(distorted bass notes)
(cars beeping)
- What if
we discover Norma's mother was actually
a glass eater in a carnival?
- Well, I like the carnival part.
- Hey guys, look who's here.
- Hello writers.
- [Writers] Hey!
- Freddie Highmore how are you?
What brings you to LA?
- Oh well, you know, hiatus as long
just getting ready to go back into production.
Get my Norman Bates on.
- Oh, that's great.
Hey, no, no.
Don't peak. Don't peak.
- Oh sorry.
- Read it in the script.
- So what have you been doing on hiatus?
- Oh, nothing really.
You know, just some language studies
towards my degree at Emmanuel College,
Cambridge and I speak nine languages, including Malagasy.
I uh, I see you color code the cast by character.
- Yeah. Norman is blue.
- Sorry.
If I'm blue,
then who's purple?
There's a lot of those cards.
- Those are Vera's cards.
- Remind me again
who's still alive at the end of the movie?
Norman's mother or?
- Hey, Hey.
Hey, um did you know that
the original Psycho house is here on the lot?
We should go see that.
You want to go see it?
- Yeah, no, I've never been yeah.
Yeah. Excellent.
All right, let's go up there.
Hang on a second.
Corey. I need a golf cart.
Can you pull around front?
- I'm right here.
- Oh, all right.
After you.
Oh gracias.
Oh, sorry.
I've been in France.
As I said, I speak 12 languages.
- Oh my God.
- Previously on Bates motel.
Previously on Bates motel.
Do you have a favorite?
- No.
- Hey, I forgot to show you A+E's new ad for the show.
Look at that.
Isn't it great?
- Where am I?
- Right here in the window.
See?
- There?
I'm tiny.
- It's iconic.
- She's size of a grapefruit.
I'm barely a blueberry.
- Well, personally,
I like blueberries better than grapefruits.
- What's that supposed to mean?
This isn't about fruit.
- You're the one that brought up fruit.
Bates Motel is about Norman Bates
and I am Norman Bates.
- Well you play Norman Bates.
Let's hope you're not Norman Bates.
- I'm invisible!
- Freddie calm down.
You just got to relax about these things.
You're going to drive yourself psycho.
You know what I'm talking about?
- No.
- Oh, here's Corey.
Come on. Let's go.
(ominous music plays)
Well, here we are.
- It's my house.
- Pretty awesome isn't it?
Let's get out and look around.
We can tweet from here.
People are going to go nuts.
(cell phone rings)
Hello?
Uh-huh, yeah. Tell them to wait.
I'll be right down.
Okay. Thanks.
Hey Freddie, I got a call from my really good friend
the head of the network, and he's stopping by my office.
Will you be okay here by yourself for a few minutes?
- Yeah no worries, I'll be fine.
- Right. I'll pick you up in a little bit.
- Fine.
[Ominous Piano Music]
Welcome home, Norm.
- [Tour Guide] Folks, we round the corner here
we have some of the most iconic sets in Hollywood.
This is the original house from Psycho.
- This will be a treat for them.
I'm actually here.
Hello? I'm here everybody.
Yes. Yes.
It's me. Thank you.
Hello, everybody.
- [Tour Guide] Everybody be careful.
Looks like Norman Bates is home.
- What the bloody hell?
(intense swelling music)
What do you think you're doing outside my motel?
- Oh my God, you're, you're Freddie Highmore
from Bates Motel.
It's great to meet you.
I'm really sorry, I'm kinda doing a bit
for the tram right now.
- How dare you.
- Security code three, we got a bogey.
- I'm sorry. I don't want to be rude,
but I'm kind of on the clock.
- I don't think you're a nice man.
A nice man wouldn't break
into someone else's motel
and pretend to be me, or be them
you know, however you say it.
Pretend that Norman Bates.
- Here we are guys.
The famous home and motel from Alfred Hitchcock's
classic 1960s film, Psycho.
Uh oh
everyone be careful Norman Bates is home today.
- Oh my gosh, it's Freddie Highmore.
[Tour Group Murmuring]
- Huh.
(Intense Music)
- We need to get out of here quick.
- [Tour bus driver] It's not starting.
- Are you serious?
- Yeah, I'm serious, it's not working.
- Hello there, no need to be nervous.
You know, famous people are just like everyone else.
Hola chica.
[Spanish]
Sorry I thought you spoke Spanish.
I myself speak 17 languages.
- Look, I don't know who this guy is.
We need to go.
- I'm trying! Come on!
(engine cranking)
I got it.
- Drive!
- Oh no, no, wait I my really good producer
friend's gone down the hill.
Can't you give me a lift back? What are you doing?
Don't you know who I am?
You can't take me.
I'll miss Comic-Con!