we've gone from here to here looks pretty good right now we're gonna go and
touch up the image using our adjustment brushes so these brushes are from the
Genesis packed by signature edits you can feel free though you don't need to
have this pack in order to edit your images you can just copy the settings
I've got as we're going and make your own brushes if you like or you can head
to signature edits comm and download that for a limited time we're actually
giving away for free so I'm going to start using my retouching tool set and
again hearse skin for whatever reason for whatever reason her skin is
absolutely flawless like there are no dimples nothing that needs to be
corrected either her makeup was really great or she just has nice skin so we're
not gonna worry about you know adjusting any of that skin softening etc we're
going to work on bringing out what is already there in the photo starting with
her eyes it's been said that the eyes are the portrait a canvas a window into
the soul so we're going to focus on those first let me take this iris
enhance brush which is just adding some saturation some clarity very slight
exposure and contrast bump and we're going to paint on irises and you can see
how that just brings the color on now one thing that I did notice is when you
zoom in here her eyelashes her eyebrows her nose all in focus but her eyes are
actually a little bit soft so I'm just gonna take my clarity and my sharpness
up just a little more than I would normally subtlety is key so I don't want
it to be too much I'm actually gonna take my exposure down just so it's not
quite so dramatic so we can see before and after great next I'm going to focus
on the whites of her eyes you can see the color in those are just a little bit
blue things aren't looking quite so natural so we're going to go into our
eye whitener doo-doo-doo-doo to do well we don't have an eye whitener well
perfect this is an option we can actually show you how to make an eye
whitener first we're gonna show it start by just brightening the whites of the
eyes that'll start what we wanted to do already so we'll
just paint in here and if you want to you can actually just press Oh that'll
show you where you've painted so that you're not painting over areas you don't
want to like this so I'm gonna press alt to get to my eraser and just erase where
I've painted turn my flow up here and as you can see the brush that I'm using
really is not soft enough so what I'm gonna do is just erase that really quick
we're going to switch turn our feather up here turn our flow down a little bit
and repaint but something a little more subtle this time there we go that'll
blend a lot better okay so we're gonna paint on both eyes and what we're doing
is we're brightening up the whites and we're also going to warm them up with
our temperature here press o again so I can see what I'm doing and I don't want
to do it like crazy but just a little bit let's say 9:00 that's before that's
after it's just slightly less blue and we're going to take our saturation down
in our contrast down a little before after now that might be a little too far
so we're actually just gonna go point to the last thing you want is for your eyes
to look like you know demon eyes where they're just shining way too bright like
they have light coming out of them instead of like going into them alright
so we've already made some good adjustments here the next thing I'm
gonna focus on is bringing out the texture on this confetti it's very
interesting so we want to highlight the areas of interest in the image so what
I'm gonna do is go to my add texture brush what that's doing is adding some
clarity we've got sharpness a little bit of
noise contrast and highlights emphasize shadows taken down so it's just adding
contrast basically and that will wind up making our texture come out a little bit
more in the image we're just gonna brush press o again so I can see what I'm
doing
No and we disappear for some reason come on there we go
so the parts of the confetti that aren't in focus I'm not going to worry about
trying to sharpen those up because they are already out of focus great
so press o again you can see that that's really made that confetti pop and pretty
much lastly we're going to work on her eyebrows her hair and her lips so first
things first using the add texture or my hair and lashes brush I'm just doing
pretty much the same thing some clarity some sharpness some contrast we're just
going to brush onto both of her eyebrows and you'll see it really thickens them
up and her eyelashes here
bing-bang-boom you can see here's before yes after so it's just in a very slight
addition of contrast making those features just a little more pronounced
we're gonna while we're at it add some of that to her hair up here again I'm
not gonna worry about the parts of her hair that aren't in focus just the parts
that already are so just up here great and lastly we're going to work on our
lips new brush and we've got a nice lip enhancer here you always need a lip
enhancer in your arsenal alright so we're just gonna paint on here all
that's doing is adding a little bit of saturation little contrast bringing out
the texture in her lips now for me that's a little bit too far actually so
we're just gonna take it back subtle little changes all add up great so she
is looking fantastic our portrait before and our portrait after the last thing
I'm going to do before we call this done I'm gonna take a radial filter and I'm
gonna set it to exposure here put it around her face why am i doing that well
because if you look really closely you can see that her shoulders and clavicle
this whole area is brighter than her face for whatever reason and our eyes
tend to be drawn to the brightest portion of an image so what are we gonna
do we're gonna add a little exposure or take a little exposure away from here to
make her face brighter in relationship to everything else so we're going to
press our quotation apostrophe key and that'll move the mask inside of our
radial filter instead of outside and then we're going to brighten her face up
lower the overall exposure using our plus and minus keys and you can see I'll
just do that the difference now our eyes are drawn to
her face instead of looking first down here and then up at her face it just
feels more natural okay and I might take that down just a bit littlest bit I want
it to be subtle again and that is our portrait image before and after alright
so that's how I touch-up a porch and edited inside of Lightroom without
any need to go into Photoshop I hope this was helpful for you if it was
please hit that like button don't forget to subscribe for more great content and
check out the next video
you