We're in Austin, Texas, to pick
up this crane at the original Austin City Limits Studio.
I hate this city.
Then again, I hate most cities.
[music playing]
JJ?
- Roy. - How you doing?
I say we go check this thing out.
ROY: Yeah, let's check this out.
I'm guessing you've seen the show--
ROY: What show?
--"Austin City Limits."
ROY: No.
Oh, boy.
You know, here's where we shot the show for the entire time.
Yeah.
So you really haven't seen the show?
Don't know. Don't care.
Oh my gosh, I'm--
I'm a little worried now because this thing
needs some loving care.
ROY: Where are we going?
JJ: This is the crane.
Whoopty [bleep] doo.
This is a walk in the park.
All we got to do is just get it in an elevator
and get it downstairs.
I mean, we need an expert for this,
but I also need someone who's passionate about this piece.
I'm here to do a shipment.
I could care less about the rest of the crap.
JJ: Let's go ahead and move it.
Do it right.
Don't rush. Be safe.
Keep coming.
Put the arm at an angle.
Point it up into the corner.
Whoa!
Watch out.
Remember, history.
Oh, good lord.
Well, we got this part done.
Let's take it downstairs.
Dumbass.
OK, we've got about 10 seconds to do it.
So two left and two rear.
Keep going, Gabriel.
I'm going to bet on this not working.
We're out of the building, all right?
All right.
Now, it's my part.
It's time for you to do this, and let me do my job,
and everything will go just fine.
Everybody back off except for the two people
sitting in the driver's seat.
Focus.
I want that thing to come dead center up that ramp.
[music playing]
That's not pretty.
The [bleep] thing is stuck.
This piece of [bleep] is not moving.
Do you have any two by fours?
Do we got--
guys, do we have any more spare wood?
If you want something done right, you need me to do it.
This one.
JJ: Mind the nails and screws, gentlemen.
Take your entire crew and get them in that elevator.
Get them away from this trailer right now.
All right, guys, everybody out.
[music playing]
All right, JJ.
You're the man.
No [bleep], Sherlock.
I was hoping by the end of the day that you'd have the passion
that-- that we have.
I care about the shipment.
I just don't give a [bleep] about the history.
There's the difference.
You got it all wrong.
All right.
It'll be there in one piece.
Thank you.
Bye.
I keep getting bumps into the crane.
It keeps bouncing.
I'm going to build a brace for that damn arm for that crane.
I can't afford any gutter balls here.
If I don't stop and build a support for this crane arm,
something's going to get seriously ruined.
[music playing]
[phone ringing]
Hello?
I thought I was done with this dumbass.
I stopped by a strip club real quick
to have some fun before I get there.
No, not that I know of.
All right, well, I got to get back to driving.
I ain't got time to talk all day.
JJ (ON PHONE): All right. - Bye.
[music playing]
No more bouncy, bouncy.
We're in Franklin, Tennessee, to drop this damn crane off.
This sucks.
Hey, Roy.
You Jeb?
- Jed-- D. - Jed?
Yeah.
Enough small talk, let's get this thing unloaded.
All right, guys.
We got to take this canvas, drop it right on the front
of the trailer.
It turns out I don't need somebody
to tell me how to do my job.
[music playing]
What are you doing here?
I brought you another helper.
No, you brought another [bleep]..
The last thing I need is more people getting in my way.
When did this happen?
I mean, seriously.
That's awesome.
I bought all that lumber and built
that just so it would be nice and stable because I
don't care about my loads.
I knew you'd respect this some by the time we were done, Roy.
I don't care about the history of it.
I care about doing a load right.
Let's quit wasting our time.
Get behind it and push it.
Careful, careful.
Push.
Come on.
Go ahead.
Keep going.
Slowly.
I feel good about that.
History in the making.
I need you to inspect this thing,
go over it, make sure there's no damage to it.
There was damage on this side.
The silver I'm holding was attached to this junction box.
This is where your electric is passing through,
and some of this could have been damaged.
No way to know, but I will say that-- that did
happen going on to the trailer.
Can I point something out?
I transported it.
I got it here in one piece.
Nobody got hurt.
Nothing got hurt.
I'm really concerned about the electrical box.
I went overboard and stopped and built
a big support so we would make sure it wouldn't
bounce around and bend nothing.
I think we're about even.
I'm thinking we're maybe $1,000 off.
If you're thinking that--
Yeah.
--then somebody is about to get hurt.
You pay me my full price, and we'll call it a day.
I'm done.
Why don't we do something like $2,800?
I'll tell you what.
I'll give you $200 off if I can have that weight.
It says MGM Camera Department number eight,
so I want it for memorabilia to hang on my wall.
You like this piece?
ROY: Yeah.
I like that you appreciate the piece.
- All right. - You got a deal.
OK.
I thank you, Roy.
ROY: Three grand even?
Three grand even.
I'm out of here.
I'm gonna take my weight and leave.
Take it easy.
Thank you.
Enjoy.