what's up guys i'm ben from authentech, and i just got home from CES vegas and
then I went over to California for a little bit if you're following me on my
Instagram I post all my behind the scene shots there so make sure you're
following me it feels really good to be back home
so my last big video was on the inside 361 ass and I showed a little bit of my
workflow in the app but I also mentioned that sometimes I'll edit these files in
my final cut workflow I asked you guys if you want to see a little bit of that
final cut workflow and a lot of you said yes gary said yes definitely final cut
video I just got the camera and haven't tried it and final cut yet next-level
says for best quality stitch on the computer and then edit in Final Cut it's
less convenient but you'll see the difference I'm not sure about that but I
guess we'll soon find out if the quality is better while editing in Final Cut Oh
Chris says keep making instructional videos thank you sir I definitely would
love to if you guys want to see more so let me know what you want to see and
I'll work on them Thomas great video show us your final
cut ten workflow please definitely thank you Joe I'd like to see the workflow in
Final Cut perfect a diver Dave asked for it
poco guido image buff so that's plenty of people asking for it let's jump over
to the computer and let me show you the workflow
alright so we're jumping over to my iMac 5k first step is to go to the insta 360
website go to their downloads page we're gonna be using in the 1x today of course
go to the Downloads up top you can see the Android and iOS app here's your
latest firmware downloads and then here's the studio app and we can see
that it's in beta so that's sort of the problem we're kind of doing a workaround
here there's no plug-in for Final Cut
directly yet but I'm waiting for it and I have some high hopes for some cool
features we have the studio app for Windows or Mac so we download that for a
Mac I already have it loaded on here next we're gonna eat checked the SIM
card from the insta 360 camera which this thing is always a pain to get out
yep I'm serious okay I can't even get it with my finger this is not good alright
we grabbed a little sim tool to eject the microSD card from the camera we're
gonna copy over a few clips I shot over in Oceanside you'll see dot
IMS P's and dot ans V files those are the insta photo and video file types
alright let's just copy and paste those five over okay
okay now real quick if we go over to last year's one camera and scroll down
we can see there is a plugin for Adobe Premiere now that's great for any of you
using Premiere but I am in Final Cut so I can't wait for the Final Cut plug-in
to come out hopefully soon alright those files are copied over we're gonna launch
the studio 1x Beta app drag these over here and what's nice is we can drag in
multiple files at once nice look at that attractive shop we can scrub through the
clips here we can set our ins and outs which is nice so I'm using the e
rectangular viewer here and we're basically going to select our clips and
hit batch export I like to do target resolution original original highest
resolution bitrate turn on flow state stabilization turn off lock direction
and watermark destination directory we're gonna put it in the sample Clips
here open and okay it's nice we can watch the status of the export let's go
ahead and do a little fast-forward magic here what's nice is there's a progress
bar so we can watch the live status of the exporting but as you can tell we
started at twelve twelve we're at twelve twenty three now so it's taken over ten
minutes just for two Clips now my computer isn't the fastest in the world
but this is sort of a cumbersome workaround we're basically taking these
wide satirical 360 files that only insa can read and until that final cut
plug-in is released we have to export these into a flat image per se so that
we can then bring them into Final Cut so that it can think it's a 360 file so we
can reposition the camera angle it's sort of a silly workaround but that's
kind of what we're stuck with right now and one last note I want to add if you
see the dimensions of this export video it's 57 60 by 2880 so that's where the
5.7 K video solution comes from now that's way
better than 4k which is awesome but that's spread across a full satirical
image so by the time we crop or zoom in we're left with less than 4k pixels on
that sixteen by nine cropped in image if that makes sense
all right and that second clip is almost finished ninety nine there it is
finally exported that took a little while so what did I say we started at
twelve twelve to little video clips 152 seconds the I'll there is a minute
thirty nine so what does that took about 15 minutes to export just those two
Clips not great so now we can close that app and open Final Cut because we have
these two mp4 files that it can read well so I have my project array created
we're going to drag these two clips bring them into Final Cut and there we
go by this nice little icon it can tell it's a 360 Saphira called clip also up
here in this new viewer we can do 360 viewer and then you can see a preview of
your cropped in shot and then the full whites of fear achill I usually turn
that off select the clip e to drop it down to
timeline ship Z to fill the space I like to hit control V so we can look at our
keyframes that we're about to create and this is where the magic is under
orientation we have our X Y and z-axis to rotate and tilt around also your
field of view we can zoom in or way out you can start to see that there's a lot
of black areas so that black space is removed right around 133 if you want
super wide angle and then this is how we do some keyframes so let's find our move
right here option left bracket we're gonna turn on these keyframes here hit
play see if the poor computer can handle it my swing under the pier here alright
this would be a good time to rotate the camera pan over to the right
tilts down a little bit and even in just a little and you can see the
keyframes are created right there so then if we hit play it will
automatically rotate pan tilt etc between those two keyframes that you set
and that's the gist of it from there as the clip continues we can move the
camera in different directions pan around tilt up you can see the new
keyframes are created there alright I swing it up let's tilt camera down pan
back over right control our to render that out again my poor machine is
recording a massive forward 5k resolution on the second monitor so
everything is running a little bit slower than normal let's see if the
playback is a little bit smoother there we go it's panning and tilting between
the two keyframes set a one side note I don't believe that there's a way to
modify the handles on these keyframes sort of a bummer if you know of a way
let me know down in the comments boom boom boom boom boom boom and so that's
basically it setting keyframes between your three axis points and field of view
and that's one way of editing these files in Final Cut now I've said it
before they're mobile app is actually really good and that's how I edit most
of my insta 360 Clips for both socials and sixteen by nine YouTube clips and
there you guys have it a quick little workflow tutorial on one way of editing
those in so 360 clips in Final Cut Pro 10 thank you guys so much for watching
and I hope that was helpful let me know if you want to see any other tutorials
down in the comments I enjoy making these and would love to work on more now
if you're new around here hit that subscribe button so you can stay up to
date on all my future tech videos and I'll give you all the links to my other
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