- First of all, if you--there's a--we'll show you
a little B roll of him singing
a lip sync battle at-- - "Girls."
- I mean-- [laughs]
[hollering]
- You were so fantastic,
and then Beyonce comes out...
- [laughing] - And that was a--
- That is the first time I ever met her.
Right there.
That was it. That was it.
- Okay, so, how do you get Beyonce to do this?
Had you met her before?
- I had never met her before.
Um, I won't even tell you what I had to do
to essentially get her assistants, like, phone number--
or text. I was texting her,
and I didn't have--even have the intention of her coming.
It was all a whole ploy
to get permission to do something.
'Cause I had gotten through, like, the grapevine
that Jenna was gonna bring out Paula,
and I was like, "Hmm, who can I bring out?
"I know, like, Beyonce's not gonna come."
So, I wanted to bring, like, a cardboard cutout
of Beyonce out.
Just to be funny, and then, ultimately,
I end up having to meet Beyonce doing Beyonce,
and that was definitely the most terrifying thing I've ever done.
- So, you hadn't rehearsed. She just--
- No. - When you were doing that--
so she hadn't seen you look like that.
- No, she's like Keyser Soze.
I don't know if you guys know who that is,
like, but there's, like--you know she exists...
- Uh-huh. - And, like,
but you never see her until, like, all of a sudden,
you're just like, "It happened. Wait, that was her, right?"
And then, you always know that she's somewhere in the world
that can reach out and touch you.
It's, uh, it's really-- - Very sweet,
and then she left right afterwards?
- Yeah, that was it. Like, I said, "Hi."
She goes, "Hey, that was really funny.
"See ya," and, uh, but se did text afterwards.
She was like, "Hey, I would love to, like, meet you guys
"and hang out when you're not looking like me,
"and so terrifying." - Yeah.
So, Everly, we saw a picture of her a minutes ago.
She's two years old now? - Yes.
Uh, two and a half. - Two and a half.
- About to be-- - And she's into what?
- Everything that we,
basically, don't want her to do.
Like, an-- - She's the terrible twos?
- Yeah, it's just--well, she just wants to stay in her pj's
or naked all day. Like, she doesn't--
- I don't blame her. - And I get it.
- I'm like that too. - I get it and--
which always feels very hypocritical, 'cause I go,
"You have to wear clothes. We all wear clothes,"
and she's just like, "Nope.
"Nope, not doing that," and I'm like,
"Well, okay." [laughs]
You don't--you just go with it. Good luck, buddy.
- Yeah, that's what I was gonna say.
- Thank you, thanks.
- So, he's about to have a child,
and, um, any advice?
- I kind of--no advice other than good luck...
[laughter]
But, I don't know, like,
I think a lot of my friends are gonna be pissed that--like,
my, like closer closer friends than Twitch,
even though we were good and close.
I would love for him to be my dad.
Like, he's just gonna be the best dad.
- He is gonna be the best dad. - He's like--he really is.
- Thank you, man, thank you.
Thank you. - I'm not kidding.
- Thank you, man. - I'm not just saying it.
He's just--he's sweet, smart, so talented,
and just, like, the cool--he's gonna be your homie.
Like, he's not just gonna be a dad.
- Yeah, man. - You're already a good dad,
but that--it's very exciting. It's gonna be great.
Channing Tatum in the new movie "Hail, Caesar!"
And, uh, that scene--it's kind of a--
it's a Cohen Brothers movie, and it's kind of
a take off on old movies,
and there's, like, synchronized swimming,
- Mm-hmm. - And there's, like, old--
but you really--Portia and I were watching it going,
like, you're Gene Kelly. You're Fred Astaire.
- Oh. - That entire sequence...
- Thank you. - Was so well done.
- Thank you very much. - It was so impressive.
- Well, when the Cohen's call you and say that you want--
that--you just jump. You just go,
"Yeah, whatever you need me to do,"
and I didn't have any idea what was gonna be asked,
like, it was pretty much, like, three sentences,
and it wasn't supposed to be a six minute long song and dance.
Which both, I can't do. I mean tap dance, sorry,
and, uh--but I'm very happy with it.
I'm--we were trying to figure out, like,
when the last big tap number has been done in a movie...
- Yeah. - And we couldn't really
figure it out. There's been small ones,
but nothing, like, as big as that.
When you look at all those old movies
with Fred Astaire, and Gene Kelly, and Danny Kaye,
and everything... - Yeah.
- They had these long sequences and it was one shot.
One take... - Yeah.
- And they never messed up,
and they were amazing,
and it just makes you appreciate it
when you see something like that.
- The amount of, like, rehearsal that must have went in...
- Yeah. - Like, I can't even imagine.
- Did you feel the pressure to do a scene like that
knowing if you mess up everyone has to start all over again?
Yep, and that's a--thanks for reminding me.
- Yep. - That's really great.
- I would think that would be really scary.
- Yeah, because I never--I didn't really realize that
you're playing an instrument. You're not just dancing on beat.
Like, you're a part of the song
and if you miss a step or if you're off tempo,
everyone hears it. - Yeah.
- And so, it's--it was nerve-wracking,
but we got it in the end. - Well, anyway I'm--
We needed one take. - I think it was amazing--
What? - We just needed one take.
- Yeah, and you got it. - That's it.
- How many takes did you do though?
- A lot. A lot.