There's the tennis court up there,
grape arbor there and the grove there.
Well l guĂŠss that's about all.
What are you looking at me that way for?
Ooh!
Hey, you big fathead!
What's the big idea?
That's for your swimming pools and your tennis courts,
and your limousines and your barbeques!
That's for making fun of a poor girl who
only tried to you help you, you big faker!
Who made fun of you? You did,
with your stories of being a washed-up director, you big clunk!
Oh, l did, did l?
(GIRL LAUGHING)
Breakfast is served, sir.
You might have shaved.
l need these whiskers for my experiment.
Oh, yes, the noble experiment.
You don't have to make any cracks.
l don't suffer and starve because l like it, you know.
Neither does anybody else. l'm sorry.
lt's all right.
l'm sorry l pushed you in the water, too.
l probably needed it.
You certainly did.
Did l?
l didn't mind you.
As a matter of fact, l had kind of a yen for you.
You have?
Not in that thing, l liked you better as a tramp.
SULLIVAN: Well, l can't help what kind of people you like.
lt's funny, l suppose l ought to be very happy for you,
as if you'd iust struck oil or something.
lnstead of that, l'm sore.
Well, don't frown, you'll make lines on your face.
You've taken all the joy out of life.
l was all through with this kind of stuff.
l mean, l knew l'd never have it,
but there was no envy in my heart.
l'd found a friend who'd swiped a car to take me home.
Now l'm right back where l started.
Just an extra girl having breakfast with a director,
only l didn't use to have breakfast with him.
Maybe that was my trouble.
Did they ever ask you to? No.
Well, then don't pat yourself on the back.
Take me with you. What?
On your experiment.
l don't want to be sent home.
Don't be childish. l'll tell you what l'll do.
You can stay here for a couple of weeks
like l told you in the owl wagon.
When l get back l'll see what l can do for you.
l don't wanna start all that stuff again.
Take me with you.
When you get as far as you're going, we can say good-bye,
and l'll go the rest of the way alone.
lt'll make a nice ending.
And we'll finish what we started this morning.
That's absolutely out of the question.
Please.
You don't know anything about anything.
You don't know how to get a meal,
you don't know how to keep a secret
and you can't even stay out of town. Thanks.
l know 50 times as much about trouble as you ever will.
And besides, you owe it to me.
You sort of belong to me.
Well you'!re a hobo, l found you...
Piffle.
Please.
l tell you it's absolutely out of the question.
l'll throw you in the water.
SULLIVAN: You'd take my mind off my work.
The big director that has all the girls panting for him.
l tell you... l'll follow you.
l'll tell everybody who you are, like a kid sister.
SULLIVAN: You'll follow me?
Yes, l'll follow you and l'll holler,
''This guy's a phony, Iadies and gentlemen!
''This is Sullivan, the big director from Hollywood.
''A phonus balonus, a faker...''
lf l may ioin in the controversy, sir.
l think the young Iady's suggestion an excellent one.
You may not ioin in the controversy.
l will l will; l'm going with you.
You'll do nothing of the kind. You go down to the...
Would you get me some tramp clothes, Mr. Burroughs?
Certainly, miss. Certainly.
You go down to the station and get me a ticket to... Where do you live?
l won't tell you. l won't be sent home on the rattler.
You stop that. Stop that! Grab her feet!
Yes, sir, yes, sir, certainly, sir.
Now, miss! Now, miss! Stop it.
Let go of me! Let go! l won't be sent home!
Let go of me! BURROUGHS: Please, miss!
(ALL CLAMORING)
Mr. Burroughs. This way, Mr. Burroughs.
VALET: There we are.
Now, one, two, three. Pull hard.