- Yo guys.
Jonathan here with the 56th What's in My Bag
video you've seen for CES.
This one's a little different.
There's a little bit of a surprise.
There's a twist.
And I also wanna play a game.
Don't cheat.
Don't scrub ahead.
I want you to guess what camera you think
that I brought to CES.
Drop a comment down below
and, again, don't cheat.
Now the reason this is a little bit of a surprise is
I didn't pack this bag and, actually,
I only picked this bag up because Rich convinced me.
Comere Rich.
Take a seat.
Why do we need to buy this bag?
- [Rich] 'cause it is the nicest bag I've ever seen.
- Everything we possibly need for CES is in this bag.
Right off the bat what I noticed with this.
This is from Peak Design.
It feels good.
But this is actually kinda cool.
So there are four,
really solid aluminum ... pipes?
- Latches?
I think their like latches.
- Latches?
That's probably the better term.
But how you use it is, that'll actually ...
I mean I can't get that last one,
but that's how you would adjust how to tighten this bag.
And that's actually really clever, so,
we are at level three right now.
I'm gonna open this up.
Is there a particular area or section I should start with?
- Probably at the top.
- Here it comes.
Don't cheat again.
And, we got it.
Okay, that dang extra large cable was holding us back.
This is the camera of choice.
And I'm gonna say ...
I'm gonna go out there and call this the most
totentially underrated camera of 2017.
There's a lotta hype around RED right now.
Myself included.
But this actually surprised the heck out of me.
It's an amazing camera.
Canon got a lot of ...
- Pizzazz. (laughs)
- I don't think pizzazz is the right word.
But, either way, if you're a videographer,
you've been looking at that RED RAVEN, that RED SCARLET-W.
Seriously consider this.
I think what has sold me on the C200
has got to be Canon's autofocus.
It's amazing, which you guys will see right now.
We have the Canon 5D Mark IV.
This is not sponsored by Canon.
These were purchased with our own money.
They're just doin' some great stuff right now.
This is the appropriate side.
(bulb hissing)
This funny-looking gadget is used to get dust out of tiny
crevices.
(bulb hissing)
We have the glass selection
and all these work really well with the C200.
All right Rich, you sold me on this bag.
We're fittin' a lotta gear in here.
Now we hadda cheat a little bit
to bust out the Sound Devices MixPre-3.
That is what we're using to record audio right now.
So, Rich did have to take that out first, but,
aside from that,
literally everything we have packed for this trip
did fit in this bag.
I'm lookin' through holes and loops and ...
Don't fall.
("Ave Maria")
Yeah ...
You!
Why?
Batteries upon batteries.
We got more stuff in here?
You didn't tell me about this.
All right, I'm not gonna whip this out.
Essentially, this is the power for the C200
if we wanted to plug it into a wall.
We got a USB-C cable, a microfiber cloth.
I'm gonna zip that back up.
So we got one more side.
Ooh, we got SD cards, CFast cards, excuse me.
This is for the C200.
These guys, a little bit pricey, but they do the job.
Oh, we got a backup audio kit.
So, for those out there looking for an inexpensive,
but really high-quality lavalier set,
this actually records audio directly into the device
by a micro SD, so it's super convenient, super handy
and definitely would recommend.
I've just been informed,
there's still more stuff in the bag.
Where could it possibly be?
In here? - Right here.
- Holy ... so if you wanna sssssssssssss
Wow, polarizer, more batteries.
If you wanted to, you could definitely
squeeze a 15-inch MacBook Pro in here.
That is my editing machine of choice.
We got an ND filter.
Which I don't need that for the C200
because that is built into the camera.
That is one of the biggest selling points there.
Rich, of course, being over-prepared,
but it's nice to have that,
especially if we needed to use the 5D
or anything like that.
We are all, finally, emptied out of this bag.
But, this is a sweet, freaking bag.
Peak Design nailed it.
Movin' on to the lenses, we have three here.
And you might be surprised to see no Sigma 18-35,
but the reason I went with these
is they actually work in tandem with the C200.
That dual-pixel autofocus, again, is mind-blowing.
First up is the trusty 24-105mm lens from Canon.
It's the Mark II.
It's not gonna have a crazy f-stop, only f/4,
but why I love this lens is the stabilization.
So you pair that with the really wide focal range,
and it's gonna be an awesome lens to take on the floor.
I know sometimes also people freak out when they
see the f/4, and they're gonna worry about
not having that beautiful blurred background,
but when you compress this and you zoom in,
you get some pretty stellar results.
From there, movin' on, this is the 16-35,
and, my goodness, this is built like a tank.
It is really solid, really heavy.
This doesn't have stabilization,
but what it does have is a wider aperture.
So this is ap 2.8, so it's gonna do better in low light.
And it's also wide enough to the point where
you're not gonna have to worry too much
about that shakiness.
Lastly, from there, we have the 24.
This is just a prime lens.
So this is gonna be f/1.4, so you're gonna get
bokeh and blurred-out background for days.
This is a beautiful, fast lens, which looks incredible
and works fantastic, both with the C200 and the 5D Mark IV.
Now to quickly whip this up,
I'm gonna get this C200 powered on.
This battery right here.
This is the BP-A60.
Holy sh (censor beeps) t.
I can't even say that.
But, this is more battery than you could ever need.
I think it's like five hours or somethin' so,
we are not gonna need to change this battery
once on the floor when we take this out.
We're gonna power that on.
If you use Final Cut X,
that's one of the benefits of that program right now,
is the RAW Light Support.
So I've messed with that with the C200
and it works really well.
For demonstration purposes right now
I think I'll throw on the 24 mil,
give you guys a quick little example of that face tracking.
And for real, like I said,
when you guys are lookin' at the RED RAVEN
or the SCARLET-W, I think this is the most underrated
camera, like I said, for YouTube right now.
If you shoot a one-man band and you're just by yourself,
the autofocus is super, super helpful.
So, we are locked and loaded.
I'm gonna switch on autofocus
so we can take advantage of that autofocusing.
I'm gonna see if I can bring that down.
So are we about f/1.8 right now?
If I can get a little closer.
Rich, give me that beautiful mug over here.
So, can you guys see how that is tracking his face?
Rich, come closer.
This is not me doing anything.
That is Rich just moving up.
And the camera is doing all that work.
It's pretty silent,
which is a pretty incredible feat in itself.
So, here is the look at the massive RED rig
that we brought to CES
that we're really shootin' on.
Not really.
That's the Sony RX100 Mark IV ... ?
V, link in the description.
Everything you guys are watchin' right now
is shot on that camera.
Now what's also cool is I can tap to focus.
So, right now, we have a tap to focus on the lens,
but if I wanted that lamp in the corner,
tap over there, and, again,
you can see where that dual-pixel autofocus
kinda really shines.
It's freakin' awesome.
From there though that's pretty much
everythin' we're rollin' with as far as CES goes.
Again, audio's being recorded
into the Sound Devices MixPre-3.
We have the Sennheiser MKH 50-P48.
This is one of my favorite microphones.
Right now, we are using the Road, somethin' other lab.
I will link that in the description
with everything featured in this video.
Hopefully you guys enjoyed this video.
If you did, and you are feelin' like bein' awesome,
make sure to smash that like button.
Also, make sure you followin' me on Facebook.
Gotta special giveaway goin' down today.
Link below and I'll catch you guys later.
- [Male] All right, I think you broke that bottle.
Yeah, you did.
♪ I wanna understand. ♪