USHER: HELLO AND HOW YOU DOIN'? GOOD TO SEE YOU HERE.
LET'S GET RIGHT TO IT. COME ON. THIS IS MY LIVING ROOM.
I LIKE TO KEEP FLOWERS IN MY HOUSE.
I LIKE TO BE ONE WITH THE EARTH.
I HAVE A LOT OF STONES IN THIS HOUSE.
I NAME ALL OF MY PLANTS. THIS IS BIG PAPA RIGHT HERE.
[LAUGHS]. TUPAC IS ON THE OTHER SIDE OF THE ROOM HERE.
I HAVE TO KEEP THEM SEPARATED, YOU KNOW.
SO HERE WE ARE IN THE KITCHEN.
I ALWAYS LIKE TO STAY REAL HEALTHY.
THAT'S HOW I KEEP THIS BODY, YOU KNOW.
HAVE TO KEEP YOUR SIX-PACK STOMACH.
I EAT A LOT OF FRUIT, AS YOU CAN SEE.
ME AND MY FRIENDS SPEND A LOT OF TIME HERE,
IF WE'RE NOT IN THE KITCHEN COOKING -- RIGHT.
I DON'T EVEN COOK.
AS YOU CAN SEE, THERE IS NOTHING IN MY REFRIGERATOR, BUT WATER.
WATER AND WINE, KEEP A CLEAR MIND.
THIS IS THE DINING ROOM.
WE DON'T SPEND A LOT OF TIME IN HERE,
SO IT LOOKS VERY NICE AND WELL SET.
I LIKE THIS CHANDELIER.
IT'S NOT JUST A NORMAL CHANDELIER.
IT'S JUST KIND OF FUNKY AND FUN.
THIS PAINTING, THE REASON WHY I LIKE IT SO MUCH,
BECAUSE IMAGINE THIS ALL BEING BLACK,
AND THE ARTIST DOES EVERYTHING WITH A RAZOR.
EVERY IMAGE IS BASICALLY CARVED OUT THIS ENTIRE PIECE.
NOW WE MOVE ON TO THE BEST ROOM IN THE HOUSE.
THIS IS THE MUSIC ROOM.
THIS PIECE BEHIND ME, IT'S MAGNIFICENT.
IT'S A PORTRAIT OF MARVIN GAYE.
ONE OF MY MOST PRIZED POSSESSIONS
IS SOME OF MY PHOTOGRAPHS.
I'VE GOT CHARLIE PARKER UP THERE ON THE HORN,
SARAH VAUGHAN OVER HERE. I DON'T PLAY THE PIANO,
BUT I DO HAVE A LOT OF MUSICAL FRIENDS,
AND SO THEY COME OVER, THEY PLAY,
AND WE JUST SIT AROUND HERE, SING, AND JUST HAVE A GOOD TIME.
NOW WE MAKE OUR WAY TO THE BEDROOM.
I'M SORT OF A GUEST IN MY OWN HOUSE,
BECAUSE THIS ROOM HASN'T BEEN FINISHED.
WE'RE ACTUALLY IN THE MIDDLE OF CONSTRUCTION.
I WANT TO TELL YOU GUYS ABOUT WHAT IT'S GOING TO LOOK LIKE.
MY DESIGNERS, THEY'VE MADE THE PLANS FOR THE ROOM.
THEY'VE SET EVERYTHING OUT.
THIS IS SOME OF THE DIFFERENT TEXTURES, LIKE DIFFERENT FURS.
THE BED IS GOING TO BE MADE OF LEATHER.
THIS IS SORT OF HOW THE ROOM IS SET UP.
TAKE A LOOK AT THAT THERE. GOT A FIREPLACE IN THE ROOM,
A BEAUTIFUL CHANDELIER OVER HERE.
THIS CLOSET OVER HERE IS JUST SPECIFICALLY FOR MY SUITS
AND MORE DRESSY ATTIRE. IT'S VERY BOURGEOIS IN HERE.
I'D SAY I'VE COLLECTED OVER 2,000 PAIR OF SHOES.
I DON'T DRESS UP THAT MUCH.
IF I WANT TO DRESS DOWN, THIS IS WHERE I COME.
THAT'S WHERE I KEEP ALL OF MY TENNIS SHOES.
I COLLECT LIKE MAD JORDANS. I HAVE EVERY JORDAN EVER.
SO NOW I'M TAKING IT UPSTAIRS. YOU LAUGH AT ME,
'CAUSE EVERY TIME I WALK UP THESE STEPS,
I'M REALLY CAUTIOUS. LIKE, LAST CHRISTMAS,
I FELL DOWN THIS ENTIRE FLIGHT OF STAIRS.
'CAUSE I STEPPED, AND I JUST, SWOOP, BOOM, BOOM, BOOM,
BOOM, THEN ROLLED DOWN THERE. IT WAS TERRIBLE.
THIS IS WHERE I SLEEP UNTIL MY OTHER ROOM GETS DONE.
MY MOTHER DESIGNED THIS ROOM. SHE BASICALLY SET IT UP FOR ME.
IT'S REAL ELEGANT.
EVENTUALLY, THIS WILL BECOME A GUEST ROOM.
THIS IS MY MOTHER'S AREA. SHE LIVES DOWN THE STREET.
WHEN SHE'S NOT HERE, IF I WANT TO GET CLOSE TO MY MOM,
SOMETIMES I MIGHT SIT IN HERE AND JUST SORT OF FEEL HER.
MY MOTHER'S LIKE MY BEST FRIEND, MY HEART.
I LOVE HER TO DEATH.
EVERYTHING, FROM THE LIGHTING, TO THE TEXTURES,
THE COLORS, EVERYTHING IS MY MOTHER IN THIS ROOM.
AND THIS IS WHERE MY HIDDEN CLOSET IS.
THIS IS MY CEDAR CLOSET.
MOST OF MY TOUR CLOTHING OR JUST CLOTHING FROM DIFFERENT SEASONS,
I HAVE UP HERE.
THIS RIGHT HERE IS MY FAVORITE FUR COAT.
MY MOTHER BOUGHT THIS FOR ME ABOUT TWO YEARS AGO.
I FEEL LIKE THE MACK WHEN I'VE GOT THIS THING ON.
YOU KNOW, I WAS BASICALLY PIMPING, DOING MY THING.
AS A MATTER OF FACT, I'M GONNA JUST KEEP IT ON.
WE'LL JUST ROLL OUT THROUGHOUT THE HOUSE.
UNDERSTAND WHAT I'M SAYING? YOU DIG WHAT I'M SAYING, BABY?
NOW WE'RE GOING TO TAKE A LOOK AT MY CARS
BEFORE WE HIT THE GUEST HOUSE. I HAVE A NICE CAR.
I'VE GOT A LINCOLN NAVIGATOR RIGHT HERE.
IT DOESN'T HAVE THE TWINKIE-TWINKIES ON IT.
IT DOESN'T HAVE THE 22-INCH RIMS,
BUT IT'S GOT A NICE SOUND SYSTEM AND A LOT OF ME.
THIS IS THE FIRST CAR THAT I EVER PURCHASED.
THIS PORSCHE WAS GIVEN TO ME BY L.A. REID, HIS FIRST GIFT.
THAT BACK THERE, THAT'S MY DOG RIGHT THERE.
I CALL THAT MY BODIQUA.
SEE, THIS IS WHERE THE PARTY HAPPENS RIGHT HERE.
WE COME IN, MUSIC IS BLASTING.
IT'S LIKE, YOU KNOW, ALL-OUT FUN.
LET ME TAKE THIS THING OFF. IT'S GETTING HOT IN HERE.
THAT'S MY SOFA. NOBODY SITS ON THAT SOFT BUT ME.
KITCHEN AREA.
WE'RE GOING TO MAKE OUR WAY DOWN TO THE STUDIO.
COME ON. COME ON.
THIS ACTUALLY IS L.A. REID'S OLD HOUSE.
I REMEMBER, AS A KID, SITTING UP IN THE KITCHEN SAYING,
'WOW, L.A. REID, MAN, ONE DAY
I WANT TO OWN A HOUSE LIKE THIS.'
AND I ENDED UP BUYING HIS HOUSE. AIN'T THAT SOMETHING?
THIS IS THE HOTTEST STUDIO IN ATLANTA, FOREVER.
WHEN I'M HERE IN THE SUMMERTIME, WE ALL GET TOGETHER
AND JUST HAVE A GOOD TIME HERE AT THE POOL.
WE CAN'T REALLY EXPLAIN THIS TOO MUCH.
YOU'VE GOT FURNITURE AND POOL. YOU CAN SIT DOWN OR GET IN.
[LAUGHS]. THIS IS HOW BROTHERS SHOULD DO IT, YOU KNOW.
WE DON'T HAVE TO GO OUT IN THE CITY AND HAVE A GOOD TIME.
WE BRING THE PARTY TO US.
LISTEN, I HOPE YOU GUYS HAD A WONDERFUL TIME
IN THE WONDERFUL WORLD OF U.
THIS IS MY HUMBLE HOME. THANK YOU.
IT WAS A PLEASURE HAVING YOU HERE.
YOU AIN'T GOTTA GO HOME,
BUT YOU'VE GOTTA GET THE HELL OUTTA HERE!