[Music]
welcome to the shaper tools
demonstration so the idea here is you've
taken
origin out of the box it's arrived it's
the evening and we don't wanna make any
noise so we're gonna unplug the spin
loop and we've taken the cutter out with
the spindle unplugged and no cutter
installed now we're going to set about
just experimenting with a with a file
we've dropped on a thumb drive there's
no chance of making any noise or doing
any damage to your work service we can
experiment with with origin in this
state and get used to all of the UI and
the behavior we should expect when we
approach each type of cut so we'll dig
in there now and take a look
okay we've booted up origin for the
first time we're going to run through
the onboarding process getting connected
to the Wi-Fi and linking our shaper Hub
account so that we can access any files
we want to share or download on the
cloud and we'll do that now continue
this first presents us with the
available Wi-Fi network so we're going
to choose one to login to and then we'll
enter the password so you can turn on
show or hide and then hit the done
button then connect so we'll now connect
to that Network and it presents you with
the option of linking your account so
once again you can skip this if if you
want to or you can log in or create an
account live on the tool right here so
that's just enter your data the password
you want and sign in to that and then
I'll enter my one here
and then your password you can show that
hide it done and login and it's now
going to show you the onboarding
information so this is just a little
reminder to remove the little blue
transport lock that stops the spindle
moving around always put that in place
for transporting origin and this is a
link to the shaper tool start page so
this will provide you with access to
shape a hub and all the files you're
going to want to be downloading and
cutting when you're first getting
accustomed to the tool there's also a
bunch of tutorials and a forum to get
you connected to the community and
making the most of origin so we'll skip
that and now we're set up it's telling
us there's no tape so we'll move origin
to the side and start typing up our
workspace okay so the first thing we do
when kicking off an origin project is to
tape up our workspace so this is where
we lay down tape north of where we
intend to cut so if I intend to cut down
here I put some tape north of there and
the camera will look forward at that and
be able to track its position you notice
these ones are placed about four inches
apart forints centers that's a good
approximate start here's an example of
tape put at an angle it doesn't matter
if it's if it's dead straight linear to
one another the only thing it's
interested in is where these complete
markers are so uses them as like a
wayfinding map later so when you do your
scan that locks in what you see through
the viewport at the time of scanning so
there we go and you'll see I'm just
dropping them down at any angle and that
should be good to go so with this tape
field it's all on one plane that's one
of the assumptions computer vision
system makes is that all the tape exists
on a single flat surface so you wouldn't
put tape at varying Heights on various
panels it all needs to be on one panel
and
you need to make sure it doesn't move
relative to what you're cutting so if
you had a strip of ply here and another
one here
you'd have to clamp them very firmly to
make sure that this one doesn't slide
relative to the other one that would
that would confuse our computer vision
system okay so when we first bring
origin onto the scene it's going to say
no tape found so first we're going to
point it at a tape tape field so this is
all on a flat plane and you can see
through the actual camera at this stage
we we don't look through the camera when
we're cutting we look at the the big
image we're about to make by stitching
together a scan of all of this tape so
we'll do that now so we go a new scan
we're in scan mode here new scan and
we're going to start scan by pressing
the green button there as well so I'm
just moving around and you'll see I'm
building up this big image this map of
where all these markers are you'll see
them turning blue as they are recognized
so I'm keeping my unit on the surface
and then I'll hit the finish button so
you'll see all the images stitched
together there that's just a quick
stitch now it's going through and doing
a very accurate stitching and surveying
of all those points so this image that
we've just created is basically what we
see through the viewport from this point
on so if you were to draw something on
the surface now you wouldn't see it so
here we go we're now looking down
through where the actual center of the
spindle is so you see the center of the
screen has a little crosshairs and a dot
the dot is actually the very center of
the cutter a zoom out one step that's a
double-click on the screen anywhere in
the sort of center area and you'll see
the tape that's been recognized
highlighted blue any partial markers
remain black so they never contributing
to our position tracking so you see
origin down the bottom end so double
clip again we scan two full extremities
so that's the entire area of the
workpiece that we can navigate within
and then we'll see that the screen sorry
the camera view has a little live
element superimposed across the the
pre-rendered 3d plane so this most of
the workpiece is a textured plane and 3d
space so it all should all the tape
should exist on one plane okay we're
about to place our map of the USA so
it's on this USB we'll give you a link
to that file if if you don't have it on
you so we've moved to design mode and we
have we're presented with the option of
placing a file that's what we're going
to do the other ones will get into
another videos they're basically on talk
ed and an advanced grid and alignment
tool so we'll just go straight ahead and
place a file so this is what we have on
the USB we want to place this u.s. map
we'll have a link to this for the file
now what's interesting is we've zoomed
out to the extents of the file we're
placing the center of this cutter is
actually at the bottom of this file so
if I was to place here the bottom of
Texas would align approximately with the
center of this so you'll notice I can
move around and we're basically behaving
like a big mouse at the moment so we're
just choosing where we want to place
this map of America so I'm just going to
put it put it down here and you see the
green button says place I could rotate
it if I wanted we'll do that so this is
just 45 degrees per click just to help
out with placing it in hard orientations
so ever wanted to cancel orange button
and if I want to place the green button
down here I can either touch it on
screen or down here so I'm gonna press
the button on the handle and we'll see
that that place take hold
so now what's interesting is we've
zoomed in and we're looking at the
original scan we took so any marks or
changes we do to the workspace now will
not be visible here so I'm going to
double click to zoom out you can see
what the scan is so everything outside
of what the camera can see is
is basically what we'll be viewing
through the viewport and the camera is
showing us how many markers that can see
live there so just keep that in mind so
zooming in we're currently in design
mode it's telling us what direction
we're going to cut this but till we
switch to design mode sorry to cut mode
we don't get more detailed information
so now we're in cut mode and we get all
the information we need to know about
how our cuts are going to behave so
first and foremost we're doing an air
cut so this guarantee is that a we
aren't going to be plunging a spindle
into the material we won't even turn it
on this is the button for the power to
the spindle we'll leave that off so and
we're even unplugged so this will be
very quiet and non-destructive sort of
sandbox testbed you can fall around and
try anything you like here without
worrying about making a lot of noise or
doing any damage so there's a few things
that change in this viewport firstly we
have the in the top right here we have
the tape health meter so you'll notice
as I wipe my hand in front of the camera
that deteriorates and we eventually get
the inability to track so when it goes
red there if we were mid cut the spindle
would retract out of the material and
stop cutting to protect us from cutting
random shapes that basically is telling
us we can no longer track our space in
3d so when that starts to deteriorate
you'll see if I move out here it'll
it'll drop down saying it can't see very
many markers but as I pointed back
towards all of my tape field it can see
well so you just have to keep in mind
where your tape is and oriented camera
accordingly so that's one thing to just
keep an eye out remember that's what
that's telling us again so we're
slightly zoomed in here this is about
half an inch and you'll notice if we
hover over the the the line it's going
to show this slightly darker line and
these marching marching hats the dotted
line so the dotted line is telling us
which direction it's going to cut it's
moving in a direction to avoid climb
cutting we'll get
more under that when we do our actual
cut and the dark thicker line that pops
up you'll see that pops up as we hover
over that's showing how much material
the cutter is going to remove so you'll
notice down here we've got a 1/16 inch
cutter described if we do this tell it
to be a quarter inch you'll see that's
changed to be a much bigger amount of
material it's removing so that's a
quarter inch across that that dark gray
I'll put this back to 1/16 you notice
I'm just dismissing the the touch off we
don't have a cutter installed so we
don't need to to touch off to measure
the height of the cutter relative to a
work surface or the base of our unit so
this is an online cut you'll notice as I
hover over the actual geometry an hour
is SBG is along the center of this line
we'll test some of the other line types
later on in this video but yeah that's
what that's describing there and that's
you'll see all of these that were
described in our SPG they're all gray
strokes which means cut on line this is
a the offset button we'll leave that at
zero for this video
and then we messed around already with
our cut diameter we'll leave that on
1/16 and will dismiss any touch offs if
we ever wanted to measure the height of
our cutter relative to the work surface
we could just hit the touch off button
and do that manually now we're ready to
cut so I will move this is behaving like
a mouse I'll move it over my line which
selects it and presents me with the
option to start cutting so it's telling
me if I hit the green button on the
handle it's going to start cutting so
we'll do that I'll just tap and release
and we're in an aircard so now we're
seeing this blue dot start to appear so
the center of our cutter is now attached
to the line and origin will do
everything it can to stay tracking that
line accurately so I can move left and
right and you'll notice the spindle will
move independently of the origin unit
so as I move along origin is always
trying to get that spindle to the center
of my corrective circle there so the
next mode of interest I can hold down
the green button see how that says Auto
here that's telling me that it's going
to try to get to the extents of the
corrective circle all on its own so
it'll go as far as it can inside that
range and I can drop in and out of that
mode at will so clicking it it goes as
far as it can and then returns to just
trying to get to the center of the
cutter so the center's described by
those little crosshairs
so that makes everything predictable the
one interesting thing about Auto mode
for like rounding corners and things is
it's a linear feed rate so I can
actually keep up with it and confidently
cut had a linear feed rate which is
which is a great thing to do when
cutting with a CNC machine so will
retract now that cut history has
returned to the beginning the cutters
treats the blue line by the way so that
shows how much material was removed
you'll notice we don't see the cut
material because we don't have a camera
pointing in there this is our original
scan with all this digital augmented
data telling us the current state of our
workspace okay we'll start messing
around with some of the different cup
types here so these we can all set live
on origin so this is kind of great for
doing work in the field if you change
your mind about how you want to cut
things so even though everything's
described in our SVG file we can go in
and manipulate this if we decide we want
to change something so for example I
know you decided I want to cut this on
the inside so I hover over the line I
want to manipulate and then I go choose
my on line and choose inside so you'll
notice the tool paths change to the
inside of that geometry you'll notice
this is the geometry described in the
SVG and then the dotted line in the gray
is the tool path the origin generates
live so you'll notice it's changed
direction we're avoiding clan cutting
again
let's grab that later so I'm just going
to I'm going to cut this so so long as
that line exists within my corrective
circle we're presented with the option
of starting to cut and that's the either
clicking on screen or clicking the green
button on the handle so click that we
plunge you can see it's now tracking
that line we've got a sixteenth inch cut
a hypothetically installed so we're
still doing an air cut so it's very
quiet but this is exactly the behavior
you expect from origin once you start
actually cutting with it so that's cut
outside or the inside of that shape so
if you wanted to make a plug to put
something inside you would you would do
a cut like this so we're also going to
test the pocket mode so you'll notice
it's now crosshatch that Center area and
we can actually move anywhere inside
there but we can't go outside the
boundary in fact you'll notice there's a
little there'll be a little border we
can't go beyond so you'll see here yeah
as I approach that edge it won't let me
go outside now the idea of water goes
away in this mode I can I can move
anywhere but there's no specific path
they have to follow so you'll see I can
just zip around and mill material away
but it will it will not let me go beyond
that border so usually if you're doing a
pocket you also have to follow up with
the cut interior and as an example if I
was unsatisfied with how long it was
going to take me to remove all that
material I could put in a quarter inch
cut up and just continue so I'm gonna
dismiss the touch off
so you'll see now there's a much larger
amount of material being removed so
that'll speed up that job if you had a
lot to remove so that's how pocketing
operates we'll move on here and try
sending us we're going to look at the
guide mode so this path has been
described as a guy that goes blue and
you'll see whenever I hover over it it's
not producing a tool path I can't
actually cut this line in and when it's
in this state so the reason we'd use a
guide is if we wanted to add a little
bit of documentation some reference
lines and center lines or maybe if we
wanted to align to the edge of a panel
we could do that visually nice and
quickly using the guide line to align to
some markings on our workspace so that's
actually a pretty powerful feature and
I'll let you experiment with that next
up the only remaining one is the outside
line so I'll put this back to 1/16 inch
cutter we're not actually changing
cutters so we're going to dismiss the
touch off option and then I'll cut this
so you'll notice this tool path is on
the outside of this shape so if inside
and outside cuts it only makes sense
when you're talking about a closed shape
there's no such thing as the inside or
outside of a single open line but if you
have a shape like a rectangle or
something that's closed you can cut on
the inside or the outside of it so
that's all the line types and that will
enable you to cut most shapes you can
imagine with origin
you