This shit is a league.
All the underground video people, we ain’t go to school for this shit.
So this really like do it yourself.
Shit gonna go around, but niggas know who's really saucing shit up.
So, AWGE is the video department.
You know what I’m saying?
It’s a group.
It’s a team.
We all got different styles, so it's like, combined, it's crazy.
It's like producers make beats, it's like rappers do features, you know what I'm saying?
It's like I got some sauce, we gonna throw some sauce on you, then it's like that.
It was a last minute gig too.
I think this nigga was going to Africa or some shit like that.
So it was like, yo, pull up to his crib, me and Yoga, then we just brainstormed on the
spot.
Talking back and forth with Ferg how he pictured the video right then.
It was like, "Yeah, I want 100 bikes in Harlem."
It was like, "Yeah, let's do it."
He made like two phone calls.
He called Nigel and his crew.
Then he made a phone call to this guy.
That's RRDBlocks.
He's real famous for doing wheelies and stuff on Instagram and social media, so he's like
a real biker.
Any time he says anything about bikes, his social media rings.
He made a call to him, then everybody pulled up on the block.
This was the Juicy J part, you know what I'm saying?
This is like the sauce right here.
That's where we giving y'all, the intro.
You know what I'm saying?
His album artwork was him tying a durag so it’s like symbolic in a sense.
Oh this shit crazy.
This Yams right here.
You know what I’m saying.
Happy Yams Day.
Yeah Yams Day.
It’s a celebration.
Oh, yeah this shot right here, let's talk about this shot.
This shot right here is crazy.
That’s like, you feel me, different Fergs.
You got different Fergs right here.
George Condo influence.
This is the regular aesthetic.
This how we look at photos, you know what I'm saying?
This how we look at videos, look at photos.
We refer back to the sauce.
We just sprinkle a little bit of sauce on there.
Oh that shit crazy.
That’s the YGA sauce right here.
His watch, it’s glowing.
It’s like ‘The Last Dragon’ when he like felt the power.
It’s like that.
Just put all your energy into that point you wanna make the most popping, prevalent
point of that scene.
Isolate what you trying to isolate, put all your energy into it, and something gonna come up.
This scene right here is in Flatbush.
This is in his hood, this Kirk Knight hood.
Shouts out to DRAM fresh.
That’s my guy.
This nigga be lit.
That’s when I was on top of the mailbox.
Oh yeah we shot this crazy.
It was like anybody who had a camera, it's like, "Yo, let me see your camera."
We was passing cameras around.
It don't matter what you record on.
You know what I'm saying?
It's how you edit it, so we could've recorded this shit on a phone and still sauce it up,
or shoot with a potato.
Lot of people out there shooting with potatoes.
Wait, hold up.
Stop right there.
Go back.
This camera holder, the D.P. is shooting and he’s in the video at the same time.
That’s me right there.
That’s like half of my body.
That’s like breaking the 3rd wall.
He was in the sauce.
In between two worlds.
It's like you're in the middle of the world and the sauce.
This is a run and gun video, you know what I'm saying?
Pull up and shoot.
Waiting for all that logistic shit, it wasn't happening.
That’s how we work.
It’s just raw.
It’s like of course you've got the talent to make it to a certain industry standard
but choosing not to do that says a lot about what you want your product to be instead.
Any video that we work on, they for y’all.
However y’all feel, that’s good.
As long as it makes y'all feel something different.
That's art.
Oh nah you can’t never get the sauce.
The sauce is out there.
Everybody got the sauce.
It's how you use the sauce. Sauce for everybody. This also, this sauce is for y'all.
This sauce expired.
You might die if you use that.