- Good to see you guys,
congratulations on the film.
- God, thank you. - Thank you, thank you.
- I feel like Kate doesn't mean it, I feel like you're-
- Try again, Kate,
we've worked on this,
try your enthusiasm.
- [Josh] Congratulations on the film, Kate.
- Thank you, Josh,
thanks so much.
- That's too much. - Yeah, maybe go halfway.
like a little bit less.
- Thank you, Josh. - It's no problem.
("Feeling Good" by Michael Bublé)
- Hold on!
(car screeching)
Oh my god, I killed someone,
I killed someone!
- Stop yelling that!
- Quote unquote chemistry thing.
- Yeah.
- Does it actually exist?
I mean, did you guys know each other prior to this?
At what point do you realize you can stand each other?
Give me a sense.
- Well, we're figuring it out.
(Josh and Kate laugh)
- [Josh] Right now at this very moment.
- We're learning how to not- - Work.
- Claw at the eyes. - Yes.
- We've just,
we've been doing other types of combat--
- Like this. - That don't--
- [Josh] What are you hitting,
what is that?
- This is like the cat,
were doing the cat.
- You know, sometimes,
it's just there and you just feel it
and you just love instantly,
and, you know, Baruch Hashem,
there we were.
- Shabbat shalom. (Kate laughs)
- For a romantic partner,
what's the most ideal profession?
What's the least ideal profession?
Obviously in this film your character is dating a spy,
not necessarily-- - [Mila] Not ideal.
- [Josh] Probably not ideal. - [Kate] Huh.
- Generally speaking,
for those out there
seeking a romantic partner,
what profession should they seek out,
what should they avoid?
- Well, I would say avoid a professional criminal.
- Probably not something you wanna go after.
- That's a lot of heartache. - [Josh] Right.
- Lots of bail bonds
- Everyone loves an architect.
I don't know a single person - I couldn't agree more.
- with an architect who's like,
'Ugh, my architect.'
- And they have health insurance,
- Yeah. - Which is important.
Probably own a home since that's what they do
- Yes. - Of some sort.
- They can literally house you.
- And they're well-structured. - Yeah.
- Metaphorically and literally, probably.
- Yeah, so I'm with you, I think architecture is great.
- It's creative and it's practical.
It's the most noble profession,
you gotta go architect.
- Yeah, it's like just creative enough without being kooky.
- Yeah.
- Right, and what's kooky,
like too, I mean, you--
- Like an artist,
like a sculptor,
you've crossed into kook.
- Right, an actor.
- Actor crossed into kook.
- Okay, well then-- - Literally.
- kind of a hypocrite, just saying.
- Ah, duh, yes. (Josh laughs)
- Fair amount of action in this one to say the least.
- Do the action skills come naturally to each of you?
Who does it come more naturally to would you say?
- Um, mm-mm. - You babe, you got this.
- Nope, nope, nope.
I think what we benefit from is we're not supposed to be
good at our action in this movie.
- [Josh] Ah, smart. - Yes.
- So we did the best that we could
and that's what you're seeing on-screen.
(laughter)
- [Josh] This is the peak action.
- I did my absolute best
- We did our best and luckily we're not superheroes
so we didn't have to have stunt doubles
act like they knew what they were doing.
We just had to get the job done somehow
- But what you see depicted,
at least for me,
I don't know, I can't speak for you,
are my strongest,
most graceful movements.
- [Mila] Interesting.
- That is absolutely the most action-y I can look
and it's supposed to look spastic
and make of that what you will.
- [Josh] This film, co-written and directed by a woman-
- [Mila] A lady. - [Josh] Susanna Fogel,
a lady, starring two-
- [Mila] Ladies - [Josh] Ladies, here.
It's almost like Hollywood is starting to realize
that not every film needs to be--
- By men, for men? - This is what I'm saying.
- Interesting, interesting concept.
- Do you think that's actually starting to--
- No, you're crazy. - Nah.
- That's not gonna happen. - It's crazy talk, right?
No progress, no?
We should just give up?
- No, no, I mean, this is cool.
This is cool. - [Josh] This is a good thing.
- And one day it won't even be a thing.
- We'll just be like we did this thing
and we happen to have body parts
that don't match your body parts.
- It'll just be a movie. - Right.
- Yeah, it's just a movie. - Right.
- That's funny.
- Yeah, oh, it's funny. - For everyone.
- Oh my god, is it funny.
- Men, women, children,
maybe not children,
but men, women.
- Yeah. - Yeah.
- God I love the movie. - Me too.
- You're so funny. - [Josh] Mature children.
- Mature children.
You're funny. - You're so funny.
- [Josh] Who's funnier?
Would you say, in the film? - Kate, Kate, Kate.
Kate, Kate, Kate. - No, it's actually Mila.
- Kate, don't you argue with me,
we talked about this.
- Actually, Mila. - Kate, this is MTV.
We have to set a good- (Kate hisses)
- Ah! (Josh laughs)
- You see, we've been fighting so much.
- A running theme throughout the film is lying,
whether, like,
friends can,
should lie to each other,
the ability to lie.
Are you good in that, I mean,
you're good actors so you are natural liars, supposedly.
- Yeah, correct.
- But in your day-to-day life do you feel like,
are innocent white lies important?
Necessary in one's life?
On what occasion do you lie?
- Well, here's what happened,
I married my best friend who has known me since I was 15.
It's very, very hard to lie to someone
that knows your face better than you do.
- [Josh] Right.
- That's acted against you,
so he knows exactly what I'm doing and when I'm doing it.
(Josh and Kate laugh)
No, I can't.
It's impossible for either one of us
to bullshit one another cause you're like,
"That's bullshit."
- What's your tell?
- Ask him, apparently I have tons.
Like, I clearly suck at my job in real life.
- Right. (Josh and Kate laugh)
- I do.
I have no other comment.
I clearly suck.
- What about you, Kate?
Do you find that in day-to-day,
outside of the acting--
- You know, sometimes I try to tell a little fib
and it always spirals into a disaster
and I always get caught with my little fib
that then has blown up into a hurricane of deceit,
so I try not to. - [Josh] Yeah.
- I'm also a terrible liar.
Really bad.
You know how bad I am.
- Sell me on a lie. - She's actually, no, she's-
- I want you to lie about the film to me.
- Josh, she's really bad.
- Um...
I love--
- Don't judge her acting by this.
- I love, um, I love Vegas. (Josh laughs)
- [Josh] Yeah, no, don't buy it.
Nope, nope, nope.
Okay, let's talk about some great male co-stars in this.
Justin Theroux, Sam Heughan,
big fan of Mr. Sam Heughan.
- [Kate] Oooh, oof!
- Sam and Kate may have had a love affair.
- Oooof!
- I'm just throwing it out there
It may have happened.
- I'm kind of shocked, though.
This guy likes to basically always appear shirtless
in his day job on Outlander
- Uh huh. - He runs a lot.
- Oh, a lot. - He runs a lot.
- Check out the Instagram.
- [Mila] Oh, yeah, yes!
When we lived in Budapest,
which is where we shot it,
we would be driving down the bridge,
and I'm not kidding you,
9 out of 10 times,
I would see Sam shirtless,
running down the bridge.
And Ashton and I both would be like, "Goddamn it!"
Like, in our car, (engine noises)
like all angry that this man is in such good shape, I know.
All the time,
he was running down the bridge shirtless.
- And yet, I don't think he's shirtless in the film.
I feel like this is a missed opportunity.
- No, we don't-- - Objectify?
You're not into that?
- There was a little peek-a-deek.
Peek-a-beek, peek-a-book. - [Josh] Is that
a business term?
Is that a Hollywood term?
- A little peek-a-deek.
- What are we peeking here?
When was this peek-a-deek?
- You know, He, un--
- Oh, with the shirt!
- Yeah, he unbuttons his shirt.
- He unbuttons just a little bit.
But we don't see abs. - Is it a spoiler?
No, you don't see anything.
- No, we don't objectify men. - It's the mere suggestion.
No, there's no objectification.
- You guys are too good for that.
- In this movie.
Thank you so much, of men or women.
- Well, - Well,
- Well,
- A little bit doesn't kill anybody.
- Yeah, we objectify a little loony bit.
- Last quick thing.
Kate, are you going to be working with Danny Boyle
on this crazy musical that may involve the Beatles?
That sounds kind of intriguing to me.
- [Kate] Ostensibly, yes.
Am I allowed to say?
- Ostensibly, yeah. (Josh laughs)
- Ostensibly.
- [Josh] That would be a cool thing to do.
- Yeah, that would be great. - Not bad.
- Singing in it,
singing for Danny Boyle, no less.
- We'll see. - Okay.
- I mean, we'll literally just have to see.
- Literally? - Yeah.
- You have the facial thing-- - Kate has an amazing voice.
You know this?
- No, I don't!
- You know Kate has a genuinely good voice, guys?
Little known fact.
This little stinker can actually sing.
- No I don't. - Really well.
- There's evidence on SNL. - Do you want a little song?
♪ Josh Horowitz ♪
♪ MTV ♪
♪ I'm doing an interview ♪
So I guess she's right.
- Grammy award winning Kate. - The Grammy goes to Kate.
Congratulations, guys.
It was good to see you both. - Thank you!
(electronic music)