YOU WERE BORN IN SWEDEN BUT YOU LIVED IN MANY DIFFERENT
COUNTRIES.
HOW MANY LANGUAGE DOES ON SPEAK?
>> I SPEAK ABOUT FIVE LANGUAGES.
>> James: DO YOU?
WHICH ONES?
>> SWEDISH, ENGLISH, YUGOSLAVIAN, ITALIAN, FRENCH,
BUT IF YOU ASK THEM, THEY WILL SAY NO.
>> James: REALLY?
>> YEAH.
>> James: WHICH -- >> BECAUSE THEY DON'T LIKE WHEN
I SPEAK FRENCH BECAUSE I DO IT IN MY OWN WAY.
>> THEY DON'T LIKE THAT?
>> THEY DON'T LIKE THAT.
>> James: GIVE US FRENCH IN YOUR OWN WAY.
>> [ SPEAKING IN FRENCH ]
>> IT DEPENDS IF I SPEAK WITH A JOURNALIST OR WITH FRIENDS.
DIFFERENT LANGUAGES.
>> James: WHICH LANGUAGE IS THE MOST FUN TO TRASH TALK TO ON
THE PITCH?
>> ON THE PITCH WOULD BE ITALIAN.
ITALIAN AND YUGOSLAVIAN BECAUSE WHEN YOU SWEAR, IT FEELS REAL
WHEN YOU SAY THOSE WORDS.
IT'S NOT HE HASCY-GOING.
-- IT'S NOT EASY-GOING.
YOU MEAN IT WHEN YOU SAY IT ESPECIALLY ITALIAN.
>> James: LET'S SAY I'VE JUST -- I HAVE THROWN THE BALL
THROUGH YOUR LEGS AND MADE YOU LOOK RIDICULOUS ON THE PITCH AND
BEATEN YOU WITH MY LIGHTNING PACE, WHAT WOULD YOU SAY?
>> THAT IS TWO EASY WORDS.
YOU NEED SOMETHING WHEN THEY GIVE YOU A TACKLE AND THEN YOU
DO -- >> James: THEN WHAT DO YOU
SAY?
>> THEN YOU SAY [ BLEEP ].
>> THAT'S GOOD.
>> WANT TO KEEP [ BLEEP ].
[ BLEEP ].
YOU CAN GO AND JAMES YEAH.
-- >> James: TANDIE, WE KNOW YOUR
DAUGHTER, RIPLEY, WOULD BE AN AMAZING TRASH TALKER.
WHAT ABOUT YOU?
CAN YOU TRASH TALK IN OTHER LANGUAGES?
>> FOR SOME STUPID REASON, THERE'S ONLY ONE LINE OF ANOTHER
LANGUAGE I ALWAYS REMEMBER.
I WAS 12 OR 13 AND I WAS WITH THIS ITALIAN GIRL AT HER HOUSE.
WE GOT AHOLD OF SOME OF HER MOTHER'S ALCOHOL.
AND WE GOT A LITTLE BIT TIPSY.
THE NEXT MORNING, I HAD A SPLITTING HEADACHE.
ALL I COULD REMEMBER WAS THIS ONE LINE SHE TAUGHT ME.
AND AS WE'RE TALKING ABOUT ITAILIAN.
-- ITALIAN.
[ SPEAKING IN ITALIAN ] THAT'S THE ONLY BLOODY LINE OF A
LANGUAGE.
YOU TRANSLATE.
>> IT MEANS MY MOUTH SMELLS BUT I CAN TELL YOU FROM HERE, IT'S
NOT THE TRUTH.
>> YEAH, MY BREATH STINKS.
>> James: THAT'S WHAT IT MEANS?
>> MY MOUTH SMELLS REALLY BAD.
THAT'S WHAT IT MEANS.
[ BLEEP ].
OF ALL THE [ BLEEP ] LINES IN ITALIAN.
>> James: IT SOUNDS SO BEAUTIFUL.
>> IT SOUNDS CUTE AND PRETTY BUT NO,.
[ SPEAKING IN ITALIAN ] [ BLEEP ].
>> ALL THE THINGS I LEARNED I CAN'T EVEN SAY ON TELEVISION.
>> COME ON, HEIDI, YOU CAN DO IT.
>> EVERYONE ALWAYS TEACHES YOU THE WORST THINGS AND IT CAN BE
BE REPEATED BECAUSE WHO KNOWS?
MY KIDS MAY WATCH THIS ONE DAY.
NO.
>> James: FOR SURE.
>> NO.
NO.
>> James: HEIDI, YOU'RE KNOWN -- YOU WERE KNOWN AS THE BODY.
BUT WHEN YOU STARTED OUT, YOU STARTED OUT AS A HAND MODEL?
>> I DID.
I DID.
>> James: WHAT'S THE SECRET TO BEING A GOOD HAND MODEL?
>> HONESTLY, I HAVE NO IDEA.
I ALWAYS -- I GOT MORE HAND JOBS THAN FACE JOBS.
I DON'T KNOW.
LIKE YOU HAVE TO -- YOU HAVE TO --
>> James: THAT YOU CAN SAY ON TELEVISION?
THAT YOU CAN SAY?
>> IT WAS A HAND JOB.
IT WAS A JOB WITH MY HANDS.
INTERPRETED IT AS SOMETHING REALLY NAUGHTY.
>> James: SURE, I GET IT.
>> YOU HAVE TO HOLD JEWELRY.
>> James: HOW WOULD WE -- HOW WOULD YOU -- LET'S SAY YOU'RE
MODELING THIS WITH YOUR HANDS.
>> NO.
WITH THE RING YOU HAVE TO HOLD IT A CERTAIN WAY.
YOUR FINGERS NEED TO BE PRETTY.
YOU CAN'T PLAY WITH YOUR FACE.
THE FACE DOESN'T GET IN THE SHOT.
>> James: I WANT THE FACE.
IF I'VE GOT THE HANDS, WHY NOT GIVE THEM THE FACE?
>> THEY ONLY WANT MY FACE.
>> James: ZLATAN HAS GREAT HANDS.
>> THESE ARE POWER.
>> James: HOW BIG ARE YOUR HANDS?
MINE LOOK LIKE CHILDREN'S HANDS.
>> YOU KNOW WHAT THEY SAY IS NOT TRUE.
>> James: HOW DO WE KNOW?
WE KNOW YOU HAVE A LOT OF HAND JOBS.