operating in the 2.4 gigahertz range far from tv and dtv interference the system 10 stack mount
offers 24-bit digital wireless that is extremely easy to set up and use
system 10 provides instantaneous channel selection anywhere in the u.s so there's
never a need to look up frequencies or acquire a license plus with the system's frequency time
and space diversity assurance clear communication is always insured the durable receiver features
dual antennas lcd system id display along with led indicators for af peak and pair located on
the rear panel are balanced xlr and unbalanced quarter inch output jacks with level control and
the receiver's power input connector up to eight stackable receivers can be used simultaneously
without any frequency coordination problems or group selection issues simply plug in the receiver
and turn on the transmitter operating over seven hours on readily available double a batteries the
included handheld or body pack transmitter feature a recessed power mute button along
with a system id display and mute power status led adjustable input trim controls on each transmitter
allow them to operate with a wide range of vocal and or instrument levels with seven receiver
transmitter configurations available to get you started system 10 is a proven digital performer
hey guys ryan here from road and in this video we'll be talking about the features of the
rodelink performer kit the latest addition to the rodelink range of wireless audio products
from rode the roadlink performer kit consists of the tx m2 wireless handheld condenser microphone
and the rxdesk desktop receiver the tx m2 is a wireless version of the rode m2 live microphone
it features a super cardioid condenser capsule meaning that it has a nice tight pickup pattern
helping you to reject sounds from the side rear of the microphone and also has a nice detailed
frequency response meaning that you can capture the nuances of any vocal performance whether it
be singing or even spoken word and presentation the rxdesk receiver is a desktop mountable
mains powered receiver unit that has dual antennas and a switchable mic or line level output for the
ultimate inconvenience whether you're recording in a venue or using it on the go now the rodelink
wireless systems such as the rodelink performer kit operate in the 2.4 gigahertz worldwide
license free spectrum in recent years in a lot of countries the uhf spectrums that were previously
allocated to audio use have been resold to telecommunications and digital tv networks
meaning that some of the audio devices that operated in the wireless spectrum previously
are now illegal to use in some territories now you never have to worry about that with the rodelink
range of wireless products because they operate in the 2.4 gigahertz spectrum a license free
spectrum worldwide meaning that you can take your wireless kit to any country and you also don't
have to worry about the wireless frequencies being reallocated anytime in the future
the rodelink wireless systems use a 128-bit encrypted digital transmission meaning that your
audio is always crisp and clear as long as the microphone is in range of the receiver the system
has a line of sight range of up to 100 meters and you can use up to eight systems in the same space
at the same time the way that it achieves this is by transmitting on two channels simultaneously
one channel scans the frequency band until it finds the best available frequency and then it
seamlessly hops to that channel for transmission and the other channel then starts scanning the
frequency band so that you know that you're always transmitting on the cleanest possible signal
for the best available range now one of the great things with the road link range is that you can
pair any of the road link transmitters with any of the road link receivers so if you have the
tx m2 microphone you can pair it with the rx cam receiver the chips with the new shooter kit or the
filmmaker kit and of course you can also pair the rodelink tx xlr transmitter or the tx belt
belt pack transmitter with the rxdesk receiver now pairing of the txm2 to the rx desk receiver is an
extremely simple process you simply press the red button on the receiver choose your channel number
in this case let's choose channel 4 and then on the transmitter unit you press and hold the
red button for just a moment until you see the p and right after that you can see that it's
paired to channel 4 in just a couple of seconds if we open the microphone body further
it reveals the battery compartment the performer kit ships with the new rode lb1
lithium-ion rechargeable battery which will power the microphone for up to 10 hours of use
that's multiple performances on a single charge if for any reason you've forgotten to charge your
microphone of course you can still use standard double a batteries to power the microphone
with the lb-1 inserted you can actually charge the battery using the microphone itself by simply
plugging in a micro usb cable or you can use the separately available docking station to charge the
microphone without having to open the microphone body now to power the microphone we've concealed
the power button at the bottom of the mark to make sure the operator never accidentally turns off the
microphone when it's in use you simply press and hold the button and the microphone will switch on
now on the back of the microphone we have the mute switch for the microphone when you press it up the
microphone is on and when you press it down the microphone is muted but what we've done to ensure
that the operator always has the ultimate control over the signal in case of operator error on stage
we've actually got a mute override function on the receiver so you can simply press this mute button
and you can see that the microphone is once again live to make sure that the
operator on stage never accidentally mutes the microphone and ruins a performance or a speech
the receiver unit also features variable level control to make sure you can always
get the ideal signal level out of the unit it's simply switchable by pressing the buttons on the
front right hand side of the unit and on the back of the unit you can see that we
have a locking power connector to make sure the power is never kicked out during a performance
we also have an xlr connection and a quarter inch connection on the back and we have switchable mic
or line level for the xlr output you can also see that we have a micro usb connection on the back of
the unit and that's simply so that we can roll out firmware updates in the future and you can always
make sure that your road link system is updated to the latest possible firmware the rx desk receiver
also features a dual antenna system to make sure that you always have the strongest possible signal
if you have any questions at all hit us up on twitter roadmarks or visit rhode.com
if you're a performer or presenter who's ready to cut the cord the new shure blx wireless system is
the perfect place to start blx offers legendary sound right out of the box whether you're a
musician presenter or instructor there's a blx wireless system package that's just right for you
the blx1 bodypack transmitter has an on off toggle switch that's easy to operate by feel
it's available with a choice of lavalier head worn or instrument microphones or a guitar cable
the blx2 handheld transmitter is available with your choice of pg58 sm58 or beta 58a microphone
heads both transmitters give you up to 14 hours of run time on two double a batteries
the blx4 diversity receiver is small and portable
with internal antennas so there's nothing to set up the 88 dual channel diversity receiver
has all the same features as the blx4 but it accommodates two transmitters at the same time
the blx4r single channel diversity receiver is designed for rackmount applications
it features removable antennas and an lcd display that features audio and rf meters
rackmount hardware is included making setup and installation quick and easy all blx receivers have
sure quick scan frequency selection just push the button on the receiver to find a clear frequency
and then set the transmitter to the same channel blx wireless systems survive the
same rigorous quality testing as shore wired microphones and come with a two year warranty
with intuitive operation and legendary sure sound and reliability sure blx
wireless makes cutting the cord simple for more information about blx wireless visit shure.com
the shure glxd digital wireless system operates on the 2.4 gigahertz frequency band which is legal
everywhere in the world the 2.4 gigahertz band is also used by wi-fi devices but that's okay
the glxd system uses state-of-the-art technology to avoid interference from
other devices automatically each channel of glxd is made up of six frequencies which the system
continuously scans to monitor their condition it transmits the audio signal on the clearest
three frequencies out of the six available if interference occurs or conditions deteriorate
it seamlessly changes to a backup frequency without interrupting the audio here's an example
of how it works here's a scan of the 2.4 gigahertz frequency band showing the wi-fi activity in this
room there are two kinds of traffic shown here continuous traffic and bursting traffic these
three signals are from the glxd transmitter now we'll generate some interference which the glxd
system will automatically detect and seamlessly move away from providing uninterrupted audio
for more information about glxd and other sure wireless microphone systems please visit shure.com
hi i'm ben here with sennheiser to show you the awesome new ew 135 g3 handheld vocal system
the ew135g3 is a great all-around system for the spoken word or singing in vocals starting with our
true diversity receiver it features 1680 available frequencies across a 42 megahertz bandwidth with
the easy setup feature once it finds a frequency that's free you can infrared sync the transmitter
to the receiver no more programming of the handheld the handheld included with the ew
135 g3 operates on two double batteries which are economical and last about eight to ten hours
the distance or range that you can get away from the receiver is in excess of 300 feet
so range is never a problem with the evolution wireless series the handheld itself has a capsule
which is the e 835 and it features a cardioid dynamic pattern this is a great all-around
type of microphone for either lead vocal or the spoken word all in all the evolution wireless
ew 135 g3 system is a great system for all your vocal needs thanks for checking out sennheiser
goes
so
i started engineering when i was seven well i tried to start engineering
one two hey hey um my father who was the reverend of our local church
asked me to help out with the sound and i went okay i'll do it and we had various
different cables that were working that wasn't working that crackled
well my family believes that i love cables so for a christmas present
they thought they could get me some cables thanks family
my first big show was tiny temper at glastonbury 2010.
i thought i was going to get fired after that show mainly because i didn't know
the equipment whether you're in the corporate world live entertainment theater or broadcast
i really think it helps when you know you're gay because it gives you the flexibility
to use the equipment that's around you evolution wireless really does that for you
only when you know you're gay you know what is possible
and with the right gear anything is possible
you