- [Jay P. Morgan] It's not too late for the Vanguard Giveaway.
Check out the end of the video.
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Hi, this is Jay P. Morgan. Today I'm shooting a corporate image
for Pilot Freight Services of someone in the Call Center.
This is going to be a one light corporate image. I have done these images for years
and their success hangs on getting the right person to be the talent,
and to make the image feel open and inviting. The image represents the
face of the company. This is the person that you're going to be talking to
when you call in to place your order.
Here's a couple of things to know when preparing the talent.
If you're using an employee from the company, this is very critical that you
go over these things with them. If you're using a paid talent, it's still
pretty important to go over these things, because they may not know it.
Number one. Bring, or have them bring, several options of clothing.
They always show up with one t-shirt and it's just not the right thing.
Number two. Make sure the clothing is pressed and clean.
You're going to have to have an option to accomplish this with you on set.
An iron and an ironing board are pretty darn critical. Or a really good steamer.
Number three. Make sure they're well-groomed from head to toe.
Number four. Some companies like beards and that's great. Just make a conscious
decision with the client about the beard and its length. Don't just fall into it.
Like they show up with a big beard and won't cut it off.
Number five. Have them bring all personal grooming supplies.
Their razors, their toothbrush, anything they need, male or female, to be able to
groom themselves if they need to on set. These are just some hints to help you
make sure the person is prepared so that things go smoothly the day of the shoot.
This type of shot demands a few things from the talent.
Number one. They need to look right into the camera. That's critical.
Number two. They need to have a comfortable smile. If they feel
comfortable, then the viewer will feel comfortable.
Number three. To accomplish this, as you direct them, ask them questions.
Talk about their life. Talk about their kids. Get a dialogue going with them,
so that as you talk, they're going to feel more and more comfortable, and you can
start taking pictures in that process. You'll find you'll kind of move yourself
into a very easy, comfortable look.
Number four. Tell them how well they're doing, even if they're not doing very
well. You have to keep telling them how great it's going and how wonderful it is.
Just keep reinforcing them. As you do that, they're going to feel
more and more comfortable and things will look better. Those are just a few tips on
directing your talent. Let's get to how we lit a shot.
We have two different places in this image. We've got the person up front,
and then we've got the group of people in the background. The people in the
background will be lit by the window light, and also
the artificial light overhead. I'm going to expose for them, and a correct exposure
for them will become the basis for my photograph. Here's the image with only
the light from the window. The background looked great, but he's underexposed and
really doesn't work up front. If I open up enough to expose him,
the people in the background are going to be way too bright.
I'm going to add a Photoflex Small OctoDome from camera left on a
Dynalite head and pack to mimic that window light. It's an OctoDome with a grid
that gives us nice control, because it keeps it really pooled on his face.
I did struggle with seeing the reflection of the camera and myself in the window,
and had to put up blacks so it'd get rid of the camera reflection in that window.
That was more work than the lighting was. We got ready to shoot in about 30 minutes,
and then had about 20 to 30 minutes to photograph him.
Here's our final image. Take a look at this image compared to the image
we shot in the very beginning. We spent a lot of time organizing
the people in the background so it looked busy and it looked good,
but not cluttered. Backgrounds are just as important as foregrounds,
so don't throw them away. Spend time organizing them so they look good.
The room was very small, so we had the client outside on a computer
looking at the images as we went, it went very well.
Things came together and we got our shot very quickly, but it was because of
the prep work we did ahead of time. We made sure that we had the right talent,
that they brought the right clothing, that we had everything organized,
so that the minute we got there, we could shoot very quickly.
Remember, keep those cameras rolling, keep on clicking.
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October's only half over, and the Vanguard giveaway is still going on.
Go to TheSlantedLens.com, where you can win one of these wonderful tripods
or get one of these amazing bags. Go to TheSlantedLens.com.
TheSlantedLens.com. Sign up today.
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and check us out on Twitter. And I even put one image on Instagram. Only one.