- Ha, ha, how are you? - Good, good. You?
Good. So let me just do this any time. Are you ready?
Yes, take your time. Whenever you're ready.
- So do I just, do I just hit send whenever? Okay. - Yep.
It's our first text message. It's just weird because whenever I see Sam Neill,
- I think he's Bill Paxton. - Bill Paxton. Yeah.
It's the first time that we've talked at the same time.
- You sure you're ready? - Yeah.
- And this definitely isn't porn? - I was right it would feel like porn.
It's art.
- You know I didn't mean it like that. - Oh yes you did.
- Look, I'm sorry. I don't know why I said that. Order the cheeseburger.
- Oh my God. Oh, go away. - Where do you want me to go?
Just turn around.
I've only said it to my mom and my grandma and one girl, but you know.
I say it to my girlfriends like every time we have brunch. It's really easy.
I can say it right now. I love— - Wait.
- Okay, ready. - I love you.
Me too.
Hey there, what is it that you do? Can I—do I say that now?
I'm going to need a quiet place to sit and silently judge before I reveal my true feelings in the cards.
Can I do that here or is there a corner I can— - Do you have a corner?
- Well, it was nice to meet you both. - Can they leave now?
- I just don't know how to use the GPS. - Yeah, we'll need some help with that.
Well, keep going with your music.
She stopped doing music four years ago.
I don't do music.
You probably want me to get down on one knee. I know you want me to get down on one knee.
And I'm just going to put my hands on my face, maybe just—
Oh my gosh, it just happened.
Babe, there's no one in this room I'd rather be with.
I don't want to be with anyone else either.
I can't believe you've never had lobster bisque before.
- I'm allergic to shellfish. - Lobster is a shellfish?
We need a thingy. We need a stabber with a thingy.
Anybody have like an EpiPen or—
- I'm allergic to peanuts. - Thank you.
- You don't want this. - I don't want that.
You don't want this. You don't want this. You don't want that.
- Whatever you want. I don't know. I don't care. - Whatever.
You gonna want this? How about this? You like her, right?
Stop. [scream]
- What do I do? What do I do? - I don't know. I'm just a BA.
Help me! Get—
- Do we just raise this now? - Is he part of our contract
or does he get his own studio? - Oh, that would be great.
- That would be cool because we don't need him. - No we don't need him at all.
- So do we just—we'll just toss him over. - Yeah, you want to take him?
- They can just take him. - Yeah, he doesn't even know who we are
so it won't matter if we just—there we go. Oh I said I was tossing him. Sorry.
- You'll get another job. - I know. It's not just the economy. You know?
It's that I don't ever leave this room.
You just want us to kiss? All right.
Who is this? I'm sorry. I leave frame for like two [beep] seconds. What is going on here?
Um, do you want me to go?
I'm sorry, she's going to be here? What are you—don't touch her on the way out.
What are you doing? I'm sorry. Can I push him?
Look, I'm sorry. Okay? Hey, listen. They're playing our song.
They never stop playing our song.
Just, it's a nice song.
- I'm tired. - Oh you're tired? What have you done today?
I'm sorry. Did you want me to start becoming my mom right now?
What do you think, I'm just here to do the dish?
[grunts] And cut!
That's a wrap on Steve and Kate. [applause]
So do you want us to make up or—
- Well? - We don't know what to do.
- Tell us what to do. I'm Kate. - I'm Brad.
- I thought your name was Steve. - You didn't give them your real name, did you?