The Truth About Equestrian Statues
You’ll often hear that the way a soldier’s horse is portrayed in an equestrian statue
indicates how the soldier died.
This myth, perpetuated by many a tourist guide the world over, simply isn’t true.
An example of a tourist guidebook that perpetuates the equestrian myth is the 1987 Hands on Chicago:
“At Sheridan Road and Belmont Avenue, the statue of [General] Sheridan beckons troops
to battle.
The horse General Sheridan rides is named Winchester…
Winchester’s raised leg symbolizes his rider was wounded in battle (the legs of [General]
Grant’s horse are on the ground, meaning he was not wounded).”
This gives a pretty good account of the myth as it is generally stated, but leaving out
the third commonly said option of the horse having both front legs in the air, implying
the soldier died in battle.
Another caveat is that if the rider died of complications from wounds received in battle,
but at a later date from the battle, most versions of this myth have it that just one
leg should be up as with the people who were wounded but didn’t die of complications
from the wound.
According to the U.S. Army Center of Military History, no such tradition has ever existed.
This is not surprising considering that examples of multiple equestrian statues of the same
person tend to be inconsistent in terms of the horse’s legs positioning.
But let’s not take the U.S. Army historian’s word for it, let’s look at some examples.
First, take a walk around Washington D.C., which has the largest collection of equestrian
statues of any city in the world.
From this, you’ll quickly be disabused of the notion that the depiction of the horse’
legs has anything to do with the way the person died, with only about 30% of this city’s
statues conforming to the aforementioned “rules”.
(Given that there are 3 options here, that 30% number seems rather fitting.)
One of the oldest known equestrian statues in the United States is the 1853 statue of
General Andrew Jackson in Lafayette Park, Washington D.C., which was made in celebration
of Jackson’s victory over the British at the Battle of New Orleans.
In this statue, the horse has both forelegs in the air.
Of course ,Jackson did not die in battle but of tuberculosis.
The person who cast that sculpture, Clark Mills, was the first sculptor in the United
States to cast a horse with a rider where the horse has some of its legs in the air
(in this case both)- at this point it was more of a mark of the skill of the artist
to have the horse with legs in the air rather than any sort of tradition relating to battle
and death.
In cases where the same sculptor made multiple equestrian statues that could potentially
apply to this “rule”, such as the case of world renowned Irish sculptor Augustus
Saint-Gaudens, we see that he at times violated the supposed tradition and other times seemed
to adhere to it.
One such statue he made of General William Techumsa Sherman has one of the front legs
of the horse raised.
Indeed, General Sherman was wounded twice in battle, and even had 3 horses shot out
from under him.
He did not die in battle, but lived to the ripe old age of 71, and is thought to have
died from pneumonia.
So from that respect, this one fits.
It should be noted, though, that this statue also has one of the horse’s rear legs lifted.
The equestrian statue horse legs myth doesn’t seem to cover what that potentially would
mean… maybe… just maybe…
it means the horse is supposed to look like it’s running and has nothing to do with
the rider’s death/wounds…
There is also a major equestrian statue of General Sherman at the General Sherman Memorial
in Washington D.C.
This statue has the horse with all four legs on the ground.
(This is a common theme where multiple equestrian statues exist.
One would guess the differences have something to do with sculptors wanting theirs to look
markedly different than the already existing statue(s).)
The only place where this equestrian statue “tradition” seems to hold with any sort
of consistency is with a few statues of soldiers who fought in the Battle of Gettysburg.
(This is thought to be how the myth got started in the first place.)
Of the nearly 500 monuments at Gettysburg, there are 6 equestrian statues.
Five of the six conform to the myth and the sixth loosely does, but the problem is the
statue of General John Sedgwick, who died at the Battle of Spotsylvania Court House-
his equestrian statue has all four hooves are on the ground.
(Aside: General Sedgwick’s reported last words were: “What?
Men dodging this way for single bullets?
What will you do when they open fire along the whole line?
I am ashamed of you.
They couldn’t hit an elephant at this distance.”
He then took a bullet through his head fired from about 900 meters (1000 yards) away.)
Of course, it could be argued that this “tradition” was meant only to refer to what happened at
the battle of Gettysburg, in which Sedgwick was not wounded nor did he die in.
If that’s the case, then his is correct.
However, if that’s the case then the statue of James Longstreet in that collection is
not.
He wasn’t wounded in Gettysburg, but his statue has the horse with one foot raised.
(He was wounded in the Battle of Glendale, so that would fit there, but not if we’re
limiting the statue’s positioning based on the battle of Gettysburg to make the statue
of General Sedgwick fit.)
Even then, it seems odd such a code would be created just for 6 statues of prominent
people who fought in the battle of Gettysburg, and even more odd that if the code did exist
that they would have broken it in one of the statues.
Given there is no record of the sculptors having done this intentionally, and the discrepancy,
it’s really not clear that this is what they were going for.
It’s possible given the small sample size and that this is the only place we find this
somewhat consistent correlation, it just randomly happened to work out that way with the way
the sculptors decided to make the statues.
So this covers pretty thoroughly the statues in America.
What about the equestrian statues across the pond?
The Ancient Romans had numerous examples of equestrian statues, but unfortunately nearly
all were destroyed or melted down for use in other things.
One of the very few surviving equestrian statues from Rome was of Emperor Marcus Aurelius who
died in 180 of an illness.
His horse in that statue has one foreleg up in the air.
There is no record of Marcus Aurelius ever being wounded in battle and as a prominent
Roman and eventual Emperor, it’s unlikely he saw much direct, close-up battle time (though
was a part of many battles).
And if you’re wondering, probably the only reason the statue of Marcus Aurelius survived
when most all the others did not is that for a long time it was misidentified as a statue
of Emperor Constantine the Great, who was a Christian Emperor.
Why is this important to its preservation?
Because many of the Roman statues were melted down to make things like church bells, coins,
and sculptures for churches.
Melting down a statue of Constantine would have been borderline blasphemy.
Given this, it’s perhaps no surprise to learn that there is also a surviving equestrian
statue of Emperor Constantine, in this case with the horse having both front legs up.
Constantine did not die in battle, rather of natural causes.
Fast-forward to more recent times, in Medieval Europe and there really aren’t many equestrian
statues, as they were (and are) very expensive to make and require an exceptionally skilled
sculptor.
The few examples that exist don’t seem to correlate at all with any sort of horse leg
tradition.
For one brief, slightly more recent example, we have King Louis XIV who had an equestrian
statue at Versailles with both forelegs on the horse in the air.
Louis XIV died of gangrene at the age of 77, not in battle.
Given that many a sculptor has worked on equestrian statues throughout history, if there is supposed
to be some sort of code, even if not generally followed, there would be documentation of
it somewhere- after all, they have to pass that code on.
Not surprisingly, there is not.
It’s almost as if the sculptor just chooses the horse’s attitude to suit personal artistic
preference…
Bonus Facts: • If a statue with a rider and horse is
called an “equestrian statue”, you might be wondering what a statue of just a horse
is called.
That answer is an “equine statue”.
• “Equestrian” comes from the Latin “eques”, meaning “knight”, which in
turn derives from “equus”, meaning “horse”.
• A much lesser known statue myth has to do with European knights.
The myth goes that if the knight’s statue or tombstone depicts them with their legs
or arms crossed, then the knight fought in one of the Crusades.
The idea behind this is that crossing the legs or arms represents the cross of Christ,
more or less that the soldiers “took up their cross” to go fight in the Crusades.
As with the equestrian statue myth, there is no evidence whatsoever to support this
notion.
• Another common myth you’ll hear many a tourist guide around the equator say is
that what hemisphere you’re in effects the way the water swirls down the toilet or drain.
They’ll even sometimes take you a few hundred meters on one side of the equator and show
you water swirling one way, then a few hundred meters from that on the other side of the
equator and show it swirling the other.
Magic!
In fact, of course, what hemisphere you’re in has almost nothing to do with the way water
swirls down toilets
and drains.