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i have a show here i love painting and
sculpture is super new
this show is cannot see the western art
history
so just focusing for the asian know
history stuff
when i have children in a tv having a
lot of documentary like a hour too like
a athletic bone and you know many things
that's why my identity is uh
japan is really weak and we have no
identity and
we cannot stand alone
so
but you know
creative thing is myself is very happy i
came to the contemporary art scene in
new york
but you know when i came back to japan
japanese people still wondering having a
complex western culture and u.s culture
but you know
i got a very good feeling from the west
and the u.s that's why i want to share
for this feeling that's why i'm making
for the art fair
and
you know many books for the share for
the my concept please watching the you
know
you know without like
out of japan
when we got earthquake under tsunami in
japan two years ago japanese drugs
almost give up you know some blondia
goes to
this site and help them but uh this is
not you know like a core point what is a
you know very important thing for the
help for the people
and i
thought this is a moment
when religion become necessary for the
people i thought
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i am educated from the western art like
a perspective and the concept charting
and historical thing so my work was
mixing with japanese the subculture and
western art history
but at that moment was you know doesn't
necessarily to
you know kind of the mix
so
what my job is
i have to making some
healing story
for the victims
so i thought that's why i'm making for a
very honest
thing
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when i started making live action film
at the same time after the disaster my
feeling was
i can make the story for the painting
and movies
so storyline is different but tema is
almost same and technique is so much far
away it looks like you know back and
forth not too long but uh
kind of art painting and jerry fisher's
story is almost you know same idea
jerry fish is shooting the
film part
is a live action exactly the children's
you know moving around in a temple and a
school
and then
i editing for the many creature came
from the cgi you know mixing for the
inner film
when i was making the jerry fisher's
original animation story i was thinking
computer graphics animation story the
computer graphic was you know super
expensive the software and also the
technique is not good and then i was
give up but
two years ago so i came back from for
the you know computer graphic people
the technique is you know very different
like looks like
my imagination can do that and really
cheap
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technology is really important in a
movie industry so that's why i'm very
enjoy for the new technology anytime so
but this time also the big thing is a
communication for example
we still are checking for the computer
graphics part
we can get to the you know
the email like a you know heavy weight
the download the data so we can see that
like a movie stuff
and then we can say you know this is
good this is bad the communication
technology is really easy
we have a good communication in my art
pieces with my assistants fabricator but
the movie is not everybody understands
my process is you know really confusing
like you know say yes this morning and
say no in the evening
something like that process is very
important for me because
what is a
important thing in the
making art piece is a
really fresh idea
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