hey chris liepe here with three words that will completely change the way
you sing and think about singing if you lean into them and study them
what happens and what can happen with your voice and expression
now you probably say these words every day multiple times a day
in conversation they're very common simple words but vocally and singing wise there is
a ton to unpack in terms of the opportunities we can extract from these words if you dig what i'm
doing here and you you like the experimental introspective approach to discovering what
your voice does and can do if you like that you'll love my course discover your voice and i'd love to
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like this in an even greater more hand-holding way of working word number one the word is you you
let's unpack it you you we are going between two different vowels you we can contort this
word in ways that musically can create a lot of expressive opportunities and moving our
resonance around when we say this word can do a lot let's just lay down a tonal center here
eu
how much e do i want and how much ooh do i want where is this e being placed
is it going to be very nasal
and then are we going to gradually cut off our nasal resonance ooh to bring more of a
forward belt ew
what if we want to bring that up in our range a little bit
what if we want to transfer resonances to our head resonance
so where we move
vowels within this word vowel sounds will determine the kind of resonance that we can create
do we want our oo to be bright and open ew
we want to swallow it a little bit more nothing's wrong there's no right larynx
position there's no right resonance the only wrong way to do it is by being too static
yeah i'm moving the notes around a little bit but by us having a consciousness of the fact
that the word you is actually you believe me experiment with it work it into phrases
i love you don't even worry about those other uh words right now just focus on you i love you
i love you
you
i just i just made the u a bit of an o i love you
there's so much we can grab from that word
by really diving in and experimenting with placing not only the vowel but the resonance
that's all e right you
and you heard ways that you can contort it and create real musical possibilities from it
dive into this word with your phrases attach it to other words like i just did
the it's mind blowing this completely changes the way that you sing because single words become
vehicles for you to express and experiment and emote uh in ways that only the human voice can
by placing it in different ways and expressing it in different ways word number two furry
ah fur
fury hear a lot of people transition free
and open up that at the end we also have this opportunity with
er to be very nasal initially furry kind of free free or fur
i blocked off my nasal resonance there free free if i want to musify that fur free
very sharp free bright free
warm resonant nasal
going up and joining it to yeah free
free
adding compression at the end of it moving that e vowel around and teetering between erie
moving that around allows for
like we like we looked at with you a lot of musical possibilities you would never say
you know the words you know you're free or you free you'd never go you were free
but singing wise that could sound really awesome you free that's what we're going to sing
free wow the last word now
any word that starts or ends with an n is super juicy
there's an heavy movement through the nasal passage no there's an o but there's also ah now
oh no now we also have an ooh at the end no now
no oh so we could we have the r now
notice i went from now and it's not a good free now free now
i'm afraid
no
you're my friend now as you embrace different parts of these words you're
going to notice other words that you can join things to that also will evoke certain
resonant possibilities but by digging into these three words and the transitions you can practice
as you milk the possibilities within them it will completely change the way you sing again
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