Check out this cool western film set inside Park City Museum at Sundance Film Festival 2023.
Keeley is directing the actors to do some cool tricks in front of our Canon R5C Cinema camera
with the Dual Fisheye lens in 3D VR180. Don't forget to look around or watch this directly
on your VR headset, like the Meta Quest. In this VR Tour of the Park City original
ski lift and the underground jail cell, we will showcase to you the LATEST Canon Cinema cameras
and lenses - including the camera that can see darkness while the human eyes can not.
If you like filmmaking gears and want to learn how Canon technology can help Sundancers to win every
year, this is the immersive video for you. Maybe I can even give you some ideas to make your next
independent film in Virtual Reality 180. Let's start
the TOUR! [Music]
hey everybody I'm Peter with Canon USA and we're here at Sundance 2023 at the Park City
Museum we have a few installations here we've got some cameras set up so let's take a look
over here C70 this is one of our top selling cameras this camera is extremely versatile it
also has the same sensor that you have in the C300 Mark III both of these cameras mix well
together we also have one of our Canon reference displays our 4K HDR reference displays and the
18 to 80. this is a compact Servo lens this is a lens that's an EF Mount the C70 is an RF Mount so
we're using one of our Canon EF to RF adapters on this setup here on our C300 Mark III we have our
17 to 120. this is a Workhorse lens this lens works everywhere this is one of our cine Servo
lenses and when we go downstairs we're going to show you a new lens that we have that's a 15 to
120. you ready let's take a walk thank you down here in the basement of the museum inside one of
the original underground ski lifts we have C300 Mark III PL this Mount is interchangeable you
can change the EF to PL mount with four screws easily done and we have a zoom array 35 Prime on
here you know we have our lovely ladies inside this rail car so you can check it out you can
see the bokeh you can see all the nice signature elements that the Sumo Ray brings to your shots
and here we have the C70 with a 0.71 adapter and what this is this is basically a speed
booster that's going to give you an extra stop of light onto your sensor it's an RF to EF Mount
and it also gives you that full frame field of view on the super 35 sensor that's inside
the C70 so this 8 to 15 lens right here is going to give you that same field of view
that you would have on any of our full-frame cameras like the R5 the R6 or the c500 Mark II
foreign
this is a camera that shoots up to four and a half million ISO so I can't see anything with my
eyes in here I don't know if you can or not but I know this camera can definitely look into the dark
we can open all the way up
this camera stays in the dark
and this is our c500 Mark II this is our full frame cinema camera and attached to
it there's our new 15 to 120. this is two millimeters wider than our 17 to 120 has 8K
resolve and it has a drop in 1.5 extender to cover that full frame sensor when you need it
so now you see the vignette on the side and now
full frame coverage and right here we have the r5c with one of our CNE primes on the Ronin RS3 Pro
from Dallas
hi my name is Keeley and I'm here with Lynn and
we're at the Sundance in Park City and we are at the cannon creative Studio
we come here every year it's so awesome this is our 13th year sponsoring Sundance we love to come
here and engage with the filmmakers so what we do is we set up our whole touch and try area we
bring all of our professional products all of our video products from our mirrorless cameras
all the way up through our Cinema EOS line and give all the filmmakers an opportunity to test
demo ask questions interact with us our Pro reps got a little artificial smoke behind us right now
um and really we're here to meet the filmmakers so we want to give them the opportunity to really
uh play with our gear give us the opportunity to meet them understand their work hear about
their projects and then see how we can make better products so that they are able to do
what they do best their craft and their art yeah so it all comes down to having really
great Hardware to create a impactful story for the artist I I love the stations that you have
set up with that interactive actors yeah and all of that with the cameras and then lenses
and cinematic lenses it's beautiful [Music] that's so hilarious I love it yeah well you
know we want to give everybody a little Park City feel but also you know a real life real
world opportunity is a demo so we have our 4K reference monitors where you can really see
what's coming out of the camera you know we have lighting set up we have models sets all
nicely professionally lit thanks to rhodolite and just a whole host of different cameras and
lenses to shoot from C70 r5c C300 Mark III c500 Mark II we've even gone brought this year our
PTZ cameras which have just been really great for remote Productions and we've set got those set up
in the other rooms we're recording our panels we have some here to demo but we put our X300
on the roof of the museum and with the zoom on that camera you can go all the way over to the
ski slopes and zoom in on our skiers you can check up and down Main Street it's been a lot
of fun people have enjoyed playing with that you're creeping on people across the history
yeah it's uh exactly yeah and you know we have the controls down here in the showroom so you
can play with it and really again these are for production uh you know production quality
feet diseases aren't security cameras so the 4K quality coming out it's just stunning and
we have that again on our reference display to really appreciate it amazing well this setup is
really phenomenal it's so much fun to walk around and look at all the cameras and touch the cameras
aside from the traditional Cinema yeah companies and cameras and all of that which I love and I
have I have the Canon 70D and the Canon r5c and the R5 very cool products but I'm really curious
what do you think of the Canon dual fishing license oh I I love it I mean honestly the VR
is like so cool so emerging when I when I have the headsets on and you'll be able to see like
move around and kind of have that freedom to look wherever you want in the scene as things
are going on it's it's just it's a different experience my children love it um you know it
took a little bit of getting used to for me but immediately I was like I could see the potential
for it but yeah it's a very very Innovative product um when they were rolling it out and
briefing us on it we were all just sitting there like oh my goodness this is going to be so cool
oh well you know that's actually a big question we've been hearing and talking about that a lot
with the people here people at other events and you know it's it's so interesting you know VR
the tricky thing is where will your audience be looking you know with our with our dual
fisheye lens and 180 degree VR you're at least giving them a limited field of view but still
the freedom to look around and interact so for traditional cinematographers it's a little bit
easier for them to get into a 180 degree VR for narrative storytelling versus 360 which
is a very big challenge with lighting acting certainly all of the elements that would go
into it yeah but the freedom of the and the limitations of the 180 make it for a very
cool opportunity for interactive storytelling and that's what's really you know it's it's new
ground it's a pie it's a pioneering opportunity for a lot of filmmakers to really figure out
the best way to tell stories in 180 degree VR fantastic are you collaborating with any
headset manufacturers in the industry we've been talking to several I mean there's not you know
not we're more about the creative process and the actual capturing of the image they're more
about showing the image and platforms and we want to we want to work collaboratively with
them but no we're not working directly with any of them right at this time
is there a filmmaker that's using the Canon product that's represented at Sundance this
year oh no several I mean there are uh dozens of projects here at the festival that were shot on
Canon products uh pretty baby the brook Shield story um she put me on the spot no it's okay all
right we had a whole list and of course we get our tickets as part of being a festival sponsor
so we've been handing them out to our staff and they've been enjoying so many films that
were shot again I think I believe 20 days in maripool might have been another one so many
good documentary projects so many good narrative features and shorts uh shot on Canon and that's
what we're also so proud to be a sponsor here because we actually hear in exactly what projects
were shot on Canon we're able to work with those filmmakers sometimes we feature them on our panels
other times we might be putting out little case study videos that we record here so you're going
to tune into Canon YouTube and see those uh following the event yeah so it's so great to
be here and to see that Canon really supports the filmmaker and helps them understand the tools so
that way they can create their stories in a seamless way and you really do that with the
Canon products so thank you for having us no our pleasure my pleasure thank you definitely
[Music]