Just like the Great Pyramid of Giza, the Louvre pyramid will yield more secrets upon further
analysis.
The plan of the Louvre pyramid and the fountains surrounding it is itself a sacred diagram.
Referred to as the sacred cut of ad quadratum, the diagram was traditionally used as an astrological
house chart in centuries past.
Overlaid is the house chart Johannes Kepler made for General Wallenstein in 1608.
Yes that's the same Kepler who discovered the three laws of planetary motion that keep
telecommunications satellites in orbit today.
Astrology is actually very serious business.
The Louvre pyramid acts as entrance to the world's most visited museum.
Recall how I overlaid the Vitruvian man only after analyzing the pyramid itself and finding
the mark of the beast encoded within.
The Vitruvian man's mouth corresponds appropriately with this entrance.
So the next time you enter the Louvre ponder its symbolism.
You are entering the mouth of the beast.
Look at what is aligned with this so called mouth, the Palais Royal.
Central to French history, the Palais Royal is where many generations of royals lived.
Louis XIV grew up there for example.
The Duke of Orleans later owned the palace.
I was extremely surprised to recognize the 5:12 Jerusalem Rectangle precisely framed
in the proportions of the Royal Palace's Court of Honor.
The Palace garden's two famous lawns symbolize the two holiest spots in Christianity and
Judaism.
There is clearly a royal French connection to the ancient mysteries.
Royal of royals, Louis XIV's rein of 72 years was longer and arguably more powerful than
any other king in European history.
Architect of the Vatican's St. Peter's Square, Gian Lorenzo Bernini allegorically portrayed
Louis XIV as Alexander the Great in the famous equestrian statue located in front of the
Louvre pyramid.
This statue marks the beginning and faces in the direction of what is called the Axe
Historique of Paris.
The historical axis runs from the equestrian statue of Louis XIV, under Napoleon's Arc
du Triomphe du Carrousel, through the Tuileries, over the Luxor obelisk, under the Arc du Triomphe,
all the way along the Champs-Élysées to its endpoint within the Grande Arche in La
Defense.
French Egyptologist Jean-Marcel Humbert had this to say about the Axe Historique:
"I have not verified this, but it is said that the great axis is a Masonic alignment,
and that it is not the result of chance...It is known that the Freemasons find their origins
in ancient Egypt."
I have verified that the Axe Historique is indeed aligned to the heliacal rising of Sirius,
just as is the older Notre Dame on the Ile de la Cite, whose axis parallels the Champs
Elysee.
Hancock and Bauval trace the origins of this alignment to the fact that Notre Dame was
likely built over an ancient Roman Temple of Isis.
Notre Dame or Our Lady is therefore Mary veiling Isis.
Perhaps even more amazing, Hancock and Bauval show the word Paris comes from the melding
together of the words Pharia-Isis.
Pharia, or Pharos in Greek, is the island where the wondrous Lighthouse of Alexandria
was and the center of Isis worship in antiquity.
Now let's imagine taking an enlightening ride with the Sun King along the axis he laid out,
which was greatly embellished with hidden symbolism by Napoleon, Mitterand and many
others on up to the present day.
For the first destination we must travel underground, both under the Earth's surface and below public
consciousness.
La Pyramide Inversée is an underground atrium space surrounded by fashionable boutiques.
The downward facing pyramid is the symbolic opposite to the famous museum entrance.
As the upward pointing pyramid symbolizes a man, the inverted pyramid must therefore
represent a woman.
In alchemy the symbols for fire and water are upward and downward facing triangles.
This polarity is also represented in Western mysticism as sword and chalice.
The chalice in question is of course the holy grail.
Going with the Holy Blood Holy Grail thesis, it's fitting that Dan Brown chose to portray
the location of the tomb of Mary Magdaline right here under the Pyramid Inversée at
the end of The Da Vinci Code.
If the Star of David is the symbol of the union of male and female, then the star tetrahedron
is its 3D equivalent.
Drunvalo Melchizadek's volumes on the Ancient Secret of the Flower of Life show the human
energy field or Merkaba as it's known, takes the form of a star tetrahedron, male and female
being inversions of each other.
On a higher level, Richard Hoagland has shown how star tetrahedron geometry is implicated
in hyper-dimensional energy outflows coming from planetary cores in our solar system.
When a star tetrahedron is inscribed within a sphere, its points touch the sphere's surface
at 19.5 degrees north and south latitude.
On Earth one of the tetrahedral points is on the Mauna Loa volcano in Hawaii which is
actually the largest mountain on earth if measured from the sea floor.
Similar energy outflows occur at 19.5 degrees north or south on Mars' Olympus Mons (which
is the largest mountain in the solar system), in Jupiter's Great Red Spot, and Neptune's
Great Dark Spot.
Explaining these outflows requires a four dimensional model of physics where energy
is gated from the Sun to the planetary cores through hyperspace.
Energy transduced by each planetary body appears to us as heat in 3D, emerging from the most
stable of all three dimensional forms, the star tetrahedron.
The simplest way of describing a physics that's based on the same geometry for both planetary
and human energy fields would be "As Above, So Below", the Hermetic motto.
Next on our tour is the Arc de Triomphe du Carrousel built by Napoleon.
When you stand directly under the central arch your body symbolically resonates with
the Sun.
The name Carrousel suggests planets revolving about you.
The 12 hedges representing the constellations of the zodiac radiate like rays of the Sun
from exactly where you are standing.
In addition to the official allegory of Peace being guided by Napoleon's victories, the
chariot drawn by four horses on top of the arch could just as well be read as the ancient
depiction of Helios drawn by four horses.
The oval that terminates the hedges symbolizes Kepler's scientific discovery that planets
have elliptical orbits and the square hedges must be the two foci of the ellipse.
Napoleon was most obviously interested in correlating the human body with the Sun.
Le Notre laid out the Tuileries garden at the request of the Sun King.
The garden's proportions, fountains, and parterre patterns amazingly fit the Jerusalem rectangle.
See how the fountains are tangent to the X's?
The octagonal fountain therefore corresponds with the Dome of the Rock and the round fountain
with the Holy Sepulchre.
Paris is another New Jerusalem.
When you train yourself to see Hermetic symbolism, it starts appearing all over Paris in plain
sight.
It can be a bit overwhelming.
Two equestrian statues flank the entrance to the Tuileries from La Place de la Concorde.
Her exposed breast suggests this goddess might be Isis.
The other rider is Mercury holding the staff of Osiris or caduceus which has become the
symbol of the medical profession.
Here's another possible Isis in the garden and another Mercury.
This golden boy is the Genie of Paris atop the July Column commemorating the Revolution
of 1830.
The genie is Mercury himself.
The first time Hermetic symbolism had come completely out into the open in France was
during the 1789 revolution.
Here's the Declaration of the Rights of Man depicting the all seeing eye of the Supreme
Being.
Incidentally this design was influenced by Benjamin Franklin who was something of a Freemasonic
celebrity in Paris at the time.
Franklin helped design the Great Seal of the United States which bears the same all seeing
eye.
In time for the celebration of the heliacal rising of Sirus in 1793 this fountain was
erected in La Place de la Bastille.
The famous artist Jacques-Louis David sculpted the Fountain of Regeneration, with Isis even
wearing an Egyptian headdress.
The water streaming out of her breasts recalls the image of St. Bernard de Clairvaux receiving
milk from the Virgin.
And how can we forget this view?
The Eiffel tower as phallis of Osiris with a Statue of Liberty replica on the Seine as
his sister bride.
The largest square in Paris is up next on the Isis axis.
Believe it or not the Place de la Concorde has an area of precisely 86,400 square meters.
Remember the 864' high Transamerica Pyramid, and the 864,000 feet from Stonhenge to Silbury
Hill?
You see it doesn't matter if we are talking metric or Imperial units with shifted decimal
places.
What matters are the numbers.
The fact is the Sun's diameter is 864,000 miles and there are 86,400 seconds in a mean
solar day (24h x 60m x 60s = 86,400 exactly).
The area of the place thus confirms it as a solar symbol.
The cars are likened to planets wandering around the elliptical traffic circle.
The twin fountains symbolize the watery galactic midplane of the Milky Way, just as they do
in front of the Vatican.
That makes the Champs-Élysées the ecliptic.
Le Notre designed the Place d'Etoile where the Arc de Triomphe stands today.
Standing at the center of the place of the star, the ceremonial arch is read literally
as a star gate.
Twelve streets radiating outward represent a zodiac.
The triumphal arch originally honored the warriors who fought for France in the Napoleonic
Wars and it later became the tomb of the unknown soldier.
The eternal flame under the arch might be another solar reference.
There's certainly a lot of Sun worship going on in Paris.
Napoleon invaded Egypt in 1798, and not even counting the Egyptians, the French death toll
came to more than 20,000 souls.
After France's great defeat Napoleon was asked why he decided in the first place to invade
Egypt?
He said "I came to draw attention and bring back the interest of Europe to the center
of the ancient world."
While the campaign was raging Napoleon spent a night alone in the great pyramid and when
asked about his experience he supposedly said, "You would not believe me if I told you."