What's up guys Ryan here and today I want to show you how to do a day to night hyperlapse!
So I'm here in beautiful New York and we are the Brooklyn Bridge and
We're to go back a few hours to the day time and I'll show you how to do this - so here we go
So I'm here at the Brooklyn bridge
Is our main subject
So I'm going to start at the same place. I'm gonna start right here. It's about seven o'clock right now
I'm gonna do a hyperlapse and then gonna come back in about two hours to do another one when its dark
here's my starting point and I'm just gonna go walk forward on this line and keep the
bridge in the same position is great the whole time. So here we go. Alright, so I just finished the hyperlapse I started
And it was 232 photos and it took me like 30 minutes to do few things to keep in mind
Make sure that you have a straight path. So I have this white line. Let's stay on the whole time
Just make sure your focal point is the same and I used the flag and I put in the middle and I had the grid
And a level set up made sure it was level
To make sure that every picture had been flying in the center of it now
I'm gonna wait about 30 minutes or Sun to set I'm gonna do it again, and we're good another high
So in the meantime while I wait for you dark, I'm gonna get it out of this bridge right here
Maybe I'll do some flips
Do some handstands and maybe split
That way it's okay man, okay, sometimes she's got drop it
Yeah, we get really good these handstands Oh
Got pretty Cindy for a second there
Freakin a fall freakin screwed me over. Yeah, so I'm gonna do another hyper block for fun of this
Sitting the background and then once it gets dark, we'll do the other side
So let's go. So I met the original starting spot right here. You know what I'm doing the hyperlapse
I don't want to be changing the settings that much because it'll kind of make the hyperlapse super choppy
So this one I'm just going to keep it manual once again, and we're gonna be able to explosives lights
We'll get it going in the settings. I'll figure out and do this type of love. Here we go. So I finished my night hyperlapse
right over that bridge it was about
260 photos. I think it took me like 20 minutes to do
Well too bad. So now that I've got the shots, we're going to after-effects and we're gonna render these files
Meshing together and see if we get baked
So here we go few things that I forgot to emphasize a little more to make these hyper lapses work
Just make sure that your focal point is the same when you do the day hyperlapse and when you do the day hyperlapse
So what that means is that your focal point is in the same location
On your camera grid and that your camera stable throughout those hyperlapse as long as you're taking the pictures
Secondly, make sure you walk the exact same path and try to keep the exact same kids
You did with your walking
So if you went 3 feet each picture do the same thing the night hyperlapse and then lastly
Make sure that the settings are on manual the whole time and then you don't change them throughout the hyperlapse
All right, so we're open up After Effects and I'm gonna go click over here. And so I'm gonna do a new project and then
I'm gonna hit command-i or ctrl I if you have a
PC and what this is gonna do it's gonna allow us to import the photos
I just put all the photos and what for one hyper lapse in hyper one
So what I'm gonna do is I'm going to highlight all the pictures and then this is really important
I'm gonna go down to options and
We want to hit importer
JPEG sequence it's going to turn the pictures into a video basically
So I want it open and then this I'm just going to drag down into a composition. And so what is it?
Put all the pictures
into this video made each picture frame and then you go through
Okay, so it's right there so we got got that there and then now I want to go up to composition and I'm gonna hit
Add to render queue and then for the output module, I'm gonna hit
Where it says lossless and then we go up here to format options
And I'm going to change this to Apple ProRes 40 to HQ, which stands for high quality and this is going to make this video
Print so it doesn't lose any of its
quality egg nobody hit OK and then as for output
I'm just going to type it in as hyper 1 and
then I'm gonna have it saved on the Brooklyn Bridge Hyper's and then you hit save and then
Then you're going to go over here and you're hit render what that's going to do is it's going to
process this and then export it and
Then we can use it for premiere
All right, so I imported the two rendered hyper lapses into Mike from your project and then I want to drop this one down
into the file
Drop it down. And as you can see, it's already zoomed in so I'm gonna need to zoom it out this one about
47% and then let's just go through and see the video
This is without
Stabilization. Okay. So the hyperlapse is a little bit shaky
So what I'm going to do to fix that is I'm going to warp stabiliser
So before I can do that, I have to nest it
So let me go right click and hit nest
Okay, and then I want to go over to the FEC's and I can warp stabiliser. Then I'm gonna drag that on top and
This is gonna analyze it
And then stabilize it and make it a lot smoother. All right, so I got both of the hyper lapses
stabilized so what we do now is
I'm gonna go to spot
That's relatively the same so on this bridge
There are these these circle things
So I'm gonna go to the last frame where they appear. It's right there
So I'm gonna just mark that I'm just gonna right there and then on the one that's in dark. I wanted the same thing
so I'm gonna find the spot where
It's out of the frame and it's right there
so I'm just gonna mark it like that and
then I'm gonna put it on top so I'm gonna make
this part of the transition part so you can see Oh
Dayton died right there. So it looks a little bit off
So I'm just going to zoom it 108. I'm just gonna turn the opacity down. This one's just so I can see
How they line up
so I thought 108 and then
Just move it around a little bit
All right, so that looks
Like they're lined up pretty well
I'm gonna turn the opacity back to 100 and then I want to open up a mask, right?
Here, so I'll put it in the center
I'm gonna make it a little bit smaller
Okay
And then I want to feather it out a ton
There we go
And then I'm gonna keyframe it. So I'm gonna hit this little stopwatch here and
then
Want to go
forward
Go to mouth
I'm just gonna zoom this out. So make the mask bigger
And then I'm gonna drag that mask out
All the way
on all sides
And even make this feathered a little more
All right. So let's take a look at it. All right. So here's what looks finished bow
Looks pretty dope
You can add a little bit of cross dissolve on the beginning and end of those
Just a little bit
And then if you want even more stable you can nest it again and
then you can throw on another warp stabiliser and
You're good to go so
Anyways, I hope you guys enjoyed this video. I'm going to be doing more tutorials and more time lapses and
More Doh videos. So make sure you hit that subscribe button. It's right and cheerily and we'll see you later
peace
Hey you sometimes just got dropped it, you know sometimes
We do sometimes
You know, sometimes it's got drop it
Oh
Who's going YouTube then yeah
No, yeah, there we go
Where you guys from?
What my god okay, oh, we're not getting service here. Let's see I'll just type you in right there Ryan
Surely I do a cool travel videos
Where's the coolest place ever been Greece yeah, is that where you guys are from?
I'll probably go there. But yeah, this is uh, that's my channel. Hit that subscribe button. All right, you guys are pretty
See it