soft boxes in the same place we've got the same distance with Tasha
but instead of having the wall opposite Tasha we've got a sheet of
velvet on convinced this was once upon a time black potential seeing red in the
video camera but doesn't really matter is a very very very dark velvet
velvet is like a black hole for light
it hoovers it up, it absorbs it. So any of the light that was escaping from the soft box
ricocheting off the white wall over there
is now being stopped by this black velvet which will give a really really
really strong shadowy area
I got mine set up on some you know background stance but
you could use a couple of bits of string, I don't know any old thing, you can find some way of
hanging up a piece of velvet.
we can move Tash from the light closer to the wall and just usesome drawing pins
or a little bit tight don't tell my wife if you think you get in trouble
sticky things on the wall or the husband, that was really sexist wasn't it,
i'm being looked at yeah, yeah yeah. Whoever is the other person in the house.
Right before I dig that hole any deeper
I forgot to expose i'm getting so flustered.
right much the same thing just very very carefully were exposing for the
highlights on the skin so i'm just gonna put it at 45 degrees to the light and camera
eyes closed, there we go.
exposure are aperture so I poplar onto the camera
she's here and
F-sixteen tasha is very very close
this gap it's really remarries net you for reading my honor
you know cannot get that in the picture by using a long lens for the S and i
know im using mine
at 2i it doesn't matter I'm cheating ex 16 in this case
but the long lines has that narrow field review so it'll just skim alongside here
in the life and legacy either of them
right you react for this for a show in a tip
kinda but we got moody lighting so it's no good having someone giggly and going
haha
kinda probably won't work but on Tasha Tasha is going to suck in nine straight
like I'm not surprised people not
I'm whether he Gidley I made a lot of
of my take picture over what happened the flash didn't go off the steel on and
off
that's okay me look there
nice one very moody lighting indeed to get those lovely
dark strong shadows the white wall has gone gray in the background
if you really really really wanted to make it even more moody you could put
another piece a black belt albright car on the wall behind Tasha
that now I feel to be from the long lens to manage it beautifully
mmm but look at this put the camera on the floor
on moving the light a little we can get
even more after this not understanding about a foot there so the line is
almost completely sideways I haven't changed this distance
so the exposure should be exactly the same let me take a shot will compare the
two
want ash yet the line is wrapping around taxes fights different I think we should
show you the video camera Jenny get
josh has faced asshole you poems now as you
right here ready any okay as I made this night
and moved for the difference between that and
when she saw it happening you shoulda done
I think it really good PC good
right picture
should be exactly the same exposure could be happening change the distance
between Tasha
and the light
mmm you
very moody indeed that game really kind of dark
that's really cool let's go do that
further let's see what happens let's take this light
just very very slightly behind
so maybe like just back here's the night actually coming
from behind that and as i turn it he say on that face
like just turn the light see how it's changing on faces a little subtleties
that you comply with
we go soft on the line coming here wrapping around as me very bright
highlight on
Chi let's take the shot sticking with him
F-sixteen than 10 if a school like so much to the velvet
little bit no the little that said
might be a much much more
hitting on you Knife I think that's good okay
and focus on taxes on
sorry last night didn't fire
more
yeah it's a kinda moody look at that way a tiny bit with your head that's a
pass quite nice a lot you looking over that way to nap is making your eyes
sparkle
and
yet gotten a tiny bit more so as taciturn ahead
to her right we're getting a little bit more like come across her face to begin
with she was too far to the left
go to write a tad more not that's a
and look at that a room moody kind overlook is an app
and we doing it by putting the light behind the Tasha
that BP afraid to experiment with these things that this little tiny
subtle steps the something we can introduce in today so we've been
creating shadows
now is keep playing with the shadows but I want to introduce a little bit like
back in and I'm gonna do it
way eight if i cant find a he said taking a gamble chris is a bit on
rehearsed
reflect a reflectors and flashes work brilliantly what I just thought of was
what would happen if we got this light coming from behind
we can push into the light back in from this side cheney have a contentious
fight
we should be seen with modern life fine just no
missile good network is it right now
EC on taxes faces I bring in that better reflect a
which is kinda lifting that
that kinda darkness
miss Ida nice 3 cool right matter if you can hold back any
because you really good at this again just hold out there we're gonna do it
with my camera right
should turn it down a bit am every guy so I can save the tall
that's cool like that just look at me the guy
hold out there with my camera with my camera social
point excellent
and that's interesting string2 why
sir came down a little tasinari tonight chin down shots much but for the
satellite
does Connor work rather well
if you look at the difference between a reflector and the reflector
I like the black shadow think but I also like the moodiness to the reflected back
that's really cool to stay there
that's really cool and also the white ash is holding
back reflector is putting a sec to her shoulders
nine and that's really good at this in fact when we put some pictures on
facebook the other week from 10 videos
you know that a common thing didn't are you more blame the eighth
that rico nice movie night all done a little dining room
with one line a bit valve it's very like tech
so there you go you can use reflectors for this sort of thing we could also use
the reflector fighters move this
out the way just a bit I don't get
light reflecting of the white wall too much on keeping a bell
there let's just look at the reflector a bit more
gonna bring the light back here so we've got back
so the side front long to get home
there we go right trash
house's turn the light things going experts going
he could do
needs to be kind it's keeping that way up there that's a so the launch
coming from here he's bouncing man ricocheting back
got it out in key twister I'm a bit
got it nice one that attack
and straight to make might have to lower the reflector bit
that's a really good look that's a really cool look man
on trip to the flax sorry
it comes that's a really interesting look
good thousand yard stare
bring your on strained my camera
every guy I couple a really great shots
and I won't even doing those fairly quickly thanks Tasha
that was brilliant all done with one lie
and the Beltway in a very small room got an experiment with these things
we can get into much more complex things later on by just wanted to show you how
easy is
to create some moody looking like thank my
be nice