at movement own shows it's just like
it's either they're grinding or they're
jumping up and down and getting into it
and that's or just like you know Schumi
shakin
I started out as a visual artist and I
did photography and printmaking all
these different art medium when I
actually started getting into music was
when I was 18 my friend helped me learn
how to use cerrado and all that I really
wanted to play electronic music and
clubs and the only place I could get
booked was like top forties places which
suck so much I mean I like pop music but
I'd hate DJing it so much that's the
reason I got into music and started
making it was because I wanted to DJ
electro music so I was like alright the
only way I'm able to do this is if I
start making it Dylan he was on here in
LA he's one of the first like local guys
I met because we just moved our Studios
here in LA one is his manager at the
time Stretch Armstrong sent me his demos
like I should hook up with him was like
sure we can maybe do a collaboration or
something we came over and had all these
great tracks and then um we finished we
actually did KK this one record together
with maluca and I like they fell on his
EP but we actually did a bunch of a
bunch of cool stuff together but I
realized he was like you know really
talented
first word pneuma tone from Moochie and
that's when i was just blown away by the
genre MooMoo tone is it's reggaeton
meets dutch house meets anything you
want it to be at 1:10 I guess as long as
it has the demos in it it just didn't
make any sense I was like this is what
do you want to slow down music every try
make it more energetic and crazier this
is way more sexier this is better than
that just same bleep he bleep sound all
the time the first track that I ever
knew where I was like this is it is a
the track master-blaster
that track actually started as a house
track I was going down to San Diego to
to go in deejay with my friend and we
were listening to music in the car and I
was talking about moombahton I was like
this is new John Hren there's just one
guy moonshee making it and I played it
one of his songs and he's like well
that's awesome and then I was like
alright hold on
and I load down mine in the car while he
was sitting there and I was like what do
you think about this track and I played
it for him and like his reaction was
crazy and he's like who's that and I was
like as mine I actually gave you this a
long time ago but it was at 1:30 so
that's when I was like okay this is
something I can do and that's how it
happened hello Dylan what you been up to
you've been making a lots of remixes
actually cuz every day I get in mimics
too many are you going outside at all
you're not I can't like I might I am you
are you're really white I know you're
from west wildwood where it's called
yeah don't white people that I'm black
Irish so yeah anyway it doesn't matter
yeah it's about moombahton yes it is
okay so MooMoo Tony is sort of like this
Frankenstein genre that doesn't really
have we're the first actual release I
feel like we put the first kind of
original stuff out there through Mad
Decent with over the Blair head
complicated but before that it sort of
is just a bunch of kids that hear the
sound and they just started doing and
copying it it's coming from nothing
it doesn't have we don't have any you
know prerequisite a precursor of what
it's supposed to sound like it's pretty
much like what happened with dubstep
yeah because it was all kids from
Croydon like scream Benga and Lofa that
all got together like alright well we're
making this music let's like go out to a
club and play it right I just kept
playing and playing it and then it
evolved were more people started making
it but I think the reason that
moombahton has such a bigger like it's
just like everyone's doing is because it
start on the internet instead it didn't
start in like a little area of London or
wherever it is it's sorted a little area
of the internet yeah exactly and they're
just like exactly be a technology man
that's the way to go man yep I think
that the most interesting thing about it
is that what's happening is these kids
are making it are following it
religiously and they're developing and
they're like putting the energy into it
100% and they're making songs every time
I hear a new song I'm like damn it can
go this much further or it can sound
like this now or you can edit this kind
of crazy record so I think that that's
what villains great out because he's
sort of like inventing it as he goes
along I don't really mind if people bag
on it and say it's sub-genre not a genre
or vice versa there's so many subgenres
of dubstep and like brostep now so you
know maybe movement tone is a sub-genre
of dutch house who knows who really
cares I just think if if you like the
music then listen to it and it's called
new boo tone that's it when it comes
like going head-on with music journalist
so we're trying to explain what I do
it's never comes out well because I
don't really just not really I just not
like really a formula that make I'm just
making this whole up as I go along
I mumble tones the same way like it's
not it's not like there's something
calculated not going to find a history
and you'll be able to track it down to
the were the first but you can actually
with Dave nada but from then on like
it's just growing it's we're writing the
books right now writing the history of
what it's what it is and to be honest
with you journalists um you know I
appreciate music journalists as much as
anybody because they just Journal the
five music I mean we what we do without
music journalists to tell us how what's
good or not you know how would I know
was I listened to if I didn't have easy
journalists to tell me I would be
sourced at home with the ipod with empty
just saying they're wishing to some
tell me what I wish you listen to it's
sad it's sarcasm gonna go over well on
this interview is that just gonna
it's really weird working in a genre
that's this small but working in this
genre because it doesn't have a lot of
people is also really cool because like
I have no boundaries of where I want to
take my sound and I can do anything I
want I mean I can do anything I want
regardless but right now it's really
cool because I'm actually making I'm
like paving away from my name every
single time I step out of the box with a
new moon with own tracks
you