Hey guys, welcome back again to Ken Tamplin Vocal Academy, where the PROOF is in the singing!
Guys, I want to encourage you to something I think is really important.
And that is this: No matter where you get your vocal information from, make ABSOLUTELY
CERTAIN that that vocal coach can sing, and sing well, and I don’t mean just a little
line, or a “ditty” here and there, but ENTIRE SONGS , and that they demonstrate and
display other students that sing, and sing well.
It’s the only true way that you can authenticate that the information that they’re giving
you is legitimate, because your vocal health depends on it.
With that said, let’s rock!
Okay.
One of my all-time favorite songs, in fact Clarence, who played the keyboards on this just
passed recently.
Just a phenomenal talent.
Anyway, mixed voice.
This is a genius song to try to learn mixed voice, cause you, know...
“Baby hair, with a woman’s eyes, I can feel you watchin’ in the night…
All alone with me, I’m waiting for the sunlight..
You know, and there’s all this really cool space.
So, what we learn is that we want to come back and make this sound small and dynamic
in lots of small, cool mixed voice spaces.
We don’t want to just belt all the time.
In fact, the finesse of this is what’s really really cool.
So I encourage you guys to try and practice to this tune.
Listen to my version, listen to the original Hall and Oates version, it’s genius.
And try to get into those nice, small, mixed voice spaces, because that’s actually what
we want to include in our arsenal.
Remember what we talked a lot about, you know, how to find your own voice and all this stuff.
Well, if you include this in your arsenal for singing, it will seriously rock your world.
So, anyway guys, thank you for listening!
If you like what you heard, please like and subscribe to my channel.
And until next time, we have more on your way.
Peace.
Out.