CHARLIE, THANK YOU FOR COMING BACK TO SEE US.
CHARLIE DAY IS YOUR NAME, BUT YOU HAVE A NICKNAME THAT I'VE
FOUND OUT ABOUT YOUR NICKNAME IS CHARLIE TROMBONE.
>> THAT'S TRUE.
THAT'S TRUE.
THANK YOU EIGHTH GRADE!
( LAUGHTER ) >> James: WHAT IS THAT
NICKNAME ABOUT?
WHY CHARLIE TROMBONE?
>> IT'S A LITTLE BIT ABOUT HAVING THE NAME CHARLIE AND THE
INSTRUMENT YOU'RE CARRYING ON THE BUS TO SCHOOL EVERY DAY,
OKAY.
>> James: RIGHT.
ILE ALSO HAD A SWEATSHIRT I WAS WEARING WITH MY NAME ON IT,
AND I THOUGHT IT WAS COOL.
IT'S KIND OF COOL BUT NOT REALLY.
>> James: SORT OF LIKE A GANGSTER IN A SCORSESE MOVIE.
>> YEAH.
>> James: HEY, GO SEE CHARLIE TROMBONE --
( LAUGHTER ) >> DID YOU THINK THE TROMBONE
WAS A COOL INSTRUMENT?
>> TILL I GOT TO HIGH SCHOOL ( LAUGHTER )
>> James: DID YOU NOT STICK WITH THE TROMBONE?
>> WELL, THE TROMBONE IS NOT AN APHRODISIAC AT ALL.
>> James: I DISAGREE.
I THINK IT'S THE WAY YOU PLAY IT.
>> I STARTED OUT PLAYING THE ACCORDION.
>> THERE YOU GO.
YOU WANT TO TALK ABOUT NOT REALLY A SEXY INSTRUMENT.
OKAY?
>> WELL, YOU'VE GONE EAST, WEST, NORTH, SOUTH, THAT'S SKILL.
HOW DO YOU DO THAT?
>> I STOPPED PLAYING IT BECAUSE LEDERHOSEN WERE GETTING REALLY
TOUGH TO FIND.
( LAUGHTER ) ( RIM SHOT )
>> AT LEAST THE TROMBONE HAS A SEXUAL MOTION.
>> AND IT WOULD PROBABLY BE SEXY IF A GIRL PLAYED IT.
>> WELL, THAT'S A WHOLE DIFFERENT THING.
( LAUGHTER ) >> BUT IT'S NOT SEXY WHEN YOU'RE
WEARING A HAT WITH A FEATHER IN IT AND YOU'RE DOING THIS WITH A
BUNCH OF GUYS, YOU KNOW.
>> I DON'T KNOW, JUST SEEING YOU DO IT WITHOUT A HAT AND A
FEATHER, I HAVE NEVER BEEN MORE AROUSED IN MY ENTIRE LIFE.
>> LET ME GET MY TROMBONE.
YOU DON'T THINK THIS IS SEXY?
( LAUGHTER ) ( CHEERS AND APPLAUSE )
>> PRETTY GOOD.
I DON'T KNOW WHICH WAY TO GO.
>> James: WERE YOU MUSICAL WHEN YOU WERE IN SCHOOL?
>> WELL, I PLAY THE CELLO.
YES!
>> James: OOOH, NICE.
AND I THINK I CAN SING.
>> James: CAN YOU SING?
I HAVE A STRONG VOICE.
IT'S NOT -- IT'S NOT ON PITCH, BUT IT'S A STRONG VOICE.
( LAUGHTER ) >> James: REALLY?
( LAUGHTER ) >> YES.
>> James: SO YOU THINK YOU'VE GOT A GOOD VOICE AND A BAD EAR.
IS THAT WHAT WE'RE TALKING ABOUT?
>> I SUPPOSE.
OR THE PEOPLE LISTENING HAVE A BAD EAR.
I THINK I SOUND GOOD.
>> James: YEAH.
YOU REMEMBER LISA LISA.
DON'T KNOW HER.
IN THE CULT JAM, "I WONDER IF I TAKE YOU HOME."
>> James: HOW DOES IT GO?
WELL, HER PITCH WAS LIKE MINE.
>> James: RIGHT.
( LAUGHTER ) WELL, LET'S SEE HOW BAD YOUR
PITCH IS.
WE HAVE MUSICAL PEOPLE HERE, WE'LL DO A LITTLE HARMONY.
I'LL GO, THEN YOU, THEN YOU POP IN OVER THE TOP WITH THE
HARMONY.
OOOOOO -- >> OOOOOO DIFFER --
O -- OO --
( CHEERS AND APPLAUSE ) > I THINK THE PROBLEM WITH
HAVING A PITCH PROBLEM IS BEING ABLE TO SING WITH OTHER PEOPLE.
>> THERE IT IS.
THANK YOU, ALL RIGHT.
>> BIBI YOURSELF, ABSOLUTELY FINE.
>> James: LET'S TR IT ONE MORE TIME.
OOOH -- >> OOOH --
( CHEERS AND APPLAUSE ) >> James: THERE IT IS!