what is the regular timing I'm so slow slow quick quick quick quick quick
slow all of you should know quick quick so
quick quick is hard to be yeah so right now I would like to I can concentrate
your attention on this pressing the foot and usually I'm when I'm dancing I'm not
trying to cut timing in cha-cha so you have a half of the time pass
so when you're going to use your thing to like cha yes so try to arrive to the
second half of your chest little bit sooner again use your standing foot
action as a rotation twist cha cha one more time
yeah ha ha try again now you can create this action faster if I'm sorry if you
only feel that you're safe with me is going backwards so you have to really
extend your standing leg in me and push me all the way back now and I not recommend to
do second cha on the top yeah we have to arrive on the very strong well
before example when they explain your Rumba I ask you to work the foot of the
ball and then you can develop your foot on the top in cha-cha research I have
the action always on the ball of the foot so it's very rare when you see the
point food yes so try to use as much as you can
ball of the foot job one two three one two three one two three cha-cha one two
three cha-cha one two three since we didn't start talking about the
hip action try to show me right now just the pure leg and unique action one one
yes the pendulum moment one try it from after
stretch out the second shock try to show me the sharpness of your foot
three of your statem means which push you to the next step and the way you
click you need backwards okay one more time two three cha-cha
three cha-cha one two three cha-cha one two three cha-cha
to the sport now the one it's making many ways of doing if you have a
contrast your leg intension can be one can be step one can be soft one can be
slow it's not the point right now for me are very very important it's action of
your left knee and leg on count one I'm not trying to straighten my left leg right
away and step on into my one I try to keep my knee still soft one so I will
develop this reaction later on the one then you are you create the sharpness in
your leg yeah it's not one we're right we have one so my knee this little bit
delay one and then I sneak my knee back yes the one more time so when I have
start rotation through the single foot shot right from the ball one that's
right one time and cha-cha one yes so it's kind of become a slow motion
you kind of move your knee in this circle one yes so it's kind of slow
motion one gave you three yeah let's try again one one yes one more time and one
you only can create this one if you really sense your body weight on your
left foot on your left leg one and then you take a step up one yes that's right
try one more time from the right leg now first try to resist our foot backwards
with the foot
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see you treat the same you should get one I meant to trace all my thighs on
the other foot side don't be