(upbeat pop music)
(wind blowing)
(leaves crunching)
- Ah, we crashed!
I was just trying to practice some drone flying,
following the Tesla.
And I didn't think it would be so jarring being
in the car and flying it.
I told Teppo to pull over.
I press pause, press pause in the air.
Nice and straight.
And then the battery for the goggles unplugged,
it started flying. It was flying.
It's supposed to be fine, but it hit some sort of branch.
As soon as I put in a branch.
I think it's somewhere there.
- [Teppo] I think we should go find it.
- You're going to have to go find this one.
Let's try to find it.
- It might be alive still.
- I can still see it just, just bounced down the trees.
I think it's fine.
- Maybe we can even take it for a secondary flight.
(laughing)
- Hopefully. Okay, let's go find it.
Drone is alive.
I think I can see the map.
Plug into my phone, I think.
For some reason the app's not working,
it's not working.
So, we're going to do it the old fashioned way
and just try to assume where it is.
- [Teppo] Just hunt and find it. Hunt and find it.
Our clues right now are that it's something orange and dark
and the forest floor is orange and dark here.
So, it's somewhere.
- I'm hearing like a beep or something.
- [Teppo] Somewhere in here.
- Safety.
- [Teppo] This is a sick pine forest.
- Find, find my drone.
- [Man} There we go.
You find it fun, okay.
- Okay, okay. This is good.
It's giving me the last 30 seconds of my flight.
Nevermind. This probably won't be useful.
(laughter)
Might be useful. Let's see.
- [Man] This is like Sherlock Holmes right here.
Looking for the next clue.
- It's going to be a little long GoPro clip.
I was following nicely.
This is where I was getting car sick, like crazy.
Yep. That didn't help at all.
It stopped way too early.
Okay. That didn't help.
Update home point.
Do you hear that?
- [Teppo] I hear it.
- I hear it, it's somewhere over there.
We were on the wrong side of the road. Yep.
- [Man] We were way off.
It's a good thing we didn't go the traditional route.
We probably would have spend the whole day.
(intense drum beating)
- Somewhere over here.
Somewhere over there.
(intense drum beating continues)
- Quickly before the battery runs out.
- Stop for a second, let's listen.
(intense drum beating) Definitely somewhere over there.
- That was, what we're doing right now,
they would think we're ridiculous.
- I can hear it!
I think it's here!
I can see it!
(laughing) - [Man] You found it!
(beeping)
Noo!
It's broken.
Ahh.
- [Teppo] You lost an arm.
Ah, dang it.
That was not how I wanted to start the day.
Well, welcome to another vlog.
This wasn't even my fault.
I put the brakes on everything.
Goggles did disconnect that.
I guess that was my clumsiness,
Man! Dang it!
I swear, I'm an okay drone pilot.
- [Teppo] That's two FPV drones in two months.
Okay. Let's go to the office.
(upbeat jazz music)
(electronic chime)
(jazz music intensifies)
(rustling)
- That works pretty well.
- Tyler, are you proud of me getting rid of stuff?
- [Tyler] Doing pretty good, decluttering.
- Just getting rid of all of this.
Everything must go, spring cleaning.
- [Tyler] Yeah, I have one question though.
Just cause I have to list it.
What, what is this? How do I title..
(laughter)
This thing?
- [Man] You want me to show you?
This is what I used to use.
Where's the other hand, there's another handle.
So this was for the C, C 300 Mark 2.
I think you could put pretty much any camera on here.
This is like the classic stance for filming, you know
- [Tyler] Gotcha. I see. - A commercial or something.
And then this, this very odd looking contraption.
It was so you could focus and - [Tyler] Ah!
have your hand, note tip.
Normally people would just have like a follow focus here
but I can just hold it
like this and be focusing at the same time.
It was pretty handy.
- Focus.
- Yeah, focus.
- [Tyler] Nothing else.
- It's a follow focus tornado.
(laughing)
- [Man] You're going to find a good home
for all of this stuff?
- [Tyler] Well, I mean, I can't guarantee
that it won't be my home.
But yeah, somebody's home. Might be mine.
- [Man] If you want, you can, you can
ride that around for a while.
It might take a long time to sell that one,
just because you know, yeah.
(funky pop music)
- [Man] Look at this guys. Does this look familiar?
Should we tell them?
- We've betrayed Adobe.
(laughing)
- We have once again made the switch.
We are on Final Cut, again.
I know, I know.
- [Michael Scott] Snip snap, snip snap, snip snap.
- We're, we're kind of indecisive, but yeah
we recently made the switch to Final Cut.
I didn't know if I should talk about it.
Is this like, you know, you can't switch twice and
in a year and a bit.
Here's why we switched.
So there's really two big reasons why we switched
over to Final Cut Pro.
I've been a premier user for a really long time.
It's a great program, when it works.
I don't know why, but we've just been having so many hiccups
and literally the program just stuttering to get through
even on our big, expensive should be really good.
Mac Pro. Premier has just really been struggling
and literally it's affecting my work
to the point where there might be like a mistake
in the video and then we will have to post our,
I just want to post it in the next hour or so
but another render will take like 45 minutes.
I just don't.
I don't, I don't have that time. I don't want to wait.
So we ended up posting this video that has that mistake.
And then that mistake ends up bothering me
because I know that there's a mistake in that video.
And then I was just, just out of curiosity, I was like
I wonder how long it takes to export in Final Cut.
And on our 16 inch Mac book,
the export times through Final Cut are only 10 minutes.
So I don't, I don't know what's happening
but it is literally affecting our workflow.
And the other thing is the big color grade issue.
I, please, Adobe. You guys got to fix this.
In Premier when you export,
even with the correction lot that I taught you
guys a little while ago,
it's still doesn't look exactly like you had it
in the program. And Final Cut when you edit, you color grade
and then you export it. It looks exactly the same.
There's something you guys got to do Adobe.
I do not understand why that's like that.
I very much liked Premier but that is one of my big,
big, like, why is this like this?
Now, the only other problem is
that I gotta relearn how to color grade in Final Cut.
It's just a little bit different.
So I feel like my colors are a little
bit off right now still.
Might be a little bit off for this video.
I'm pretty picky about that kind of stuff.
Even though I don't have the time to be picky,
but yeah, we'll get there.
And the, probably the biggest reason
I guess, there's a third reason and this one's more
of a hunch.
Now with Apple moving over to the M one chips
and the M one chips, apparently being like insane.
Like everybody's just talking about how good they are.
My bet is just judging by Adobe's track record, that
they might not be the best to switch over to the M ones.
And even once they do switch over
there might be a lot of hiccups just with the
history of what we've dealt with with Premier.
So, I am betting on Final Cut for the long run right now.
I don't know, that's basically it.
There's nothing else to it.
Snip Snap. I know.
We're using Final Cut now.
(upbeat pop music) (paper ripping)
- I don't know who sent this,
but thank you for this Keys for Kids Devotional.
(funky jazz music) (sing song) Ahh!
- [Matti] Here you go sir. Your month's pay.
- Oh, thank you!
(laughter) Oh, that's a lot.
- [Matti] A little bit of a bonus this month for you.
(upbeat music)
- Two at a time!
- And since we're now using Final Cut Pro,
we've been trying to figure out what kind
of plugins and stuff like, what's the best stuff out there.
We found this company called Motion VFX.
They have all these like, background templates.
Show them the other stuff.
More backgrounds, cinematic titles,
and then they even have this 3D tracker,
so you can do a better like actual 3D track.
Like you would do it in like after effects,
which is one of the big things that I've been missing.
Look at all these plugins!
They all, they just got, they have way too many plugins.
Maybe we should like make something with them.
I haven't made motion graphics for Final Cut yet.
So maybe we can make it happen with them,
cause I don't know what I'm doing yet in Final Cut.
Do you know what you're doing?
(groans) (laughter)
We're trying, we're trying.
Future Matti here enjoying this pineapple club soda.
We reached out to motion VFX and this video is not
sponsored but they gave me one of those
fancy affiliate links that gives you guys 10% off.
So if you've been looking
at some plugins for final cut, highly recommended
use the link down below and save yourself some money.
You're welcome. Carry on.
So we have way too much camera gear
and stuff in this office.
But one thing we are lacking the snacks.
Just like some leftover nuts.
Club soda.
Not having, there's only like,
this is going to last me like one day, maybe.
And then that's it.
So for the remainder of this video, I think
we're just going to have to deck out the snacks.
- That was Teppo's responsibility
for hitting all those free throw's.
- I know he's slacking.
That, Teppo let's go, snack time.
- [Teppo] I ate them all.
(laughing) - He says he ate them all.
(upbeat dance music)
(loud clatter)
- Do you guys think that we got enough snacks?
We hit the mother load, like Kai would say.
- This might last us a week.
- Your calorie counting might be taking a bit of a hit here,
but I hope you save some calories.
- Just means more running.
- The heck, how's my camera on the move?
(running frantically down stairs)
(knocks on window)
- Uh, what?
- [Matti] Tyler, not that!
- Oh. - [Matti] I need that.
Give that back.
- I was - [Matti] Good thing I air
tagged it. - taking good care of it.
Oh my gosh.
That was a mistake, Tyler.
Teppo, guess what?
- It's the weekend.
- It's the weekend! Yeah!
(upbeat dance music)